Sean D’Souza

Selling empty cans to pale, dirty Internet addicts

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Imagine a dark, airless room.

A pale, young man who hasn’t showered in five days is sitting there, lit up by the light of a computer monitor.

He has headphones on his head and he is completely absorbed as one hand bashes on the keyboard and the other twitches at the mouse.

And on the desk, next to his computer, is a steaming can — a new warning symbol for our age.

At least, that’s the argument I just read in an article by one David Courtwright, a professor of history at the prestigious University of North Florida.

Courtwright’s article starts off by talking about the spread of computer gaming addictions: Young guys who spend their entire days and nights sitting at the computer, playing World of Warcraft.

And it’s really entire days and nights.

Some of these guys keep cans by the computer so they don’t have to take time out to go to the bathroom.

Courtwright argues this is a symptom of “limbic capitalism” — selling goods and services that are actually addictive.

Limbic capitalism is not a new phenomenon, Courtwright says, but it’s definitely been helped by the spread of the Internet and the growth of entrepreneurial culture (and opportunities).

But if guys want to pee while sitting at their computer, then why not sell them the can, right?

This might have been the right attitude some time ago.

Once upon a time, you needed large numbers to make a business (and marketing for that business) profitable. And if that meant selling to addicts, so be it.

Even if that was true once (and I’m not sure it was), it’s not true any more.

In the online marketing sphere, guys like Sean D’Souza and Ben Settle make a good living by selling to a small number of curated customers who are willing to spend a lot of money — and get a lot of value — from their offers, year after year.
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The same systems that have allowed for the rise of limbic capitalism have allowed for the rise of this other kind of capitalism (maybe call it forebrain capitalism, since it’s designed to appeal to deliberate decision making).

So what does this have to do with you?

Maybe nothing.

It’s just something I think about when choosing which projects I will spend my time and effort and lifeblood on.

But maybe this resonates with you in some way, and maybe it helps you when you have to make your own decisions about how to run or grow your own business.

Anyways, enough philosophizing.

If you do have a forebrain business that sells something worthwhile to people who aren’t addicts, and you want sales copy (even limbic sales copy) to help your sales, then you might like the following:

https://bejakovic.com/profitable-health-emails/

Why you should ignore your competition

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True story:

Two entrepreneurs started two similar businesses, selling cubic zirconia (aka synthetic diamonds) by mail.

The first guy ran a well-written ad in the LA Times and sold a bunch of one-karat fake diamonds.

After all expenses were covered, he made a profit of around $3,000.

Disgusted with this small payout, guy number one folded shop and moved on to a new opportunity.

Guy two also ran an ad in the LA Times.

His ad was not as well written, and though it pulled some sales, the end result was about a $10,000 loss once all the expenses were counted.

However, guy two did not exit the market.

Instead, he mailed out his fake diamonds in a fancy wooden box with a letter that said (I’m paraphrasing),

“Look at your beautiful one-karat diamond in its beautiful box. Doesn’t it have a fiery brilliance? Oh and by the way, in case it’s smaller than you expected, we do also offer five- and ten-karat stones. And if you like, just return this beautiful but tiny diamond and we will credit its value to your purchase of a bigger rock.”

Guy two rode this fancy-wooden-box-plus-upsell-letter approach to a $25 million business — in the first year alone.

I heard this story in a talk given by Jay Abraham. And I was reminded of it today, when I read an article written by marketer Sean D’Souza.

I think Sean’s article is valuable reading for anybody who’s interested in building a successful and lasting building online — rather than just looking for a one-time opportunity with a quick payout. It might also be valuable reading for copywriters who put a lot of stock in swipe files.

In case either of these sounds like you, then here’s the link to read the full story:

https://www.psychotactics.com/ignore-your-competition/

The good, the bad, and the ugly of product names

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What’s in a name?

Quite a bit, my young Shakespeare.

