Steven Pressfield

MVE cancelled

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No, not Most Valuable Email.

The MVE that’s been cancelled is the Most Vivian Event, the big promotion I announced yesterday.

I had hoped to use this event to pull every remaining non-buyer on my list and get him to buy Most Valuable Email, will-he, nill-he.

My plan was to use I know about promos inside the Most Vivian Event — structure, copy, and most importantly offer:

An “Italian lottery,” giving new buyers a good chance to get MVE free…

A stack of free bonuses that I’ve sold for good money before, totaling the price of MVE and more, so even if somebody didn’t win the “Italian lottery,” they would still feel like they’re getting a steal…

An entirely new bonuses as well, which would reveal all the thinking that went into this promo — basically a little promo course built around a specific case study, to make this MVE offer so valuable that if you ever send any kind of emails, the investment would pay for itself with this one new bonus alone.

I had grand plans to make this event fun, epic, and undoubtedly immensely successful. Except…

It’s all been cancelled.

Reason why:

Each time I got near to settling on the final offer for the Most Vivian Event, I kept bouncing into one problem:

“What do I do with previous buyers?”

I have a long-standing policy to reward early buyers for buying for me. That means I grandfather previous buyers into any upgrades, new runs of a course, or bonuses I end up offering in the future. It also means I don’t feature discounts.

Yesterday, when I had the initial idea for this new promo, I shrugged this question off.

I told myself I’d figure out some way to incentivize new buyers… to reward previous buyers… and to have this promo make business sense for me personally.

But no matter how I structured this offer, there was always one end of the triangle — new buyers, old buyers, me — that was left high and dry.

I realized it’s not a matter of what bonuses or incentives I end up offering. It’s simply a consequence of my “reward previous buyers” policy, and the fact that I have hundreds of previous buyers of MVE.

That’s why I’ve actually never run a bonus- or discount-based promo for any of my offers, outside of a launch. I just never realized it until yesterday.

You might say I’m being stubborn to stick to this policy. And that’s exactly right. Because I want people to believe a few simple certainties when they think of me.

One of those simple certainties is that I won’t screw over previous buyers. I don’t ever want my buyers to think, even in passing, “Huh, maybe I should have waited to buy this, this new deal is better than what I got.”

Yesterday, I wrote that I had clearly been falling short by continuing to sell MVE on its merits alone.

Some people who could benefit from MVE — like Vivian, who wanted something for “coming up with interesting ideas and presenting it in a concise and compelling way” — never even considered buying.

Frankly, that falling short will most likely continue.

But if you have been on the fence about MVE for a while, I do have a special offer for you today. It’s nothing like the spectacle I was planning on. But you can decide whether it’s enough to get you to take me up on Most Valuable Email today.

I’m calling this offer the “Shangri La” MVE offer. And that’s because like Shangri La, the two parts of this offer only appear once every fifty years. Specifically:

1. I normally don’t offer a payment plan for Most Valuable Email. I did offer a payment plan for MVE once, as a joke, for one day only. Well, like Shangri La, the payment plan is back, and not as a joke.

You can get MVE for $99 today and then two more monthly payments of $99. This payment plan is there to make it psychologically easier to get started — in my experience, people take up payment plans not because they cannot afford to pay in full, but simply because it feels like a smaller commitment.

2. I am also offering a bonus, which I’m calling Shangri La Disappearing Secrets.

Over the past years, I have periodically sent out emails where I teased a secret, which I then turned into a disappearing, one-day bonuses for people who took me up on an offer before the deadline.

Inside this Shangri La Disappearing Secrets bonus, I have collected 12 emails that teased 12 secrets — and I have revealed the secrets themselves. These include:

* An email deliverability tip that is so valuable I decided not to share it publicly, but only with buyers of MVE. This tip is something that multiple people have told me I should turn into a standalone course or training — which I most probably will do one day.

* Stage Surprise Success. Step-by-step instructions for creating effective surprise in any kind of performance, whether thieving, magicking, comedy, drama, or simply writing for impact and influence. And no, it’s not just shocking people with something they weren’t expecting. In fact, it’s kind of the opposite of that.

* A daring idea to grow your list and build up your authority at the same time. I have not yet had the guts to put it into practice, even though I have lots of reasons to believe it would work great to build my own authority, and get me more high-quality leads than I’m getting now.

* A persuasion strategy used by con men, pick up artists, salesmen, even by legendary copywriters. I ran a little contest in an email to see if anybody could identify this strategy based on a scene from the movie The Sting. Out of 40+ people who tried to identify the strategy, only 2 got it right.

