Samuel Johnson

For copywriters who are almost (but not quite) satisfied with their copy chops — and can’t figure out what’s missing

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I’ll give it to you in a word:

Promise.

“Promise, large promise,” as Samuel Johnson wrote a million and four years ago, “is the soul of an advertisement.”

So obvious, right? You know how to make a promise, no?

Of course you do. You just tell people, “Here’s what you’ll get,” and you lay out what’s in it for them. You try to juice it up a bit with some John Carlton adjectives like “astonishing” or “accidental.” As garnish, you put “How to” in front of it.

Except, if this is all there is to making a promise, then why isn’t every offer, even every good offer, flying off the shelves? And why isn’t every copywriter who supposedly knows how to make a promise getting paid in heavy sacks of gold?

I’d like to propose to you that the most basic and most important skill in copywriting — making a promise — is more subtle and more involved than you might at first believe.

And as proof of that, take A-list copywriter Mel Martin.

Martin specialized in writing sales letters packed with sexy, intriguing, promise-heavy bullets.

But Martin was agonizingly slow in writing copy. It took him three to four months to write a sales letter. He could get stuck for a month on a letter opening.

Even at this snail’s pace, Mel Martin was almost singlehandedly responsible for growing Boardroom, one of the biggest direct response publishers, to $125 million a year, back in 1990s money.

Maybe you’ve seen some of Martin’s famous ads for Boardroom. I wonder what you thought?

If you’re anything like me, you might look at Martin’s copy and think, “Pff, I can do the same. So simple. So basic. Just promises and how-to’s.”

Except, there was clearly something magical and mysterious going on during those months that Mel Martin was agonizing over his copy.

That’s why his sales letters pulled in millions of dollars year after year, and that’s why he beat out all competing copywriters he was pitted against.

Maybe your promises are as good as Mel Martin’s. But if you have some doubts, if you suspect you could write better, more magical and mysterious promises, then I got two free bonuses I’d like to offer you:

#1. Copy Riddles Lite (price last sold at: $97)

Copy Riddles Lite includes one of the 20 rounds included in my full Copy Riddles program. The round is composed of two parts, in which you practice writing sales bullets, and compare what you wrote to what Mel Martin (as well as several other A-list copywriters) wrote starting with the same prompt.

Do this, and you very quickly realize how much skill went into Mel Martin’s bullets. Fortunately, you also very quickly manage to leech some of that skill from Mel Martin, without spending the months and years of agony it took him.

And once you get a taste for Martin’s skill, then the next step is natural:

#2. “How to Turn Fascinations into Fortunes: Copywriting Secrets To Fascinate, Captivate, And Dominate” (price last sold at: $97)

Lawrence Bernstein, “the world’s most obsessed ad archivist,” once hunted down a collection of all of Mel Martin’s million-dollar ads for Boardroom, along with other control-beating ads Martin had written for the New York Times book division.

Lawrence then printed out the ads, stuffed them in an envelope, and mailed the collection to Marty Edelston, the founder and CEO of Boardroom.

Would Edelston get a kick out of seeing those old ads that helped build up Boardroom? He sure did.

Marty Edelston was so grateful for these ads that he sent Lawrence a thank-you note, along with a check for $2,000.

If you’d like to see these ads yourself, and study them, and model them for selling your own products, then Lawrence put them together into a collection he called “Turn Fascinations Into Fortunes.”

Lawrence got $2,000 as a thank you for putting together this collection of ads. He then sold this collection for $97.

But you don’t have to pay $2,000, or even $97 for “Fascinations Into Fortunes.”

I’ve made a special deal with Lawrence so you can get “Fascinations Into Fortunes” free, along with Copy Riddles Lite, as part of the Buttered-Up Bonus Bundle.

If you’ve already taken me up on my offer from yesterday, check the bonus area, and you’ll find how to get your hands on these two new bonuses.

And if you have not yet taken me up on my offer from yesterday, the offer is this:

1. Get five (5) paperback copies of my original 10 Commandments book, 10 Commandments of A-List Copywriters.

2. Forward me your Amazon receipt.

I will then set you up with Buttered-Up Bonus Bundle. It includes Copy Riddles Lite and Fascinations Into Fortunes from above, plus four other bonuses I wrote about yesterday, for a total of $386 in real-world value, counting just what these offers sold for previously.