I should know, having been blessed with an almost unpronounceable, unreadable name for all but a small part of this planet’s population (“John” is just my “professional” name).

As for people, so for products: names matter.

Yes, sometimes a great product can sell even in spite of an awful name (hello Psycho-Cybernetics).

But why not give yourself the best advantage by having both a good product and a good name?

Let’s look at some products I’ve bought in the last year to see what makes a good name:

“Quit in 6”

Buck Flogging’s course on making it with your own business. Buck says a good name will say what a product is, while a great name will say what a product will do for you. I guess he took his own advice.

“Email Client Machine”

Ben Settle’s product explaining how to get booked with clients using his email tactics. A good name in my opinion: it also says what it will do for you, and the word “machine” draws attention because it’s unusual in this context.

“Energy Blueprint”

Ari Whitten’s course on increasing your (physical) energy. There was a spate of these “blueprint” courses over the past decade. Today I think “blueprint” products have become cliche, putting this name into the good-but-not-great category.

“Dartboard Pricing”

Sean D’Souza’s product on how to set and raise your prices. It’s named after the methodology — how to set your prices — rather than the outcome. However, it definitely gets bonus points for the unusual, attention-grabbing term “dartboard.”

“Email Players”

This is Ben Settle’s monthly newsletter on email marketing. I think the “Players” bit is a reference to Gary Halbert and the way he used that word. If that’s true, then I don’t think this name is really about what the product will do for you… rather, it’s about the identity of the kind of people that Ben wants to assemble as his customers. Knowing Ben’s emphasis on building relationships, this would make sense.

So what makes a good name? I’d say you have two options:

Appeal to self-interest.

Or appeal to identity.

The decision will depend on what kind of clients you want to get, but that’s a topic for another day.

Either way, you get bonus points if you can make the name fresh (of course, without making it confusing).

Here’s why I bring all this up.

I’ve been playing around with the name of my upcoming book on email marketing for the health space (the ugly “Health Email Splash” has gone out the window).

Whatever the final name will be, the offer remains the same. If you sign up now, you can get a copy for free when it comes out. Here’s the link:

https://bejakovic.com/profitable-health-emails

The sink-or-swim sales letter close

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Yesterday, I was finishing up a sales letter and I got to my least favorite part, the close.

That’s when you’ve made your offer, and now make one final big push to get the reader to buy. Many times, this is where sales letters reiterate all the benefits of the thing they are selling. Other times, they paint a bleak picture of how lonely and sad your life will be if you don’t buy.

I decided to do something different. I used an idea that I got from a sales letter from Ben Settle, which he included along with his monthly print newsletter several months ago. The sales letter was for a new $279 product for freelance copywriters that Ben was selling. it wrapped up with the following:

“It’s sink or swim around here to encourage implementation. So if you don’t think you can make your $279 back, simply don’t buy it. Otherwise, go here before April 1st to grab it for $100 off:”

Ben’s sales letter had a bunch of curiosity-soaked bullet points, but none of them pulled me in or made me consider buying. However, this one final statement almost made me get my credit card right away and order right away. Here’s why this close is so good:

1. It’s a challenge. This close doesn’t try to convince you. It doesn’t say “Just imagine how much richer you will be with this information!” It does just the opposite — it tries to dismiss you. To me at least, this was a challenge that I wanted to rise up to.

2. It creates vision. When I read this, I immediately asked myself, “Could I make $279 from this information?” And I then started imagining different scenarios where that could happen. This is what negotiation expert Jim Camp called creating vision in your adversary’s mind.

3. It’s different. Again, most other sales letters try to close you with high-pressure sales tactics. This makes Ben’s approach stand out, and it creates curiosity and intrigue.

4. It’s non-needy. Again, no high-pressure tactics here. This signals you don’t need the sale (as you genuinely don’t). Ironically, this will make it more likely for you to get the sale.

5. It repels the buyers you don’t want to have. “Repulsion marketing” is another cornerstone of Ben’s philosophy, and this sales letter close embodies it perfectly.