* An incredible free resource, filled with insightful and proven marketing and positioning advice. This resource comes from a man I’ve only written about once in this newsletter, but who has influenced my thinking about marketing and human psychology more deeply than I may let on — maybe more deeply than anybody else over the past few years.

* Magic Box calls-to-action. Use these if you don’t have a product or a service to sell yet, or if you only have a few bum offers, which your list has stopped responding to every day. Result of a “magic box” CTA when used by one of my coaching clients: the first hand-raiser ever for an under-construction $4k offer.

* A new way to apply the Most Valuable email trick, one I wasn’t comfortable doing until recently. Now that I’ve started using it, it’s gotten people paying more attention… leaning in more… even rereading my emails 3x… and reaching out to reopen dropped business conversations.

* Steven Pressfield (the author of the War of Art and the Legend of Bagger Vance) used to write scripts for porn movies. He once shared two porn storytelling rules. I’ll tell you what they are, and how smart marketers, maybe even me on occasion, use one of these rules in their own sales copy and marketing content.

* A list of 14 criteria of truthful stories. I’m not saying to get devious with this — but you could use these criteria to jelly up a made-up story and make it sound absolutely true. More respectably, you can use these criteria to take your true but fluffy story and make it sound 100% gripping and real.

* Why I drafted US patent application 16/573921 to get the U.S. Government to recognize my Most Valuable Email trick as novel, non-obvious, and having concrete, practical applications.

* Two methods for presenting a persuasive argument, as spelled out by Daniel Kahneman in his book Thinking, Fast and Slow. I illustrate these two methods with a little public debate that Daniel Throssell and I engaged in via our respective email newsletters. Daniel and I each adopted opposing methods, just as described by Kahneman.

* An infotainment secret I stole from Ben Settle. As far as I know, Ben doesn’t teach this secret in his books or newsletters — I found it by tracking Ben’s emails over a 14-day period and spotting Ben using it in 8 of those 14 emails. And no, I’m not talking about teasing, or telling a story, or stirring up conflict. This is something more fundamental, and more broadly useful, even beyond daily emails.

So there you go. My Shangri La MVE offer:

A payment plan for Most Valuable Email that only appears twice in a century… and 12 bonus persuasion secrets.

This offer is good until tomorrow, Friday Oct 11, at 12 midnight PST.

If you’re at all interested, the time to act is now. That’s because of that simple certainty I wrote above — there won’t ever be a better time.

I won’t be running big promo events for Most Valuable Email, because it doesn’t fit my policy of treating previous customers with respect.

On the other hand, if you get MVE now, you will also be eligible for any future disappearing bonuses I might offer with it, or any other special offer or real I will make to new buyers also.

If you’d like to take me up on this Shangri La offer, before it disappears:

https://bejakovic.com/mve/

P.S. And yes, if you have already bought MVE, you also get the Shangri La Disappearing Secrets. No need to write me for it. I’ll add it straight inside the MVE course area, right under the MVE Swipes document.

Counterpoint to the screwing

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I was at gym not long ago. Instead of working out, as I should have been, I was listening to a particularly interesting episode of the James Altucher podcast.

This particular episode was particularly interesting because James was interviewing Steven Pressfield, the author of the War of Art and some other books.

It turns out James plagiarized a valuable ideas from one of those books. I later plagiarized the same idea from James.

But I’ve written about that before.

What I haven’t written about is that I recently contacted Brian Kurtz, the former Boardroom VP and current marketing mastermind organizer.

I wanted to see if Brian would like me to give some kind of presentation to Titans XL, his virtual mastermind/community.

Several people who are in Titans XL are also customers and readers of my newsletter. In fact, one such reader suggested the idea that I present at Titans XL.

I’m grateful to that reader. I don’t know why I didn’t think of this myself. After all, I’ve been reading Brian’s stuff for years, and I often refer to his stories and experiences in my own emails. I’ve learned a ton from the guy, both directly and indirectly.

All that’s to say Titans XL and me might be a good fit.

They might be almost as good a fit as Steven Pressfield and porn. Because as I found out listening to that interview:

After Pressfield moved to Hollywood, hoping against hope to become a screenwriter, he got a gig rewriting a screenplay — for a porn movie.

At the time, Pressfield had worked a number of odd jobs, including as an advertising copywriter. He knew how to write.

But could he write a good screenplay? And more importantly, could he write porn?

The producer of the porn movie, a “really nice family man” according to Pressfield, took Pressfield out to breakfast at the start of the project.

Sitting in a restaurant in Santa Monica, with the sun shining in his eyes, the producer leaned in. “Here’s what I want you to do, kid,” he said. And he gave Pressfield two rules of effective porn storytelling. Here’s one of ’em:

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Whenever there’s a screwing scene, always have something else going on at the same time.

