BluBlockers

The secret reason I still stick with copywriting after all these years

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Here’s a confession:

I’m not in this field because of the money or supposed freedom that copywriting brings.

Sure, that’s why I got into it in the first place. And I guess if I didn’t make any money, or if the work conditions sucked, I might move on to something else.

But the real thing that keeps me going in copywriting, that sucks me in and fascinates me, is learning more about myself and about other people.

Because it turns out that direct response marketing is an incredible lens to allow you to see inside people’s psyches, and what they really respond to.

Case in point:

Joe Sugarman of BluBlockers fame once told a story about his cousin, who was a psychiatrist. The cousin was hired by the San Diego Chargers, an American football team.

The Chargers wanted to find out what separated football superstars from the rank-and-file of all the others players. After some MK-Ultra type research, Joe’s cousin figured out there were two personality types who became superstars. They were either:

A. Egomaniacs

or

B. Deeply religious

“And when you really think about it,” Joe said, “what did they have in common? A very strong belief in either themselves or in a higher power.”

I’m not here to tell you to believe in yourself, or in a higher power.

I’m just here to point out am important fact in case you ever want to sell something:

If the thing that sets superstars apart is that they believe, either in themselves or in God, then what does that say about everybody else? What does it say about the 99.9% of people in any field who are not superstars?

They don’t believe. Or at least they don’t have anything focused to believe in.

And mercenary thought it might sound, smart marketers have been taking advantage of this lack of belief to sell trillions of dollars worth of stuff.

Because smart marketers give prospects something to believe in. An external thing… and yet, a thing that doesn’t require religious feeling or faith in the supernatural.

That thing is called the mechanism.

The mechanism is usually described as “how the solution works.” And it is that. But it’s really much more. It’s hope and belief in something outside yourself.

Of course, after a century-plus of creative mechanisms — cold showers and hyperventilation, buttered coffee, adaptogenic mushrooms — you can’t just hold up a bag of rocks and say, “Here, believe in this.”

You gotta come up with a mechanism that threads the thin line between exciting and exotic and believable and achievable.

I got a mechanism for you. It’s called “The John Bejakovic Letter” and it’s been called the most insightful newsletter about copywriting, marketing, and influence. In case you’d like to sign up for it, click here and follow the instructions.

A $2,000 idea

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Yesterday, I met the owners of an apartment I am trying to rent in Barcelona. They are a married couple, very elegant and stylish, a few years older than me. We met at a cafe.

I sat down across from them and I leaned back in my chair. “So what do you have for me,” I said.

The husband smiled at me. “Would you like to drink a coffee first?”

I smirked, stared him in the eye, and said nothing.

“Oh okay,” he said, clearly browbeaten. “So you’ve had a chance to look at the apartment? You liked it?”

“The apartment is fine,” I said. “But let’s talk turkey. How much do you want for it?”

The man paused for a moment. He and his wife looked at each other in confusion.

“What do you mean?” the wife said. “The rent is right there on the listing.” And she repeated the number. It was a round figure, divisible by one hundred, ending in two zeros.

I laughed with contempt.

“A round figure?” I said, barely controlling myself. “You haven’t done one minute of work on this, have you? You just pulled that number out of your ear, without checking comparables and without putting in any effort to calculate a fair price. No! I don’t trust your round figure. And I don’t like being disrespected like this. I’m not interested in renting your apartment any more. Goodbye!”

I got up and left the cafe. The husband ran after me, begging me to reconsider, offering to make the price more specific and jagged. But it was too late.

In case this sounds like a slightly fantastical scenario… well, that’s because it is.

What actually happened yesterday was that I did meet the owners.

I smiled at them and I put on my best and most responsible face.

Using subtle sub-communication, I made it clear that if they let me rent their apartment, I would not adopt a pitbull… I would not host any drug-driven orgies… and I would not take up drumming as a new hobby.

