The trick behind the magic in Gary Halbert’s unbeatable copy?

Do you believe in magic? Maybe you will after the following story:

After Gary Halbert died, a former client of his approached Dan Kennedy. The client wanted Dan to try beating a control that Halbert had written.

To Kennedy’s eagle eyes, Halbert’s control certainly looked beatable. There were obvious things that Kennedy could see to attack. Besides, the control was written years or decades earlier, and was starting to fatigue.

So Dan Kennedy, expert copywriter that he is, tried to beat Halbert’s control — and he failed.

Looking back on it, Kennedy said there was some magic in Halbert’s copy. You couldn’t see it… but it was there, and customers responded.

Do you believe that? The magic part? In case you do, let me tell you a second Halbert story, which might shoo the magic away:

Back in the 2000s, Halbert got into daytrading. He was making money daytrading online. And being a direct marketer, he naturally started selling his expertise to people who wanted to learn daytrading also.

And get this:

Halbert went to daytrading school. Even though he already knew what they would teach him. In other words, he paid some guy a lot of money and went day after day… month after month… to hear stuff he already knew and was already doing.

Why would he possibly do something so silly and wasteful?

According to Caleb O’Dowd, who apprenticed as a teenager under Halbert, it was an act of undercover copy detective work. Halbert went to daytrading school so he could hang out with all the other would-be daytraders, and talk to them, and hear their stories and fears and motivations. Day after day after day.

Maybe that’s how the magic got into his copy.

Caleb said this is the kind of thing very few marketers are willing to engage in. But those who do inevitably wind up at the top of their market. They don’t just succeed, they have breakthroughs, and they make millions.

Anyways, this was one little snippet I heard during Caleb’s segment in this month’s issue of Steal Our Winners. Caleb’s segment was about how he goes into markets where he has no business being, and how he quickly rises to the top in spite of established, bloodthirsty competition.

If you want to know how he does it, I’ll tell you:

Caleb comes up with offers that overcome his lack of credibility, and which can compensate even for poor advertising.

If you want to know the full details of the offers Caleb makes, I suggest you check out his Steal Our Winners segment. From what I understand, the issue is still available, for a grand investment of exactly one (1) of your dollars.

You can find out more at the link below. But first, a warning:

The link below is an affiliate link. That’s because last month, I wrote an email promoting Steal Our Winners with no affiliate link, since I think what they’re doing is so great.

And then Rich Schefren and the good people at Agora got in touch with me and offered to give me a cut of your $1, should you choose to wager it.

​​Perhaps take that into consideration when deciding whether you truly want this information. In any case, here’s the link:

https://bejakovic.com/sow

You, your own copywriting secret weapon?

Here are two flexible factoids, and a suggestion you might find valuable:

1. A-list copywriter Gary Halbert said curiosity is the most powerful human motivating force.

2. Another A-list copywriter, Parris Lampropoulos, keeps a “Didn’t know that!” file. This is where Parris puts new and interesting facts he comes across during research for copywriting projects.

​​But Parris has spent hundreds of hours doing research on dozens of big projects… so when he comes across something new and interesting to him, you can bet it will be new and interesting to his audience.

So I’d like to suggest you do something similar.

Invest $3 in a notebook… or invest two seconds to create a file on your computer desktop. Write “Hm, I didn’t know that, or, that’s interesting” across the top.

​​And you’re pretty much done. From then on, as you come across something that fits that heading, you just add it to your notebook or file.

The longer your list grows, the more interesting and valuable it will become, by process of elimination.

Eventually, you will have a list of things that stimulate curiosity for almost everyone in your audience. And if Gary H. is right, you will have the most powerful tool in motivating people to action.

​​In effect, you make your own curiosity and capacity to be surprised into your copywriting secret weapon.

I do this exact same thing, and it’s been valuable to me. In fact, it’s how I write these emails each day. Which brings me to my self-serving reason for telling you about this:

A reader named Glenn wrote in to challenge me on some sloppy self-promotion I committed recently.

Glenn pointed out that in the email I sent out announcing my bullets course… I didn’t feature a single Gary Halbert-style bullet.

Fair point.

My answer to this is that emails like the one you’re reading are basically the modern version of sales bullets. The only difference is you’re not restricted by space (like in a sales letter or print ad)… or by having only one shot to make the sale (like when paying for cold traffic).

Other than that, bullets and sales emails are the same.

​​You find some information that your audience might want. You condense it and sexy it up.

​​If it’s really cool and interesting information, you can choose to give it away in your copy… or if it’s meh information, then you might choose to tease it endlessly in your email or bullet, and hide the payoff in your product for sale.

