Ben Settle

Ooooo, child!

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Last weekend, my friend Sam and I went to Savannah. On the drive there, we started started listening to an audiobook of Midnight in the Garden of Good and Evil.

That was a 1994 non-fiction book that stayed on the New York Times bestseller list for a remarkable 216 weeks.

Midnight in the Garden of Good and Evil consists of a bunch of character studies of various eccentrics who lived in Savannah in the 1970s and 80s. The book cuts through Savannah society, from the rich and established to the poor and fringe.

Among the poor and fringe was Miss Chablis, “The Empress of Savannah.”

Chablis was a black drag queen.

The narrator of the audiobook, who normally speaks with a neutral accent, voiced Chablis, like all other Savannah locals, with a kind of southern drawl.

Except that in the case of Miss Chablis, the narrator, who sounded solidly white and male otherwise, also had to awkwardly act out dozens of draq-queeny, Black-English phrases such as:

“Ooooo, child!”

“Oh, child, don’t you be doin’ that!”

“Y-e-e-e-s, child! Yayyiss… yayyiss… yayyiss!”​​

I had flashbacks to this earlier today.

I got back to Barcelona yesterday. I checked my mailbox and found a stack of New Yorkers waiting for me.

This morning, I sat on my balcony and flipped open the latest one. The first feature story is about Ru Paul.

“Ooooo, child!” I said, “No more drag queens, honey, please!”

But as I often do, I forced myself to read something I had no inclination to read. I often find valuable things that way.

Today was no exception. I found the following passage in the first page of the article. Jinkx Monsoon, a 36-year-old drag queen who won two seasons of Ru Paul’s reality competition TV show, explained the power of drag:

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It’s armor, ’cause you’re putting on a persona. So the comments are hitting something you created, not you. And then it’s my sword, because all of the things that made me a target make me powerful as a drag queen.

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If you have any presence online, this armor-and-sword passage is good advice. It’s something that the most successful and most authentic-seeming performers out there practice.

I once saw a serious sit-down interview with Woody Allen. I remember being shocked by how calm, confident, and entirely not Woody-Allen-like he was.

Closer to the email world, I remember from a long time ago an email in which Ben Settle basically said the same thing as Jinkx Monsoon above. How the crotchety, dismissive persona he plays in his emails is a kind of exaggeration and a mask he puts over the person he is in real life.

So drag is good advice for online entrepreneurs.

But like much other good advice, It’s not something I follow in these emails.

I haven’t developed an email persona, and I’m not playing any kind of ongoing role to entertain my audience or to protect me from their criticism.

That’s because I don’t like to lie to myself. Like I’ve said many times before, I write these emails for myself first and foremost, and then I do a second pass to make sure that what I’ve written can be relevant and interesting to others as well.

This is not something I would encourage anybody else to do. But it’s worked out well enough for me, and allowed me to stay in the game for a long time.

That said, I do regularly adopt various new and foreign mannerisms in these emails.

I do this because i find it instructive and fun, and because it allows me to stretch beyond the person/writer I am and become more skilled and more successful.

I’ve even created an entire training, all about the great value of this approach.

In case you’d like to become more skilled and successful writing online, then honey, I am serious! You best look over here, child:

https://bejakovic.com/mve/

Write 10 books instead of one

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A few months back, I made an offer to help people on my list write a book — if they already had a catalogue of content such as daily emails, blog posts, or secret diary entries.

Some people who expressed interest had too little such content.

Not good. That means too much writing for me personally, and I’m not interested in becoming a full-time ghostwriter.

But some people had too much good content. A million words written or more, across thousands of emails.

Where do you possibly start with that? Or where do I?

I don’t have a great answer. But I will claim one thing:

It’s often easier to write a series of ten books than to write a single, one-off book.

Hear me out.

First off, it’s important to remember that the definition of what makes up a book in today’s world has changed.

A collection of words no longer has to be as much of a blunt weapon as Gone With The Wind in order to count as a book.

My own 10 Commandments of A-List Copywriters book, which has brought me hundreds of high-quality readers and tens of thousands of dollars in new sales, runs all of 12,266 words.

Ben Settle’s first Villains book, the book I believe has done the most for his positioning, has 118 tiny pages, and that’s with a giant font and US-national-debt-sized margins.