After a few minutes of this renter mating dance, the owners were satisfied. They agreed to let me have their beautiful apartment, and I agreed to take it, at a perfectly round monthly rent, neatly ending in two zeros.

If you’re wondering why I’m telling you this, then, like my fantasy owners above, you clearly didn’t read my email yesterday.

That email was all about the power of specificity. Specifically, the power of specific numbers. Recently proven by some fancy scientific research, but suspected by smart marketers for decades and probably centuries.

Except…

There are times where your numbers don’t have to be specific.

My rent situation above was clearly one.

I accepted the nice and round price. Doing anything else would have been foolish, bordering on very foolish. The rental market in Barcelona is insane. There are only a few available apartments and thousands of hungry renters swooping down on each one.

But you might say, “Sure, you can get away with a round price sometimes. That doesn’t mean that a specific, jagged price wouldn’t work just as well or better.”

Maybe. Or maybe not.

There are situations where a round price is not only acceptable, but actually better. Where a round price sub-communicates high status, a lack of neediness, and a position of power.

Take for example the curious case of one Joe Sugarman. Joe was a multimillionaire marketer who created the BluBlocker sunglasses empire.

Joe sold each of his BluBlockers for $69.95.

But when Joe ran an ad to advertise his legendary copywriting and marketing seminar, he didn’t promise to reveal “7-figure funnel secrets,” or offer a *9.99 price.

​​Instead, Joe said, “Come study with me,” right in the headline. And then in the subhead, he told you how much it would cost, — $2,000, with three round zeroes at the end.

So take time and ponder on that. I’ll leave you today with a bit from Joe’s ad:

There are two types of successful people. Those that are successful and those that are super successful.

To be successful you must learn the rules, know them cold, and follow them. To be super successful, you must learn the rules, know them cold, and break them.

For more marketing ideas, some worth $9.99 and others worth $15,000, come and read my email newsletter. You can sign up for it here.

Sub-format trumps copy

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The point of today’s email may be very obvious to you. But it wasn’t obvious to me, not for a good many years. And yet it’s very valuable — the numbers don’t lie. See if you agree:

​​I recently wrote about Joe Sugarman’s BluBlockers infomercial. It had a candid camera feel – Joe going up to people on the street, giving them a pair of BluBlockers to try, and recording them as they look around in wonder and say, “Wow, it’s so much sharper! Brighter, too!”

What I didn’t write about recently, but found interesting nonetheless, was a presentation given by top copywriter Evaldo Albuquerque. Evaldo was talking about tips and tricks to make an interview-style VSL a big success.

And then, there was an email I wrote a couple years ago about video ads my clients at the time were running on Facebook. The ads were very successful, and more successful than any other we had tried. They were modeled after BBC science videos — using stock footage, with overlaid subtitles that told an intriguing and dramatic story.

A-list copywriter Parris Lampropoulos likes to say, “Repeat after me: FORMAT TRUMPS COPY.”

The thing is, it’s easy to be shortsighted about what format means. Text sales letter? VSL? Podcast? Magalog?

The three examples I gave you above – Joe’s candid camera infomercial, interview-style financial VSLs, BBC-style stock footage ads — all three are formally video ads. But each is really a unique sub-format of video ads, which makes all the difference in their final effectiveness.

So repeat after me: Sub-format trumps copy. ​​

This brings me to a cool resource I’d like to share with you. It’s a steady source of analysis of some of the most persuasive, interesting, and influential sub-formats coming out today.

I’ll share this resource in exchange for something you can do for me:

Tell me about a unique format you enjoy.

For example, I’ve written recently about the YouTube channel Soft White Underbelly. It has a unique, consistent format across each episode, which I’ve grown to like.

I’ve also written about the Axios email newsletter about world news. It has another consistent format that I like.

So take a moment. Think about about a source of news, entertainment, education, inspiration — whatever — that you enjoy regularly and that has a strong, consistent format that you’ve grown to rely on and appreciate.

