John Forde

My first 1-star Amazon review

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It finally happened. I finally got my first 1-star Amazon review.

I wrote back in May about how I had gotten a 1-star review of my “10 Commandments of A-list Copywriters” on Goodreads, a book review platform.

That review was in Serbian, a language that I understand. The gist of the review was an attack on direct response copywriting. “Outdated!” “Cringe!” My poor book, which has the word “copywriters” in the title, apparently attracted somebody who loves to read about a topic they hate.

That’s okay. Because I wrote an email about that review and I profited from it.

But I’m not sure I can profit from my first 1-star Amazon review. Because a while back, Amazon started allowing reviews that don’t say anything, but simply just pick a number of stars.

What precise and profound comment did my reader mean to express by choosing a single star for my book?

Perhaps the reader had some genuine gripe or even a legitimate critique of the actual content.

But perhaps he or she read the book and thought it was great, and wanted to reward me for writing it: “This book is so good it reminds of my home state of Texas! Here’s a lone star fer ya.”

Or perhaps this reader thought the book was too valuable to share, and wanted to discourage others from reading it and getting good ideas from it also.

Unfortunately, we will never know.

Instead, in order to profit from this zero-content review, let me tie it up with something more substantive. And that’s a message I got last week from Kieran Drew.

As you might know, Kieran is a bit of a star in the creative entrepreneur space. He has close to 200k followers on Twitter. He also has a big and growing email newsletter, with over 25k readers.

Earlier this year, Kieran launched a course about writing, High Impact Writing. Over the course of two 5-day launches, he sold over $300,000 worth of this course to his audience.

But back to the message Kieran sent me last week.

​​It simply said, “hope you’re well mate, continuing to spread the good word.”

​​Beneath that was a screenshot of a tweet that Kieran wrote earlier that day:

===

Copywriting is the most important skill for any creator.

My 5 favorite books (if you’re a beginner, read in this order):

1. Adweek Copywriting Handbook
2. Great Leads
3. Cashvertising
4. 10 Commandments of A-list Copywriters
5. Breakthrough Advertising

===

I’ve never read Cashvertising. But the others I have read, and multiple times each. It kind of tickles me to be included on a top-5 copywriting list along with Joe Sugarman and Mark Ford John Forde and Gene Schwartz.

I’ve been pushing my 10 Commandments book pretty hard over the past few days.

Today is last day will be pushing it for a while.

Of course, you can choose to buy it today or you can choose not to. There’s no urgency, beyond the fact that people who care about writing and know about online business success think that what’s inside this book is valuable.

It might be so for you too. If you’d like to stake $5 on it to find out:

https://bejakovic.com/10commandments

A damn good bit of advice from an embarrassing book I bought yesterday

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Yesterday, I found myself in the Moco Museum gift shop, thumbing through a book, and looking over my shoulder.

The Moco Museum features street art, pop art, and what I can only call high kitsch.

And after getting through the colorful exhibit, there I was in the gift shop, holding a little white book with a big black title.

The book collects 120 short ideas by George Lois. Lois is a brand advertising guy that the book describes as “America’s master communicator, advertising guru, the original Mad Man, and acclaimed cultural provocateur.”

A little boastful, but nothing too indecent in that.

The problem was that big black title on the cover. It read:

“DAMN GOOD ADVICE (for people with talent!)”

I felt embarrassed being seen buying something like this. But I liked the few of Lois’s bits of advice that I had thumbed to.

And since I have exactly one physical book in my new apartment, I steeled myself and decided to buy “DAMN GOOD ADVICE (for people with talent!)” in spite of the title.

So like a teenager buying condoms for the first time, I looked around, picked an opportune moment, and rushed for the cash register.

“I’d like to buy this,” I mumbled, pushing the book across the counter, not raising my eyes.

The woman just smiled at me knowingly and rang up the book without comment.

And good thing. Because I’m reading the book more this morning, and I’m enjoying it.

Lois gives a brief but interesting perspective on creativity and brand advertising. Much of it is laughable and sacrilegious from the perspective of direct response advertising. But there is still some surprising common ground.