And yet, I never had nobody complain that my book is too short. I doubt Ben has either.

Today, in books as in sales letters, it’s not really length that makes the difference either way. Rather, it’s the concept, the headline or title, the “big idea”.

That’s why I say it’s easier to write, or at least honestly commit to write, 10 books rather than one.

Writing 10 rather than one forces you to be more specific, concrete.

It forces you pump out more decent ideas, rather than trying to come up with a single brilliant breakthrough.

And of course, it forces you to keep each of your ten books, including that crucial first one, short and manageable, rather than trying to squeeze in too much out of some subconscious guilt or worry.

Anyways, something to keep in mind if you want more influence via book publishing.

It definitely helps to have a big catalogue of previous writing, which you can then shape into a new book, or perhaps more easily, into five or ten.

In other news about influence:

Tomorrow, inshallah, I will make available my Influential Emails training. That training reveals some of the tricks I use to make my emails more interesting and influential than the average email writing bear.

It’s how I’ve produced content that could easily fill 10 tiny but effective Kindle books.

If you’re interested in Influential Emails, you will want to get on my email list first. Click here to do so.

The most famous copywriter, real or fictional

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On Dan Heath’s new podcast, “What It’s Like To Be,” I heard Dan asking a TV meteorologist, a criminal defense lawyer, a forensic accountant, all the same question:

“Who’s the most famous meteorologist/criminal defense lawyer/forensic accountant, real or fictional?”

This got me wondering who the most famous copywriter might be, real or fictional.

I had a gut feeling. I double-checked via simple Google search, by looking at the total number of results.

As far as real copywriters go, there’s really only one possible option for a copywriter that a rando off the street might know.

​​That’s David Ogilvy.

There’s something about the pipe, the smart suits, the English disdain, the French castle.

Sure enough, Ogilvy was the only real copywriter who has more than 1M indexed Google results about him.

As for fictional copywriters, it depends on who you consider a copywriter.

Don Draper, the creative art director from the TV show Mad Men, clocks in at over 2M Google results.

But was he really a copywriter or more of an idea man? I’ll let you decide.

Meanwhile, the most famous, fictional, 100% copywriter that I’ve been able to find is Peggy Olson, also a character on Mad Men, who only gets around 220k Google results.

Should we stop there? Oh no.

It turns out several celebs out there have a copywriting background… but are not today known as copywriters.

One of these is novelist James Patterson. Before Patterson set out to write 200 books (and counting), he was a copywriter and later the CEO of J. Walter Thompson, one of the biggest and oldest ad agencies in the world.

Patterson has 6M+ Google results to attest to his fame.

And if we’re already going with celebrities who have copywriting in their history, and maybe their blood, then we get to the most famous copywriter of all time, real or fictional, live or dead, even though nobody nowhere would identify him as a copywriter.

I’m talking about F. Scott Fitzgerald. Fitzgerald worked for a time as a copywriter before becoming the author of the quintessential great American novel, The Great Gatsby, and later a topic of almost 13M Google results.

So there. Now you know. And now you might ask yourself, “What did I just read? Did I really need this in my life? How did I wind up at the bottom of this email?”

If any of those questions is flitting through your head, let me point out that interest in famous people seems to be hardwired into our brains.

Tabloid writers and sales copywriters know this fact well, and they use it over and over and over. Because it works to draw attention and get people reading, day after day.

That’s a free lesson in copywriting.

For more such lessons, including ones that you might not be able to shrug off by saying, “I guess I knew that,” you will have to buy my Copy Riddles course.

The whole big idea behind Copy Riddles is the appeal of famous people — at least famous in the small niche of direct response copywriting.

I mean, on the sales page, in place of a subheadline, what I have is a picture featuring Gary Halbert, Gary Bencivenga, Stefan Georgi, and Ben Settle, all of them celebrities in the micro world of direct response, all of them paid off on that page as being integral to the course.

If you’d like to buy Copy Riddles, or if you simply want to read some gossip about famous copywriters, then head here and get ready to be amazed and shocked:

https://bejakovic.com/cr/

My new chore-of-the-month arrived yesterday and is looking at me accusingly

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Yesterday I pushed my way into the lobby of my building — too many grocery bags in my hands — and I peeked into my mailbox.