For instance, if it’s the wife and the pool repair guy, and they’re in the bedroom, have the husband coming home unexpectedly in the middle of the day, unbeknownst to his wife. Then we can cut back and forth from the couple in bed to the husband coming home, and now you got something interesting going on!

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Speaking of which:

After I wrote Brian Kurtz about that Titans XL idea, I got an automated email saying Brian is mostly unavailable until April 24th. He’s planning and then hosting his final in-person Titans mastermind event.

April 24th has passed. I’m still waiting to hear back from Brian for real. Maybe he’s taking a break after the big event. Maybe he’s just busy. Maybe he’s ignoring me. Maybe he silently decided that I am not a good fit to present to his community, even though I think I am.

But I continue to be hopeful, though with each passing day, I’m getting more unsure. I’ll let you know how it goes.

And as for Steven Pressfield, he applied the two rules of porn storytelling in that script rewrite. He realized how important and valuable these rules were, so he kept applying them later in his other screenplays and even his novels. As he says, the “principles of storytelling I know are all movie principles.”

I told you one of the two storytelling rules above. And if you’re curious about that second one, you can dig up that James Altucher episode, and listen to it yourself.

Or you can just take me up on the following offer:

Sign up to my newsletter. Once you get the welcome email, hit reply and tell me about any paid communities or masterminds you are currently in.

​​If you’re in Titans XL, that’s fine. If it’s another marketing mastermind or community, that’s fine too. If it’s not marketing, but some kind of other paid community or mastermind, that works also.

If you do that, then in return, I’ll write you back and tell you the second of Pressfield’s two porn storytelling rules. I’ll also tell you how Pressfield used those rules in other non-porn scripts he wrote. And I’ll even tell you how smart marketers, maybe even me on occasion, use the same storytelling rule in their own sales copy and marketing content.

The core idea in this email is not new but that’s exactly the point

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As I sit down to write you this email, an old pop song, the Smiths’ How Soon is Now, is playing loudly in my head.

That’s because earlier this morning, I read about a new AI project, called Stable Attribution.

The point of Stable Attribution is to try to figure out which human-created images were used to train which AI-generated images.

The motivation, according to the Stable Attribution site, is that artists deserve to “be assigned credit when their works are used, and to be compensated for their work.”

That’s a waste of time, if you ask me, and a focus on totally the wrong thing.

A few days ago, a friend sent me an article about guitarist Johnny Marr.

Marr took a few different songs and sounds — most notably Bo Didley and a rap song called You’ve Gotta Believe – and co-opted them. The result was How Soon is Now, which became the most unique and enduring of Smiths’ songs.

Michael Jackson once ran into Darryl Hall in a recording studio. Jackson admitted that, years earlier, he had swiped the famous bass line for Billie Jean from Hall & Oates’s I Can’t Go For That.

Hall shrugged. He told Jackson that he himself had lifted that bass line from another song, and that it was “something we all do.”

Artists and songwriters co-opt and plagiarize all the time. It’s only in exceptional cases that we find out about it.

But this isn’t a newsletter about drawings or pop songs. It’s a newsletter about business, and marketing, and copywriting.

So let me tell you I once heard A-list copywriter Parris Lampropoulos on the David Garfinkel podcast.

Parris pointed out how a subhead from one of his million-dollar sales letters was the headline of an earlier control sales letter he didn’t write. That earlier headline worked, and Parris knew that. So he co-opted it, or if you like, plagiarized.

Marketer Dan Kennedy once talked about Bill Phillips, the body builder and fitness coach who built an info product empire.

Dan said Phillips is a pack rat who can pull out fitness ads and promos going back a hundred years. Knowing the history of his industry — and co-opting or plagiarizing it regularly — was a big part of the success Phillips had.

Even the core idea of my email today, of plagiarizing for long-term business success, isn’t new. I got it from James Altucher, who got it from Steven Pressfield. Who knows where Pressfield first heard it.

Fortunately, there is no Stable Attribution for human work. Nor should there be.

So my advice for you is to go back. Study what came before you, and what worked. Integrate it into your own work.

Give attribution if you like, or don’t.

Either way, it’s sure to make you more creative, and more successful at what you do.

And if your work happens to be copywriting, selling, or more broadly persuasive communication, then take a look at my Copy Riddles program.

Copy Riddles will show you the work of some of the most successful copywriters in history, Parris Lampropoulos above among them. But not only that.

Copy Riddles will get you practicing the same, so you can co-opt the skills of these effective communicators and make them your own.

Maybe you’re curious about how that might work. If so, you can read more about Copy Riddles, and buy the program if you like, at the link below:

https://bejakovic.com/cr/