For example, Lois’s advice no. 50 says:

“Research is the enemy of creativity — unless it’s your own ‘creative’ research (heh-heh)”

I raised my eyebrows when I read this headline. But Lois pays it off in a way that is consistent with something a very successful direct response marketer said recently. I’ll tell you about that tomorrow if you like.

For today, I just want to share a much simpler idea, Lois’s advice no. 75:

“What a difference a name makes!”

Lois is talking about the power of good brand names. But his advice no. 75 made me think of chapter 6 of Great Leads, by Mark Ford and John Forde.

One bit of advice from that marketing classic is that, if you have a complex problem to talk about, it can be smart to package it up inside of a name, ideally one that makes instant sense to the reader.

Of course, not only complex, hard-to-describe problems deserve a good name.

Vague symptoms… shadowy enemies… novel mechanisms… and plain old giant promises often become more manageable and real if you just give them the handle of a good name.

Which brings me to the name and the promise of the presentation I will put on next Wednesday.

It’s called the Most Valuable Email.

And it’s about a type of daily email that has been most valuable to me in the history of this newsletter… and that might be equally valuable to you, if you are a copywriter or marketer, and you have your own mailing list, or you want to start one.

The Most Valuable Email presentation will happen on Wed June 22 at 7pm CET. If you’d like to get signed up for it, the first step is to get on my email newsletter before Wednesday. The second step will become obvious once you get my first daily email. No talent required.

How to be seen as a more credible source of solutions and advice

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Today, YouTube served me with up a recent interview that PBS did with Garry Kasparov.

Kasparov was World Chess Champion for 20 years and then an opposition leader in Russia.

“Unfortunately,” the interviewer said in his opening move to Kasparov, “you turned out to be right. Back in 2015, you wrote a book called ‘Winter is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped.'”

The interviewer took a breath after reading out that title. He went on:

“Now that we see what he’s doing, what should our response be?”

Given Kasparov’s book, this might seem like a reasonable question to ask.

And that’s just the point I want to make to you today. There’s something important hiding inside that question.

In the words of Mark Ford and John Forde from Great Leads… the fact that you understand what’s wrong can help make you seem like a more credible source for solutions, too.

The fact is, just because Kasparov wrote a book critical of Putin gives him no special insight on how to stop the raging war in Ukraine. The two are about as related as knowing that “heavy turbulence makes for unpleasant flights” and knowing how to land a jumbo jet.

And yet, it doesn’t matter. The human instinct to jump from one to the other. Because when we’ve got trouble, it’s natural to look outside ourselves for the solution. And at those times, we are willing to accept a lot of things as qualifications and authority.

The takeaway for you is clear:

Don’t build a better mousetrap.

Instead, write a book. Educate your prospect about the dangerous breeding habits and expansionary intent of the eastern harvest mouse. “The eastern harvest mouse is coming,” your book should say. “And it must be stopped.”

Ok, let’s get to the business end of this post:

If you want more advice on building credibility with your audience, you might get value from my email newsletter. That’s where I regularly write about reasons that credibility fails. You can sign up for it here.

Great re-reads

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“The richer part of the promises you’ll make is the part that pulls the strings from behind the curtain. Friendship and status among your peers. Confidence and freedom from worry. Inclusion. Safety and security. Even just the feeling of association to people you admire and respect.”
– Michael Masterson and John Forde, Great Leads

I’m re-reading Great Leads right now. It’s my third time around reading and taking notes from this book. Even so, last night, I was shocked to read that passage above. It felt like I’d never seen it before. Which means…

1) This passage was secretly inserted into the book since I last read it (very unlikely) or…

2) My eyes carelessly skipped it the two times before (somewhat unlikely) or…

3) I was daydreaming both times while reading it (somewhat likely) or…

4) At those earlier times, I just didn’t grasp the deep significance of what I was reading (very likely).

In fact, my brain might have glossed over this passage even this third time.

​​Probably, the only reason I was finally able to see it is because I was writing about the same stuff only a few days ago. (If you’re curious, check out my emails from Dec 31 and Dec 29.)