My ex-girlfriend (still living together) was already by the elevators, holding her own batch of grocery bags. “There’s nothing,” she said. “I checked already.”

But I don’t trust anyone. So I peeked into the mailbox. And I saw it:

A narrow cardboard package that somehow telegraphed class and high-value.

I opened up the mailbox. The ex came over wide-eyed. “What is it? What did you order?”

Frankly, I had no idea.

The package was postmarked UK. I thought for a minute. And then I remembered.

I’d signed up to a magazine-of-the-month club a while back. Each month, they send you a new magazine, so you can get exposed to new stuff, be entertained, have new email fodder.

This was my first issue.

I couldn’t wait to see what I got. I tore open the cardboard package right there in the lobby.

Inside was more beautiful paper packaging. I felt bad ripping it apart. In the elevator up to the apartment, I tried to peel it open carefully. But impatience to see my cool new magazine bubbled over.

I ripped up the paper packaging as well.

As I entered my apartment, I could finally get at the fascinating and intriguing contents inside. And what I found was:

A squat, black cover, showing a hand holding a spoon, and taking a bit of some kind of unidentified mass from a platter, which was held by another hand.

A vague, arty photo. There was nothing else on the cover except the magazine title. Not a good start.

I flipped to the back.

​​”FEATURING,” the back cover said, “Fiction:” and then a long list of contributors. “Poetry:” and then another long list of contributors. “Art and photography:” and then more contributors.

“Ugh,” I sighed. “This feels like it’s gonna be work.”

I tossed my new chore-of-the-month onto the little stand next to the couch, where it’s still sitting, in its shrink-wrap. I’ll have to schedule a time during my work hours to sit down and face this obligation.

In case you’re wondering how this could possibly be relevant to you:

Between 2017 and 2021, I subscribed to Ben Settle’s Email Players print newsletter.

After I decided to unsubscribe, I asked myself why. What did it?

There were several logical reasons.

But I realized that the real, emotional reason was simply that reading Email Players had become a chore.

I’m sure there were still some valuable ideas in each issue. But it was no longer fun to read.

I kept looking at it sitting there by my couch, and thinking, “Ugh. There’s that to do.” And since Email Players is hardly the only source of valuable ideas in the universe, I decided to unsubscribe.

I myself am now planning a subscription offer, a community around newsletters, which I’m planning to call Publishers Club.

But I realize that — and here’s the takeaway of today’s email — value notwithstanding, my subscription offer will have to be enjoyable and even fun if people will have any chance of getting value out of it.

So I am appealing to you for help and input.

Write in and tell me one subscription offer that you pay for, and that you actually enjoy or even look forward to.

It could be a newsletter, a community, a magazine, a magazine-of-the-month club, a streaming service, whatever.

For bonus points, tell me what makes this subscription offer enjoyable or even fun.

In return, I will 1) telepathically send you good vibes along with my gratitude and 2) reply via email and tell you the only subscription offer I am currently enjoying, and why I suspect I am enjoying it.

I’ve mentioned this subscription offer in passing a few times in the past. But I’d say chances are about 99.9% you do not know what I have in mind.

​​If you’d like to know, write me with your fun or enjoyable subscriptions, and we can do a tit-for-tat trade.

The two kinds of newsletters

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It’s late — I’ve been working until now on a new daily newsletter that I will launch tomorrow. It’s connected to my weekly health newsletter, which I tease occasionally but never reveal.

Inevitably, whenever I launch something new like this, a million and one little niggling things pop up that need to be done.

That’s why it’s late. And that’s why I somehow still haven’t written this daily email.

So let me just share something I wish somebody had shared with me a long, long time ago.

Had somebody told me this, it would have cleared up many confused days and nights of my marketing education.

It would have taken away some worries.

And maybe it would have even made me some money.

Here’s the big “secret”:

There are two fundamental styles of direct marketing/businesses/newsletters.

The first style I will call the Marty style, as in Marty Edelston.

Edelston was the founder of Boardroom, a $100M direct response publisher. He hired the bestest and A-listest copywriters out there, including Gary Bencivenga, Parris Lampropoulos, and David Deutsch.

The second style I will call the Dan style, as in Dan Kennedy.