In other words, if you can learn how to write sexy sales bullets… you will be a long way to being able to write emails people will want to read day after day. Particularly if you add in something new and interesting to tell your reader, which is what your “Hm, I didn’t know that” list is all about.

Anyways, that’s part of my pitch for joining my bullet writing course, which kicks off this Monday. If you’re interested in joining, then the first step is signing up for my email newsletter, which you can find here.

Looking for 7 beta-testers to pay an unthinkable amount for my copywriting knowledge

I’m looking for 7 beta-testers for a trial run of my bullets copywriting course.

Bullets? Yes, that’s the mechanism. But the goal is to get you better at writing copy all around.

If you’re already writing sales copy, even if you’re advanced, I think this course will make you better. That’s what it did for me, even though I’ve been writing copy for money for years.

On the other hand, if you’re new, this course will implant the basics quickly and thoroughly into your brain, including the stuff that everybody talks about (“just make a big promise!”) but nobody really gives you the fine points of.

Like I said, mastering bullets is the mechanism to do this. My argument (in fact, not mine, but Ken McCarthy’s and Gary Halbert’s) is that bullets are what sales copy is all about. That’s not because you should write sales letters packed with bullets (“so 1997…”). It’s because if you can write a great bullet, you can create curiosity, you can rev up desire, you can control attention.

But the point of this post is not to sell you. If you’re not sure you want this course, no problem. It probably makes sense to skip the rest of this email.

​​But if you’ve been reading my blog for a while… or if for some other reason you already know that you do want in… the first step is to get on my email newsletter. That’s where I will share the full details of this bullet course, and make it possible for you to join.

Taking over abandoned but rich online oil wells

Jay Abraham likes to tell a sexy story about two marketers. The story is true and it goes something like this:

Two marketers started selling fake diamonds through ads in the same local newspaper.

One marketer wrote a brilliant ad, got a high response, and made a bunch of sales. After ad costs and fulfillment, he was left with a profit of a few thousand dollars.

​​”What a waste of time,” this marketer said. And he moved on to bigger and better opportunities… ones where he could make tens of thousands or maybe even a hundred thousand dollars, using the same approach.

Then there was marketer two. He only wrote a passable ad, and got a lower response than marketer one. He was left in the red after ad costs and fulfillment.

But when marketer two sent his customers the fake diamond, he also included a letter. The letter said something like,

“Behold your beautiful fake diamond! See how it shines and sparkles! And if you by chance find it sparkles a bit less than you expected, perhaps it’s the modest size. But worry not. Send back your beautiful but modest-sized fake diamond… and we will credit it to your next purchase of a magnificent and ginormous fake diamond. Just enclose a check for an extra xyz dollars to…”

In other words, marketer two created a back-end of upsells and followup offers. Result? A business that made something like $25 million in its first year.

(By the way, I only found out later that marketer one, the brilliant but short-sighted copywriter, was Gary Halbert.)

I thought of this story today because I’m seeing something similar right in front of me.

For the past two years, I’ve been writing copy for a client in the ecommerce space. Over the past year alone, they have abandoned about a dozen hot funnels. Yes, including fake diamonds.

Each funnel had an in-demand product… copy that was working… a large, hungry, accessible audience eager to hand over their money.

So why abandon ship? Because fulfillment got tricky… or shipping got expensive… or ad costs went up and made the funnel unprofitable. So on to the next opportunity, the next oil well that can be exploited with just a bucket and a rope, for as long as it lasts.

I had the idea this morning of taking over some of these abandoned but rich funnels. But my first thought was, how could I possibly succeed where my client had failed? After all, they have a gaggle of ad buyers, a herd of ad production people, and money and resources and connections I can only dream of.

So how could I succeed? Perhaps, by having a back-end of upsells and followup offers. By tapping this oil well a bit deeper… and using strategies that go beyond a bucket and a rope.

Maybe that’s doable… but it also sounds like a lot of work. Which brings me to the point.

Last autumn I wrote about my idea of a “cash buyers list.” In a nutshell, I am looking for people who are willing to partner with me in some way on investing in online properties, whether that’s product funnels or blogs or sudoku solver software.

And if you have interest in partnering with me on some tried-and-proven ecommerce funnels… and you either have money, or relevant skills to contribute, then get in touch. Maybe we can create a new case study together for Jay Abraham to talk about for years to come.

Rolls Royce copywriting portfolio

You probably know the famous Ogilvy Rolls Royce ad:

At 60 miles an hour the loudest noise in the new Rolls-Royce comes from the electric clock

Wouldn’t it be nice to write ads like this all the time?