So my point is that there is much value in re-reading books, and then re-reading them some more. And not just because you might be forgetful… dull of understanding… or careless the first few times around.

The way I think of it:

The ideas in a book, and the presentation of those ideas, are like seeds. And your mind while you’re reading, and the circumstances of your life at that time, are the soil in which those seeds can land. And for each seed, there is a different season for fruitful sowing.

In other words, if you revisit a good book, even one you’re sure you know well, the harvest can be bountiful. You can find good ideas that you couldn’t appreciate earlier. Or you can remind yourself of good ideas you had seen before, so they become a deeper core of who you are.

In this way, re-reading good books can create transformative changes in your life and business. Because many valuable ideas are simple. You just need to be reminded to apply them, and results will follow soon.

But maybe you knew all that already. And maybe by telling you this, I’m just making you feel a little guilty, instead of actually motivating you.

So let me tell you that in my experience, re-reading books is actually fun and exciting. You discover stuff, like that passage above, that couldn’t have been in the book before.

Re-reading good books also gives you confidence and satisfaction. You are following the advice of industry giants like David Deutsch, Ben Settle, and Parris Lampropoulos… so you know you are building a valuable habit.

And rereading books can even make you feel a little smug and superior — in a perfectly healthy way — compared to both your earlier self and to all those other people who aren’t willing to do this.

But do as you think is right.

Maybe you really are too smart to get value out of a second or third re-reading of a book.

But if you are not, then I’d like to talk to you. Because I feel like we might be kindred spirits.

So if you already have this habit, or if you’re planning on starting it now, write in and let me know. I’ll tell you a few of the best books, both persuasion and non-persuasion related, that I’m re-reading now and will be re-reading soon.

And by the way, if you’re puzzled by why I would tell you all this, you clearly need to re-read Great Leads. It’s right there on page 83, before the analysis of Vic Schwab’s How To Win Friends & Influence People ad.

But if by some cruel twist of fate you don’t have your own copy to reach for, here’s a very smart way to invest $11.42:

https://bejakovic.com/great-leads

The Rule of One applied to online communities

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A few days ago, copywriter Stefan Georgi sent out email with subject line,

“Hang out with me in Scottsdale on Jan 29th?”

Stefan was promoting an entrepreneurs’ event in Scottsdale, AZ. So what’s the primary benefit to anyone on Stefan’s list in attending this event?

Well, it’s right there in the subject line. Getting to hang out with Stefan.

This made me think of series of ideas I got exposed to a few months ago. They came from a certain Stew Fortier.

I don’t know Stew, but online, he bills himself as a “former technologist, current writer.”

Anyways, Stew wrote a bunch of interesting and valuable tweets — a horrible format in my opinion — about online communities and why they die or thrive. The answer:

“A purpose is the primary value that members get by participating in the community.”

Stew gives the example of a community of designers. Designers might want many different things. But a purpose is one specific thing, such as:

* Mentor each other
* Help each other find work
* Invent new typography together
* Give feedback on each other’s work
* Lobby Congress to replace the English alphabet with Wingdings

Stew then gives the hypothetical of somebody in this community of designers proposing a book club:

“If the community exists to help designers get higher-paid work, you’ll know to pick books about design careers. Your core utility isn’t diluted, it’s amplified.”

You might recognize this as the Rule of One from the Mark Ford and John Forde’s book Great Leads. And if you ever decide to create an online community, then as Mark and John write,

“Put the Rule of One to work for you in all your communications, especially in your promotions and their leads. You’ll be amazed at how much stronger — and successful — your copy will be.”

And by the way, as Stefan’s email and most online copywriting communities show, gazing at the guru is a completely valid purpose.

Because purpose in an online community is much like value in email copy. Hard core, practical stuff is ok on occasion and for a while. But more illogical, entertaining, emotional stuff is both more powerful and evergreen.

And now:

Would you like to join the community of readers who gaze at my entertaining and fluffy marketing emails every day? Our purpose is simple — to expose you to the most subtle and powerful persuasion ideas out there. If that’s a community you’d like to join, then click here and fill out the application form.