Dan was at one point the highest-paid copywriter on the planet. He is also somebody who has shaped generations of direct marketers, including Russell Brunson, Ben Settle, and, on a much more modest level, me.

Marty style: intriguing, benefit-oriented, impersonal.

Dan style: intimate, personality-oriented, opinionated.

The Marty style of newsletter features cool how-to insider tips, such as how to ouwit a mugger in a self-service elevator, along with references to outside authorities who revealed that info.

The Dan style of newsletter features a personal rant by Dan about how the sky is falling or is about to fall. It features no outside references because what other authority could you ever need besides Dan himself.

So which style is better?

Or rather, why are there two styles, and not just one, the way we would all prefer?

You guessed it. Because each style can work well, and each style has its drawbacks.

Dan style means you can sell much more easily, and at much higher prices, and people will stick with you for longer.

But your audience is much more limited, and your product is really you.

Marty style means you can reach a much broader audience much more quickly, plus you don’t have to grow out mutton chop mustaches and share photos of yourself sitting on a bull.

But your audience is much less attached to you, and they will pay $39 instead of $399 for the same info.

So which style you choose to follow is really up to you and the kind of marketing/business/newsletter you can stomach for an extended period of time.

Of course, you can also stomach both, which is basically what I’m doing.

I have this newsletter, more on the mutton-chop-mustache, Dan Kennedy side. On the other hand, my health newsletter, including the daily newsletter I’m launching tomorrow, is fully on the “what never to eat on an airplane,” Marty Edelston side.

You gotta figure out what you want to do.

Final point:

If you do decide to go the Marty Edelston, impersonal, benefit-oriented route, then you will likely need copy chops, above and beyond what you will need if you are really selling yourself.

And if you do need copy chops, specifically the kinds of copy chops that people like Gary Bencivenga, Parris Lampropoulos, and David Deutsch have, then take a look here:

https://bejakovic.com/cr

Three bits of Dan Ferrari’s timeless wisdom

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A couple days ago, A-list copywriter Dan Ferrari, who was my copywriting coach once upon a time, sent one of his once-every-ice-age emails.

I’ll tell you an idea from that email that caught my eye. But first, a quick story to set it up:

I was talking to my friend Marci a few days ago. Marci has started a quick, daily, general-interest AI newsletter. He asked me if I had any suggestions for him.

I told him to consider picking a specific audience and niching down to writing about AI for that audience.

Marci’s brother Krisz was in the room and listening to the conversation. At this point he jumped in and said, “For me the newsletter is perfect as it is. It’s short, it’s interesting, it keeps me in the loop even if I’m not so much into AI.”

So who’s right? Should Marci niche down his newsletter? Should he keep it broad?

Or more relevant to you:

Should you go with one product name or a second product name? One segment of the market or another? One headline or a second one?

To answer that, let’s go back to that Dan Ferrari email from a couple days ago. In it, Dan wrote the following:

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Something that none of the gurus will ever say publicly… direct response is largely dictated by luck.

No one knows exactly which offers are going to work and more importantly, how successful they will be.

No one.

Some of us are better at guessing than others but make no mistake, we’re still guessing. There are too many variables at play. Many of them are not within your control or even the business’ control. They are external and completely unknowable.

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That might sound discouraging. And it’s true that “testing” AKA regular failure is an essential part of the direct response game.

But as Dan says in the same email, you can improve your luck by upping your skills.

​​Better skills help you come up with better ideas that are more likely to work… and they give you access to better opportunities that are more likely to succeed a priori.

And now, let me ease into my sales pitch.

There’s a third thing Dan said, not in this email, but on one of those exclusive coaching calls, talking to a small number of copywriting mentees, me among them:

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You can use a fascination/bullet midway through a story to get people to stick… or in a lead… or anywhere in the copy.

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Dan wasn’t talking about jamming in actual (*) sales bullets anywhere or everywhere in your copy. He was simply saying, if a bit of copy would make for a great sales bullet, it can work as an exciting, surprising, momentum-building sentence of copy, anywhere you need it.

So that’s one reason to learn sales bullets. Here are a few others:

Email marketer Ben Settle has said that, “when written correct everything ‘comes’ from the bullets, including non-bullet copy or ads where there are no bullets.”