6. It’s about consumption. This close isn’t about being a dick (though it might sound like that to some). It’s about what’s good for you and for your prospects, something that Sean D’Souza calls an emphasis on consumption. In other words, if some prospects won’t get value out of what you’re selling, why would you sell it to them?

Now I’m sure this approach probably goes back many thousands of years, back to when the first copywriters etched their sales letters in wet clay tablets.

But if it has a name yet, I haven’t heard it. And so, in honor and memory of Ben’s sales letter, where I first saw it, I will call it the “sink-or-swim close” from now on.

The case against steak upsells

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“Hell yeah we’ll take five more steaks if you cut the price”

Imagine going into a restaurant. You’re hungry and you’re raring for a steak. So you look over the menu, find your steak, wince a bit at the price, but decide to get it.

“I’ll have the 12-ounce steak,” you say to the waiter. He writes this down patiently in his notebook and then says,

“Would you like 18 more ounces of our fine steak at 50% off? You can always take it home with you if you don’t finish.”

Because you’re hungry and it’s a tempting deal, you order the extra slab of meat at a discount. But of course, when it arrives, you can’t finish it. You take it home, where it becomes more of a responsibility than a joy, sitting there cold and hard in your fridge. A few days later you toss it out.

Next time, you stay away from that restaurant. Somehow, you have a bad feeling. You spent too much money. You were emasculated by not finishing the steak. And you don’t need the temptation a second time.

I’ve recently heard a couple of contrasting positions on upsells. Just yesterday, I listened to an interview with successful copywriter and marketer Justin Goff. He talked about how the best upsells are often more of the same.

“Buying one bottle of supplements? How about 3 more at a discount?”

At the same time, Justin talked about the incessant need most direct response businesses have for new customers. According to Justin, new customers are the ones who buy the product, and even the ones who take up affiliate offers. That’s position one.

Then there’s Sean D’Souza. Along with a copy of his Dartboard Pricing book, I got a copy of a talk Sean did for the Ken McCarthy’s System Club. This talk is on the topic of consumption. And one of the things Sean says explicitly is that you don’t want to overwhelm your customers with product, even if they are willing to buy it.

Sean also talks about treating customers the way you would treat your kids — that is, looking out for them and charting a path for them down the line.

Perhaps not surprisingly, Sean’s business seems to rely on a much smaller number of customers, who happily keep coming back year after year and forking over thousands of dollars for Sean’s courses and trainings. It’s what Sean calls a focus on consumption over conversion. That’s position two.

So what’s the conclusion? I guess it depends on what kind of business you’re looking to run. If you want to scale quickly and max out revenue, then aggressive “steak” upsells make sense. If you want to have a long-term business, another strategy might be better.

For example, even in Sean’s way of running a business, the right kinds of upsells can have a place.

Imagine if in that restaurant, the waiter did something different. Imagine if instead of upselling you on more steak, he recommended a special beer on tap, and his favorite salad off the menu. This would still be an upsell, though it wouldn’t make as much money as selling more steak.

Your consumption experience would be much better. You’d be more likely to return. And the restaurant wouldn’t have to constantly worry about digging up new customers.

A bizarre example of disconnected infotainment

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Photographer Leopold Kanzler worked with this beaver for two weeks hiding apple slices in his camera to get this shot. “I’m not sure who had more fun, me or the beaver, but it seemed more than happy with receiving so many tasty treats.”

I just finished reading the Dartboard Pricing book from Sean D’Souza. It’s the first of his paid products that I’ve read. And there were many things from this book, besides the content, that I thought were worth adopting.

Once upon a time I read an article of Sean’s on the topic of infotainment. He had various bits of advice, and one of them was something like:  “You can connect or disconnect the entertaining part to the information part at will.”

In other words, if you are writing an email or a blog post or a book, it’s important that the email or blog post or book is fun to read. It’s also important that it has valuable content. The entertainment and the content can be connected, but they don’t always have to be.