Woody Allen and Mark Ford walk into a library together…

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“I don’t enjoy reading,” Woody Allen said once in an interview. “But it’s necessary for a writer, so I have to do it.”

Preach, Woody.

I’ve always found reading is one of those things I do out of responsibility, not enjoyment.

But do you really have to read to be a successful writer? Or at least a successful copywriter?

I don’t know. But I heard two expert copywriters talking today. And their opinion seems to be yes.

The two copywriters in question were John Forde and Mark Ford. You might know them as the two guys who wrote the book Great Leads, which is up there with Cialdini’s Influence and Gene Schwartz’s Breakthrough Advertising as elementary education for a copywriter.

So John asked Mark, where do you get your big ideas from?

Reading, said Mark.

Not by swiping what worked before. Not by intuition. Not by some magic spark of creativity.

Instead, Mark reads. And when something makes him excited and interested, he takes note, and he uses that idea, in some form, in his own writing.

Which might sound pretty simple. Or even cheap. But hold on. Because here’s a second tip from the same interview:

Mark says Googled reading won’t lead you to a big idea. You’ve got to read books.

Yes, it’s work. Maybe even unenjoyable work. But so what? Read lots of books, carefully, and you can make lots of money as a result. And as Woody Allen will tell you:

“Money is not everything, but it is better than having one’s health.”

But here’s what not to do:

Don’t read my daily email newsletter. It won’t lead to your next big idea. And it’s not enjoyable.

If you don’t believe me, or you want to judge for yourself what my daily emails are like, then click here.

The grandmaster of marketing secrets fesses up

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A few weeks back, I wrote a post about the trouble with marketing “secrets.”

​​It’s not that packaging things up as a secret doesn’t work. It does. It works great, and that’s why so many marketers use secrets as a crutch.

Today, I want to warn you about secrets again, but from the other side. Not a warning to you as a copywriter peddling secrets… but to you as a prospect getting sucked in by the promise of secret copywriting knowledge.

And to do that, I want to share a quote I heard in a speech given by an A-list copywriter who might be called the grandmaster of marketing secrets. I’m talking about Mark Ford, who, along with Bill Bonner, was one of the key people who made Agora the direct marketing behemoth it is today.

In case you don’t know, Agora is a conglomerate of a bunch of smaller publishing companies. Much of what Agora does is sell secrets — in the finance, health, and most recently, make money online markets. From what I understand, the selling of secrets at Agora all started with Mark Ford, who literally wrote the book on selling secrets (Great Leads, along with John Forde).

So Mark Ford and Bill Bonner were talking about the psychology underlying what they do… and they concluded the following:

“There is an inverse relationship between the value of knowledge and what people are willing to pay for it. The most important things in life you’ve probably heard a hundred times before, but you’re not paying attention. When you’re in the right place and you hear it, you have that ‘aha’ moment and everything changes.”

In other words, these two guys, who have collectively made hundreds of millions of dollars selling secrets, concluded that secrets aren’t worth that much.

So what am I saying?

Nothing. Draw your own conclusions. But perhaps Mark Ford’s confession above is something to remember the next time you hear an alluring promise of “insider knowledge” and “7-figure copywriting secrets.”

Speaking of alluring promises:

I write a daily email newsletter. It’s full of non-secret, highly valuable information. If you’d like to sign up for it, here’s the link.

Forrest Fenn fortune finally found

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Ten years ago, somewhere in the Rocky Mountains, a man named Forrest Fenn buried a small treasure chest.

According to the available descriptions, the chest dated back to the 12th century. It was made of bronze, with wood liner and a locking front clasp. On its sides, it showed scenes of knights scaling a wall while damsels above rained down flowers.

Fenn, who was a filthy-fun arts and antiquities dealer out of Santa Fe, filled the chest with hundreds of rare coins, gold nuggets, and pieces of ancient jewelry. The treasure was estimated to be worth between $1 and $2 million.

And then, Forrest Fenn hid the treasure and the chest “in the mountains somewhere north of Santa Fe ” — intending for somebody else to find it.