Wouldn’t you like to simply highlight the classy superiority of the product that you’re selling, instead of teasing people with the amazing secret of the one-legged accountant… or prophesying “The End of America”… or promising a passive monthly income of $5,378… $7,442… yes, even $11,246 — no cash, credit, or skills required?

Well, if that’s what you’re dreaming of, then all I can tell you is, be David Ogilvy. Because even though Ogilvy was a big fan of direct response, this electric clock thing is an ad for a brand.

Back in 1958 when this ad came out, American consumers already knew Rolls Royce well. In fact, they already knew that Rolls Royce was the fanciest car brand around. The electric clock thing was just a dramatic illustration of that.

That’s not to say you couldn’t do something similar in a direct response ad. You just need to have a brand that your audience already knows and likes. Those do exist, at least for very small and tight pockets of people.

But if you ain’t got a brand like this, then you’ll be better off calling out a problem or making a big promise. No cash, credit, or skills required.

But you probably already know this. The only reason I bring it up is in case you’re fresh to direct response copywriting. In that case, maybe you’re wondering why Ogilvy’s ad — celebrated even by Gary Halbert — looks so different than your typical direct response piece.

Actually, there’s a second reason I bring it up.

It’s because it’s relevant to that other newbie question, about creating a copywriting portfolio. Because everything I’ve just told you is basically the best advice I can give to anyone looking to create a portfolio.

Perhaps the portfolio point I’m trying to make is obvious. Perhaps it’s not. In any case, I’ll spell it out in my email tomorrow.

My prediction about the future of direct response hits

“The next Tesla may even hire creators to evangelize the company or at least, serve as a paid marketing channel. Creators are essentially media companies now, which means that the creators of tomorrow will operate a lot like the New York based publications of yesteryear.”
— David Perell

My email yesterday looked at some fancy science, and made a simple point:

A hit product is the result of chance. The first few raindrops of popularity determine which spots in the product landscape become lakes, and which ones deserts.

I think this leads to a few conclusions. One is that, just because a product (or an offer) was successful before, this doesn’t necessarily mean it is worth studying. It might have become successful due to chance more than any intrinsic quality or real demand. And vice versa. You clearly cannot count on the quality of your product as your only key to success.

So what can we do about this?

One option is simply to put out lots more offers. This will increase your chances of getting at least one big hit.

And then there’s the fact that early buzz seems to be crucial to long-term success. Which to me suggests that street teams.. astroturfing… or influencer marketing are really where much of your marketing efforts should go.

And that’s what David Perell is saying in the quote above. Media-savvy businessmen like Elon Musk are already using creators as their main marketing channel. And the “next Tesla” will probably do more of the same.

But hold on a second. Tesla? That’s a whole other country from the direct response businesses I normally talk about.

After all, if some guy in 1995 got a sales letter from Gary Halbert about a book on killer orgasms… he probably didn’t go down to the local bar to ask his buddies if they knew anything about this orgasms book, and if it’s worth the $39.95 Halbert was charging for it.

In other words, people chose traditional direct response offers in a more independent way than they choose cars or movies.

But as I’ve written before, I feel that’s changing. In the same way that traditional brand businesses are becoming more direct response savvy… traditional direct response businesses are discovering the power of having a brand. So the same reality of what makes a big hit matters for modern DR businesses too.

The way I see it, that means you’ve got two options:

One is to become a creator yourself, because businesses will need you more and more.

The other is to hire creators or influencers to promote your offers, so you can create enough initial buzz to make it a hit.

That raises the question of who to hire and when and what they should say… All interesting questions. I’ll talk about that another day. And if by some strange circumstance you want to hear what I have to say then, you can subscribe to my email newsletter.

Learning from my hurt sense of importance

I had a run in with the police two weeks ago.

They stopped me on a dark and abandoned road. They frisked me. They rifled through my wallet. They opened my box of takeout food and sniffed at the dumplings inside.

In the end, they gave me a fine. “Would you like to pay now?” they asked.

I said no.

They seemed surprised. “Then you have five days to pay at the police station. Otherwise you won’t be able to travel or leave the country.”

I’m telling you this story because it illustrates Dale Carnegie’s first rule of dealing with people. Carnegie says, never criticize, condemn, or complain.

When the policemen stopped me, I was pretty sure I wasn’t doing anything wrong. But when they gave me the fine, I became 100% sure I wasn’t doing anything wrong. The policemen were being arbitrary and stupid, and I could prove it. Or as Carnegie says,

“Criticism is futile because it puts a person on the defensive and usually makes him strive to justify himself.”

But that’s not all.

Because I never did pay the fine. “What can they do to me?” I reasoned.