If you’d like to take me up on this now, here’s where to go:

https://bejakovic.com/10commandments

3 reasons to 3+ your prospect

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Negotiation expert Jim Camp promoted a technique he called 3+. Camp said to cover each point of your negotiation at least 3 times in slightly different language.

“So you’re saying you want to subscribe to my email newsletter today. Is that right?”

“Are there any reasons you’d rather wait to subscribe?”

“And if you do get to the end of this post where the optin is, would you still be interested in subscribing? Are you sure?”

Camp did 3+ because he wanted to get to a decision that sticks, rather than just a flaky agreement.

But you can do something similar to get a click or a purchase from a prospect, even a flaky one. All you have to do is repeat your basic promise at least three times.

Don’t worry about annoying your reader. You won’t annoy him, as long as you surround your promise with new info. Phrase your promise in a new and surprising way. But keep hammering away at it.

Really? Yes. Because there are at least three reasons why this 3+ stuff works in sales copy.

One is that repetition creates belief. It shouldn’t, but it does. Just look at the stump speeches of politicians, or the headlines of the major news outlets. Repeat an outlandish idea one, two, three or more times, and people will adopt it as their own.

But that’s not all. Because repetition also creates desire. You’re greasing the groove.

Promise me something once, and I only hear your words. Promise me something twice, and I’m starting to imagine your promise being a reality. Make the same promise three or more times, and I’m getting impatient for the outcome.

But there’s a third and possibly most important reason to repeat your message over and over and over. And that’s the fact we’re living in a noisy world. Your reader doesn’t hear your whole message. He is distracted. He skims. He checks his phone. His mind is elsewhere.

You think you have his whole attention. You don’t. But you can still get your message across, if you keep repeating it. How many times? At least three. More is better.

None of this is new. Almost 300 years ago, Samuel Johnson said:

“Promise, large promise, is the soul of an advertisement.”

You might already know that quote. What few people know is that Johnson kept talking after the dictaphone stopped recording.

“Yes,” Johnson said, “promise is the soul of an advertisement. But repetition, constant repetition, is the body of an advertisement. So keep repeating your promise to make it more real. Even if you get tired of it. Over and over. Because eventually, your prospect will hear you. And then he will buy.”

By the way, remember that 3+ from the start of this post? About subscribing to my email newsletter? You do?

Well, I’m not sure if you’re still up for subscribing. In case you are, here’s where to go.

Camelopards and soft Facebook advertorials

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Samuel Johnson, who wrote the first great dictionary of the English language, did not like to bathe.

“Mr. Johnson,” said a lady to him once, “you smell!”

“No madam,” retorted Johnson, “you smell. I stink.”

Had Johnson lived today, he might be a hard-working Facebook copywriter. At least that’s how I imagine it, after spending this morning “softening up” an advertorial supposed to run on Facebook traffic.

The original version of the copy mentioned death, bleeding, skin cancer, organ failure, and hospital visits.

The new version looks much the same. But there is no death or bleeding. Skin cancer has become growths on the skin, organ failure is now “internal systems” failure, and hospital visits have morphed into “a trip to the family GP.”

The first version was unacceptable. The second version seems to be acceptable, to Facebook at least.

But here’s the point I want to share with you, which might be useful even if you don’t write FB advertorials:

It pays to write an extreme, un-self-censored first version of your ad.

In other words, your initial draft should stink, not smell.

It’s easy to wave your arms a bit and clear out the stench from a particularly offensive passage. It’s much harder to take a bunch of lukewarm milk and turn it into pungent Limburger.

Finally, do you know what a camelopard is? You will soon. Because here, to close on an educational note, are three unique and precise definitions from that dictionary of Johnson’s:

1. “Camelopard, noun: An Abyssinian animal, taller than an elephant, but not so thick. He is so named, because he has a neck and head like a camel; he is spotted like a pard, but his spots are white upon a red ground. The Italians call him giaraffa.”

2. “Monsieur, noun [French]: A term of reproach for a Frenchman.”

3. “Oats, noun: A Grain, which in England is generally given to horses, but in Scotland supports the people.”

All right, one more definition. Email newsletter, noun: A sequence of formatting-free emails, containing content like you’ve just read, arriving once a day to your own inbox. Available here.