Copywriting legend John Carlton has said that the sale often comes down to a single bullet.

And Stefan Georgi, who charges something like $50k for a single sales letter, has said that one of the biggest jumps he made as a copywriter came when he discovered bullets.

Ok, so much for the sales pitch.

Now, here’s my offer:

If you’d like to up your copywriting skills… double or triple your chances of success… put yourself in the path of better opportunities… and make your own luck long-term… then get Copy Riddles, my training that forces you write A-list sales bullets that are so important to all kinds of copy. You can find it here:

https://bejakovic.com/cr/

The psychology of misdirection

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Today I meant to write an elaborate email about the sales page for my Simple Money Emails course.

But against my better judgment, I got roped into chauffeuring a friend of my father through stop-and-go traffic in the middle of the city.

While my blood pressure has largely returned to normal, the 45 minutes that that unnecessary drive ate up cannot be replaced. So the SME email will have to wait until tomorrow.

As for today, let me tell you something acute that one of my readers wrote in with a few days ago, after I wrote about my 10 jaw-dropping email deliverability tips. My reader wrote:

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#5 – Links at the end of almost every email
I noticed that most of the time it is either an offer or an affiliate offer. Very rarely do you link elsewhere, unless you invite engagement like right now.

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That’s very true. I almost always link to something I am selling at the end of my email. I never link to, say, the Red Cross website or to a cute ferret video.

On the one hand you might say that’s only natural — it’s what most daily sales emails look like, because their goal is to make sales.

But at the same time, I don’t have a huge list, and I don’t have surprising new offers every day. In other words, I am not necessarily sacrificing sales by not plugging the same well-trodden offer in each of my emails, day after day after day.

Plus, I remember a time when I first got onto Ben Settle’s list, circa 2012.

After a few weeks, I dismissed Ben because each of his emails at the time followed the same format: promise + tease + CTA to sign up to his print newsletter. I gradually got bored and I unsubscribed.

It took a conscious effort a few years later to get back on Ben’s list and start listening to him again, and I only did that because there still wasn’t anybody else talking about email regularly.

So when you put those two things together, you get the following heretical conclusion, heretical at least in the direct marketing world:

I can see good business sense in occasionally linking to stuff that won’t make you any money, but that can benefit, surprise, or delight your audience.

As Rich Schefren said once about the length of his own emails, you want to keep people guessing. You don’t ever want to give them a reason to dismiss you out of hand, before they’ve even had a chance to see your message.

I figure there must be some optimal rate of “public service emails” that keeps the interest of a large number of readers, while still allowing sales emails to predominate, and while maintaining or even increasing total sales. I don’t know what that rate might be, but I’m guessing somewhere around 10%-15%.

All that is really a long open to the following close:

When I decided to write this email today, I asked myself what was the most valuable resource that I don’t sell, but that I could share with readers on my list.

One thing popped up in my mind immediately.

It’s a book. I discovered it a few weeks ago. It talks about the psychology and neurology of misdirection.

Misdirection isn’t a great term, by the way — because what it really is is the control and focus of attention, along channels that serve the purpose of, say, a magician… or, say, a marketer or copywriter.

For the past couple weeks, I’ve been devouring this book and taking pages of notes on it.

I was planning on hoarding all this knowledge for myself, and profiting from it all by myself.

But you gotta keep people guessing.

At the same time, to make myself feel better, I tell myself not one person in a hundred on my list will actually get this book, and even fewer will actually read it and apply it. But in case you’re curious, here’s the naked, non-affiliate link of a valuable resources that I do not sell:

https://bejakovic.com/misdirection

Jim Camp, plagiarist

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Last week, Ben Settle sent out an email in which he quoted a reader who said the following about negotiation coach Jim Camp:

“… his whole system for the most part comes from Dave Sandler and he never gives him credit, ever that I’ve heard. Now I realize he has done many things to make him an expert but he has never anywhere I’ve heard even mentioned Sandler.”

Ben is a big Jim Camp fan, and has infected many of his readers, me among them, with Jim Camp’s authority.

Ben shrugged off his reader’s comment, and said he had never heard of Sandler.

​​Neither had I. But I looked Sandler up. He was a sales trainer and he died in 1995.