I pictured the two cops checking their police computer, day after day… seeing my fine not being paid. In my fantasy, they shook their heads in frustration. “All that work we put in… for nothing!” A smile spread across my face.

But I also imagined getting stopped at the airport when it was time to fly out. I imagined being taken to a small windowless room, with those two same policemen waiting for me.

It made me nervous for days. But no matter. I would spite myself and not pay the fine — just to spite the stupid and unjust police.

And that’s part two of Carnegie’s argument against criticism:

“Criticism is dangerous, because it wounds a person’s precious pride, hurts his sense of importance, and arouses resentment.”

This applies if you’re talking to people one-on-one. And it applies to your copy also.

Some copywriters — particularly when starting out — try to be edgy and insult or mock the prospect. Like this weight loss ad that started:

“ATTENTION ALL FAT PEOPLE! DOES YOUR GARBAGE MAN DELIVER INSTEAD OF COLLECT, AND THEN YELL ‘CHOW TIME!?'”

Don’t scoff. That radio ad was written by a young and cocky Gary Halbert. It pulled in a grand total of 3 sales after thousands of dollars of ad spend.

Of course, your prospect might really be in the wrong. He might be the one to blame. But if that’s what you want to make him see, don’t say so.

Only do it indirectly. For example, by telling him a cautionary tale of somebody else making a similar mistake. Otherwise, your prospect might spite himself — even if he might want your product otherwise — just to spite you.

Hopefully your sense of importance is still in tact. And if you’d like to subscribe to my email newsletter, here’s where to go.

Why piling on the benefits can weaken your bullets

File this one away under “psychology behind advertising.” Let’s start with an example bullet:

“Why adding improvements to your home can lower its value!”

This is a bullet written by Gary Halbert for a book on selling your home in a buyer’s market. The following is the relevant passage in the actual book:

“If your interior designer has used your home to make a personal artistic statement, that’s great while you’re living there but don’t expect it to translate well when you’re trying to sell. Rather than overdecorating or overrenovating, try to create a neutral canvas onto which a potential buyer can project his tastes.”

So what’s the psychology here? Well, I covered it all in today’s lesson in the bullet. The point is that Gary could have gone lots of different ways twisting the above source material… but he chose the one above.

There’s a fundamental rule of human nature hidden behind that decision. And it’s something you don’t want to ignore if you’re writing sales copy, and you’re judged on results.

Anyways, today’s lesson of the bullet course is out and done. To get future lessons before they also disappear, here’s where to go:

https://bejakovic.com/bullets-signup/

The “Rollie Hall bullet amplifier” for getting richer as a copywriter

Two days ago, after my email about Gary Halbert’s “crucial bullet secret,” a reader named Bob wrote in and asked:

“If you don’t mind, care to share any new-ish wellness-related bullets or ads that you like?”

I got to thinking a bit. And a newish sales letter popped into my mind. It doesn’t have any bullets… but it does have fascinations, embedded and then revealed in the copy itself.

One of the fascinations hidden in this sales letter illustrates what I call the “Rollie Hall bullet amplifier.”

This is not a new technique, by the way. A-list copywriters have been using it for decades… and it’s all based on a fundamental quirk of human nature, which people have been exploiting for millenia.

Do you want to know what the “Rollie Hall bullet amplifier” is? Unfortunately, it’s something I only revealed inside my bullet writing course, which is going on right now. If you’d like more information about this course, or even to sign up (it’s free, after all), take a look here:

https://bejakovic.com/bullets-signup/

Halbert’s crucial bullet secret (almost unknown among copywriters)

In his “Killer Sex” promotion, Gary Halbert wrote the following bullet:

“The two almost unknown secrets (one mental, one physical) men need to know to have rock-hard erections… at any age! (These are crucial secrets to improving a man’s sex life forever.)”

Now if you are a man… be honest. This bullet has you curious. How could you not be? “Almost unknown”… “need to know”… “crucial secrets.” What are they??

Well, I hate to break it to you. I tracked down the original book. Gary’s two secrets are not very exciting, and they are certainly not unknown.

But I’m not here to mock the value of this info. What I’m interested in is how Gary made his bullet so sexy that the payoff was almost guaranteed to be a letdown. Because if we can figure out Gary’s trick, can use it for our own promotions — whether they have genuine payoffs or not.

Now if you ask me, there’s one big thing that Gary did. And I spelled this out in today’s lesson of my free bullets course.

That lesson has been mailed out, and is no longer available. But if you’d like to sign up for the course, so you get future lessons as they come out, here’s where to go:

https://bejakovic.com/bullets-signup/