In Sean’s Pricing book, he has lots of what you could call infotainment. Cartoons. Stories. And then, there’s a recipe for chicken biryani, spread over 3 pages.

The cartoons and stories tie into the content of the book. The chicken biryani does not, at least as far as I can see.

To sum up, connect or disconnect the infotainment at will. But my gut feeling is — there’s value in occasionally disconnected infotainment — it keeps people surprised and gives a sense of wonder.

I don’t think it’s something to do all the time. But once in a while, it’s better to throw in something fun and bizarre, rather than fun but reasonable.

7 types of infotainment to stuff into your information product

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Right now, I am writing a book that I will sell through my essential oils site.

I know the subject matter very well, and I could drone on about it even if somebody slapped me awake in the dead of night.

But it’s boring to just hear lots of facts and warnings and instructions, and I worry that my book will turn out dull. Since I want people to actually read this book and to get something out of it, I have to make it fun as well as informative.

Enter infotainment: entertainment combined with information. It’s something I first heard about from email marketing headmaster Ben Settle. So for your benefit as well as mine, here are 7 different types of infotainment you can stuff to make your dry-as-dust information product more exciting:

1. Cartoons

Cartoons. Every few pages. They can be used to add some color, to lighten the mood, and to reinforce a point.

New Zealand marketing guru Sean D’Souza is a master of this. Here’s an example from one of Sean’s articles on infotainment:

2. Vignettes

The New Yroker magazine does this.

Vignettes are like cartoons, but they are smaller, spread over multiple pages, and not directly connected to the surrounding text. Here’s a couple of examples from the Aug. 22, 2016 issue:

3. Stories

Stories stick. They make otherwise boring content interesting. Plus they are fun to read.

I kick off my essential oils book by telling the true story of a 2-year-old boy who got burned in a fire, how his mom used essential oils to help his wounds heal more quickly, and how the surgeons marveled and approved from the sidelines. It’s a great story, and it illustrates the power of essential oils way better than arguing with statistics or hand-waving about anti-inflammatory molecules.

4. Fun break

If you read some of the sales letters by Gary “greatest living copywriter” Bencivenga, you will frequently come across sidebars.

Just like in a magazine, these sidebars serve as a fun break, a chance to talk about something interesting, and to draw attention to it.

For example, in the book I’m writing, while talking about different proven health benefits of lavender essential oil, I have a sidebar that talks about four entirely different locations around the world where lavender is grown.

And I include some local color. One of the places has a mysterious monument that a crusader supposedly set up. Another is a kind of Shangri-La, with perfect weather on an otherwise rainy and cold mountain. A third served as a prison for the last monarch of the Austro-Hungarian empire.

5. Images

Like cartoons. Images are best when they are both relevant and surprising, beautiful and informative. Kind of like the vignettes I included above.

6. Word fun

This is an area where Ben Settle shines. His emails are fun to read, and one of the big reasons why is all the creative and colorful and unexpected language he uses.

Plus they sound super-conversational. In fact, they are more conversational than real conversation.

Poet Anthony Madrid, who writes for the Paris Review, is also a past master at this. Here’s an example:

We take the phrase “once upon a time” for granted, but if you think about it, it’s quite oddball English. Upon a time—? That’s just a strange construction. It would be pleasant to know its history: When, more or less, does it get up on its legs? Around when does it become standard procedure? My researches into this question, however, have yielded nothing conclusive.

7. Analogies

Analogies are like stories: they make boring or preachy content palatable.

A few weeks back, I was working on a probiotics sales page, and I compared probiotics you can buy at the store to mystery meat in a rusty can. For the essential oils book, I’m planning on doing something similar, I just haven’t figured out yet what dangerous-but-familiar image to compare mommy blogs to.

So there you go. 7 ways to infotain. They are formulaic. They are mercenary. And they workses.