Fenn published a memoir in 2010 titled The Thrill of the Chase. It contained hints as to the location of his treasure chest. It also contained a poem, which Fenn said had nine specific clues.

In the decade since, hundreds of thousands of people searched for Fenn’s treasure. Five treasure hunters even died in the quest, by falling off cliffs or drowning in rivers.

And then this weekend, Fenn announced that somebody has finally found the treasure chest, somewhere “under a canopy of stars in the lush, forested vegetation of the Rocky Mountains.”

So what’s the copywriting lesson here?

First, I think this was an impressive instance of mobilizing people. Forrest Fenn literally got people to sacrifice their lives in search of a $1M prize.

Of course, this wasn’t just about $1 million. This was about uncovering a secret treasure. And that’s the point I want to get across to you.

Forrest Fenn could have just announced that he had buried $1M worth of treasure in the Rocky Mountains. “Go find it, you bums!”

But that’s not what he did.

Look at the description above of the treasure chest and its contents. It came from Fenn himself.

There’s so much detail.

You can probably picture the bronze box, the relief on the sides, and the jewels and gold coins stacked up to the rim. Then there’s Fenn’s memoir itself, in which every line could be a possible clue to the location. ​

And that’s the copywriting lesson.

If you’re going to lead people by the nose, you have to give them enough bait to get them hooked. Otherwise, they will just think you’re making stuff up. Or, as John Forde and Michael Masterson put it so formally in Great Leads:

“Specificity is absolutely required to overcome the skepticism that secrets automatically evoke.”

Shutting the drawer on the Rule of One

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“One good idea, clearly and convincingly presented, was better than a dozen so-so ideas strung together. That rule made a difference. When we obeyed it, our essays were stronger. When we ignored it, they were not as powerful as they could have been.”
– Michael Masterson

I first read about the Rule of One in Michael Masterson and John Forde’s Great Leads. You get a feel for the rule in the quote above. In a nutshell:

Focus on one idea, one emotion, one problem — not a dozen.

I read Great Leads early in my copywriting education, and the Rule of One sank deep into the fresh soil of my newbie brain. I’ve been following this rule ever since. And here you are, reading what I write.

Only one problem though.

Even though Michael Masterson says his favorite essays and stories all follow the Rule of One, I can’t say the same. In fact, I can think of lots of great content that looks and reads like a grocery list:

– James Altucher’s post “11 or 12 Things I Learned About Life While Daytrading Millions of Dollars”

– Dan Ferrari’s email “35 direct response lessons from 35 years on Earth”

– The Every Frame a Painting video “Akira Kurosawa – Composing Movement” (which covers five ways that Kurosawa used movement in his shots)

But you might say, those are all examples of content, not sales copy. All right then, here’s a relevant quote from Gary Bencivenga about sales copy:

“I know this sounds like heresy, but I’d much rather have in a good direct mail package three or four or 10 good reasons to buy, than to have to sacrifice nine of them in favor of the one USP. The USP really can be misapplied to direct marketing where you have the luxury of closing the sale on the spot and can give one dominant reason to buy but also seven or eight other reasons. You don’t have to abide so religiously to a single Unique Selling Proposition.”

Maybe I’m simply misapplying the Rule of One, or maybe I don’t understand what it really says. And I do think there is value in focused writing.

But for me personally, I am moving the Rule of One from the “rule” drawer and into the “tool” drawer. Focusing on just one idea can be useful in a given situation… but it’s not something to obey blindly. Perhaps you’ll consider whether this makes sense for you too.

Anyways, if you’re interested in reading James Altucher’s post above or watching that Every Frame a Painting episode, both are easy to track down on the Internet.

Not so with the Dan Ferrari email. Dan doesn’t archive his emails anywhere. So if you want to get them when he sends them out, you’ll have to be on his list.

And even then, you might have to wait a while, because Dan emails very rarely. (I guess he’s too busy counting all the zeroes on his royalty checks.) But when he does send something out, it tends to be great, like the “35 lessons” email above. So if you want to sign up to Dan’s list so you don’t miss his next (sporadic) email, here’s where to go:

http://www.ferrarimedia.com/

6 ways to stir up curiosity (cont.)