I found a book of 49 of Sandler’s “Timeless Selling Principles.” Most of the rules line up very well with Camp’s system. And some line up exactly.

​​Take a quick look over the specific language in the chapter headings and summaries below, and you’ll see that Jim Camp was in fact taking a lot from Sandler. ​​From the book:

* “Don’t spill your candy in the lobby” [Camp swapped in “beans” for “candy”]

* “The best sales presentation you’ll ever give, the prospect will never see” [taken word-for-word]

* “The bottom line of professional selling is going to the bank” [Camp said “bottom line of negotiation…”]

* “You must be comfortable telling your prospect that it’s OK to say ‘No.’ You must also be comfortable hearing and accepting ‘No.'” [Camp used this pretty much word-for-word, and summed it up with the title of his book, Start With No.]

In that Ben Settle email, Ben wrote, “If you learn something that’s not common knowledge from a particular source it’s good to give credit.”

I’ve read and listened to Camp a lot, but I’ve never read or heard Camp credit Dave Sandler. I’ve heard him mention Peter Drucker, Ralph Waldo Emerson, even Gloria Steinam, but never Sandler. (I checked just now, and Sandler is credited once, among 20 other mentors, at the end of Start With No.)

So now what? Is Jim Camp really a plagiarist? Or did he at least snub an influential mentor by not crediting him enough?

It might be interesting for the gossip, but on a practical level, I couldn’t care less.

As I wrote a long time ago in this newsletter, I’m less interested in attribution than in ideas that work.

Jim Camp’s system works. I know because I’ve used it and seen it work.

But is it really Camp’s system? Or Sandler’s system? Or somebody else’s who came before Sandler? Or some amalgam?

Instead of agonizing over those tough questions, I would like to give you a better, easier question to ponder:

Do you remember any of Sandler’s points above?

​​The real value in this email is those five points, not a dogpile on the topic of whether Camp gave due credit or not.

And yet, I doubt one person in a hundred will remember any of Sandler’s ideas above from this email… while many will remember that I wrote an email with the subject line, “Jim Camp, plagiarist.”

No judgment there. Such is the human brain — wired for human action and drama. You can gripe about it and fight it without effect, or you can simply accept it and work with it.

As I wrote once before, it’s your choice whether you want to be subtle or savage in how you work with it.

What is not your choice is how people’s brains work, and what kinds of messages they respond to.

​​And the most condensed and powerful type of message that people respond to… well, you can read more about that here:

https://bejakovic.com/cr/

Why I ignored your social proof

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I remember an email once in which marketer Ben Settle wrote,

“Ignore social proof when buying.”

I reckon that was a sweetly pointless message, since in his very next email, Ben sent a testimonial to convince people to buy his offer.

Yesterday, I sent out an email with a job posting for a content writer. I got lots of responses, and witnessed lots of selling strategies and offers.

As I read through these applications, I floated up and above my own body, and observed my own reactions. Here’s one surprising revelation from that out-of-body experience:

A few people sent me testimonials for themselves or their work, or fancier still, they included a link to testimonials on their site.

I just frowned at this. “What good are testimonials to me?” I said. “I know exactly what I’m looking for, and either I see it here in the application, or I don’t.”

I thought about this afterwards.

It’s a rare situation when we know exactly what we want.

Most of the time, we are vague on what we want, how that should look, and even why we want it. So we ping the environment for clues. That’s why social proof is so good in so many situations.

Yes, like my job listing yesterday shows, there are situations when it makes no sense to provide social proof, and where it might even work against you. But such situations are vanishingly rare.

​​It probably doesn’t make much sense to worry about it, not unless you’re applying for a job where the customer or client hyper-clearly spells out what he is looking for.

So my only advice today is to flip the above story inside out, and to repeat what Ben Settle said:

Ignore social proof when buying.

​​Instead, make up your own mind.

And if you do ever read a testimonial or endorsement, treat it for what it is — somebody leaning over to you at the roulette table and whispering in your ear, “I suggest betting on red. It worked for me last week and I won a bunch o’ boodle.”

​​It might be sound advice… but only if you’re playing with money you can afford to lose.

That’s my public service announcement for today. Tomorrow, like Ben did a while back, I’ll probably send you a testimonial, one to sell my Copy Riddles course.