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Onwards and upwards. Continuing from my post yesterday, here are 3 more ways to create and amplify curiosity:

4 Flaunt the velvet pouch

When it comes to copywriting, the method of the velvet pouch is possibly the sexiest, most effective, and most profitable way to create curiosity. It certainly seems to be very prevalent on the Internet today, particularly in long-form sales letters and VSLs.

In many ways, the velvet pouch idea is a combination of several of the techniques from yesterday’s post. But I also feel like this method is tapping into human psychology on some unique, fundamental level, and that’s why I decided to include it on its own.

I found out about the velvet pouch technique from Michael Masterson’s and John Forde’s Great Leads. Here is the relevant section from the book, which is talking about lesson from a door-to-door salesman named Harry:

After gaining admittance to the apartment, Harry would start his pitch about the quality of our cookware, taking out the pots and pans individually from the case. But they were each encased in plush, royal blue velvet pouches. As Harry described the features and benefits of the cookware, he would gently massage the pots, first from outside over the velvet pouches, and then by slipping his hands inside them but still keeping them hidden from the prospect.

“Just keep your eye on the customer,” he told me. “In the beginning they’ll be looking at you. But as you go on, you’ll notice that they will shift their focus to the pots and pans. That lets you know they are getting interested. Keep hitting them with the benefits while they stare at what you’re doing. And never, ever tkae the pots out until you know they have the prospects’ full attention.”

Masterson and Forde use this story to kick off their chapter on what they call the secret lead. In other words, the velvet pouch is all about the mystery and intrigue that builds up when a secret is hovering around in the air.

In some ways, this is similar to a combination of the open loop and the teasing from yesterday. But like I said, there also seems to be a fundamental human hunger for secrets, even if they aren’t clearly associated with any benefits. I think that also explains why “secret” and “mystery” are marketing power words that can in many ways make a headline on their own.

By the way, I think trying to disqualify yourself (or what you’re offering) can sometimes work in the same way as a secret. Once something is taken off the table, people suddenly become more intrigued by it. That’s why I think the start of my post from two days ago is in some ways also a secret lead:

Fair warning: the following post contains some sexual, politically incorrect references. It might offend some people.

It’s ok to click away. But if you insist on reading, here goes:

5 Be different

 

 

 

 

 

 

 

6 Be new/Share news

The new kid on the block

When Gary Halbert died, Gary Bencivenga wrote a post explaining why Gary H.’s newsletters were so interesting. The number one thing, according to Gary B.?

1. Gary shared news. Sometimes he was the news, sometimes it was a dramatic turn of events in his tumultuous life, but often enough, he shared news of a technique or strategy that would make your response and profits soar. You couldn’t afford to miss even one of these gems, so you had to open every issue.

Many times, being new is sufficient unto itself, even if there’s no implied benefit, and not even anything clearly different. Novelty seems to directly tap into human psychology. Remember being in elementary school when a new kid appeared in class? Like in the photo above, that new kid was automatically interesting, at least for a while.

About number 5 above…

I tried to be different with the “be different” section above, so I didn’t expand on it at all. Maybe I should have just left it at that, because being different can be pretty straightforward. Still, here are a few examples:

First off, there’s the picture from yesterday’s post: “WORLD’S ONLY FEATURE DANCER WITH 3 BOOBS.” Is it a benefit? Hardly. A secret? Not at all. Just morbid fascination and curiosity with something different.

Second, there’s the story I started with two days ago, about a guy named Yad sleeping with a girl only a few hours after meeting her — just because he was different enough from other guys to make her very curious.

Finally, a copywriting example from my own essential oils list. At one point, I was promoting an online video series about longevity. The promise of the series was “How to live to a happy and healthy old age.”

That’s a fine benefit, but everyone is already pushing the same. So I simply switched it around to be different. I retold an ancient Greek myth about a Trojan prince who gets eternal life but not eternal youth, and how it turns out to be a curse rather than a blessing. The subject line for this inspiring email: “How to reach a frail and unhappy old age.” It worked pretty well.