But that’s tomorrow. Today, I’ll just point out that there are lots of very clear and very good reasons you might want to join Copy Riddles even if this were the first time I were offering this training, even if it had zero social proof, and in fact even if you knew little to nothing about me personally.

All those reasons are spelled out on the first two and a half pages of the Copy Riddles sales letter. If you’d like to read that so you can make up your own mind, here’s the link:

https://bejakovic.com/cr/

A peek behind the curtain of my “mesmerizing” Copy Riddles sales letter

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It’s strange times around the Bejako household. There’s a Copy Riddles promotion going on, but I’m not the one furiously typing it up.

Instead, I’m looking on as Daniel Throssell sends out email after email to sell Copy Riddles. I’m watching the resulting sales coming in. And I’m feeling a little guilty that I’m not somehow supporting the effort.

So let me share a third-party opinion on Copy Riddles that might help change some minds.

This opinion comes from Carlo Gargiulo, an Italian-language copywriter. Carlo is a star copywriter at Metodo Merenda, a Switzerland-based info publishing business. He also has his own list where he writes to entrepreneurial dentists and doctors and marketers, and he is a bit of an LinkedIn influencer in the Italian copy space.

Carlo had the following to say about Copy Riddles:

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Copy Riddles is the best copy course of all time.

I have spent a lot of money studying and learning so much useful information from copywriter courses such as Stefan Georgi, John Carlton, David Deutsch, etc. (all great courses that I have enjoyed), but I feel that Copy Riddles was the COURSE that allowed me to become a good copywriter.

I hope you will create courses similar to Copy Riddles in the future.

My dream is a course of yours on writing sales letter-landing pages (Your writing style is completely different from that of most copywriters I see around.). Indeed, Copy Riddles’ landing page is the only one I have read in its entirety over and over again. You literally mesmerized me with that landing page.

Anyway, congratulations and thanks again for creating and making Copy Riddles available.

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Here’s a quick copywriting lesson, specifically about how I structured the multi-page Copy Riddles sales letter, which Carlo says he found mesmerizing.

Each of the three pages of that sales letter is designed to get you to believe one and only one thing, specifically:

Page 1’s belief is that bullets are one of the most valuable copywriting skills you can ever own.

To do that, I refer to authorities such as John Carlton, Gary Halbert, Gary Bencivenga, Parris Lampropoulos, David Deutsch, Stefan Georgi, and Ben Settle, all of whom have gone on record to say that — yes, bullets are one of the most valuable copywriting skills you can ever own, and maybe the most valuable.

Page 2’s belief is that the best way to own bullets is to follow what Gary Halbert once recommended in his newsletter — and what people like Gary Bencivenga, Parris Lampropoulos, and Ben Settle have put in practice — namely, to look in parallel at both the source material and the finished bullet.

Page 3’s belief is that Copy Riddles is a fun and effective way to implement that Gary Halbert process…

… without spending months of your time and hundreds of hours of your mental effort to do what I’ve already done for you, which is to track down a bunch of winning sales letters… buy or borrow or steal the books or courses they were selling… and go bullet by bullet, comparing the source to the finished product, figuring out how exactly the A-list copywriters turned lead into gold.

And that’s pretty much the entire sales letter.

If I manage to convince the reader of all three of those points, then making the sale is easy, which is why I don’t have a big and dramatic scarcity-based close for the Copy Riddles sales page.

Of course, it does help that I have a bunch of great testimonials, like Carlo’s, right before the final “Buy now” button.

Maybe you would like to see how this mesmerizing sales letter looks in reality.

I won’t link to it directly in this email. Instead, I will remind you that Daniel Throssell is promoting Copy Riddles right now.

Daniel has gotten me to offer a one-time, sizable discount from the current Copy Riddles price, exclusively to people who come via his list.

So if you’re curious what my mesmerizing Copy Riddles sales page looks like, check out Daniel’s next email, because it will have a link to that page at the end.

And if you’re at all interested in buying, then act before tomorrow, Wednesday at 12 noon PST, because that’s when Daniel and I agreed to end this special offer, which will never be repeated again.

In case you’re not yet on Daniel’s list, here’s where to go:

https://persuasivepage.com/