Then get on my newsletter if you’re not already on it. And when you get my welcome email, hit reply and let me know what this thing is, and if you want, tell me in a few words why you like its format.

In exchange, I’ll share with you the cool resource I mentioned above, all about interesting and emerging new formats. This resource might be enlightening and even very profitable for you, if you write or invent new DR advertising.

Flash roll: The following presentation has been paid for by Desert Kite Enterprises

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I’ve been on a hiatus from the usual marketing mailing lists over the past few weeks, so it took me a while to find out that Joe Sugarman died recently.

I’ve written a lot about Joe and his ideas in this newsletter.

In part, that’s because Joe’s Adweek book was the first book on copywriting I ever read. It gave me a lot of ideas to get started in this field, and to a good extent influenced my writing style.

But also, I’ve written a lot about Joe just because he was such a successful direct marketer, who was willing to publicly share the many million-dollar insights he had over his long career.

I found out Joe had died from Brian Kurtz’s email last Sunday. Brian also sent out a link to the infomercial for Joe’s BluBlockers — which became Joe’s biggest success, bringing in over $300 mil.

I actually bought a couple pair of BluBlockers a few years ago. So I was happy to finally see the full infomercial. In a nut, the entire 28 minutes is just a frame around a bunch of on-street testimonials that Joe collected for BluBlockers.

But ok.

Maybe you’re starting to wonder if this email will have any kind of marketing lesson, or if I will just reminisce about Joe Sugarman.

I do got a lesson for you.

​​Take a look at the following bit of sales patter delivered by Joe in the infomercial. It comes after some testimonials by people who say that BluBlockers allow them to see as well as they do with prescription sunglasses.

“I know BluBlockers aren’t prescription sunglasses,” the host babe asks Joe, “but why do so many people think that they are?”

Joe responds:

“BluBlockers block 100% of blue light. Not only the ultraviolet light but the blue light as well. Blue light does not focus very clearly on the retina. And the retina is the focusing screen of the eye. Now all the other colors focus fairly close to the retina. But not blue light. So if you block blue light, what you see is a lot clearer, and a lot sharper.”

If you have read Oren Klaff’s book Flip the Script, you might recognize this as a flash roll. It’s basically a rapidfire display of technical language used to wow — or hypnotize — the prospect into thinking you’re legit.

(To make it clearer: the original flash roll was a term used by undercover cops. They flashed a roll of cash to a drug dealer to show they meant business.)

For over two years, I’ve been collecting ideas related to the use of insight in marketing. That’s when you say, “Ahaaa… it makes so much sense now!” And in that way, you become open to influence.

Several people have suggested to me to include Klaff’s flash roll idea. I resisted.

After all, what is there to intuitively make sense of in Joe’s argument above? He’s just throwing some technical facts at you. They could be completely made up. You have no way to actually experience or validate those facts for yourself.

But it doesn’t matter.

The people who told me the flash roll creates a feeling of insight were right. I was wrong.

That same feeling of deep understanding — which is usually triggered when you experience or understand something for yourself — well, it can be triggered, on a slightly smaller scale, just by an adequate display of authority.

“So you’re telling me to include more authority in my sales copy?” you ask. “That doesn’t sound very insightful.”

What I’m actually telling you is that there are better ways of creating insight. But if you got nothing else, then some technical jargon, or perhaps a scientific study, can be good enough to get people to say, “Ooh… I get it now!” Even though they really don’t.

As for those more powerful ways of creating insight, I’ll write about that one day, in that book I’ve been promising for a long time.

For now, I’d like to tell you about an interesting article. It’s titled “Beware What Sounds Insightful.”

This article points out the unobvious truth that there are mechanisms of creating the feeling of insight… and that they can dress up otherwise mundane or even ridiculous ideas as something profound. It even gives you some more examples of flash rolls, by some of the most insightful writers out there on the Internet. In case you’re interested:

https://commoncog.com/blog/beware-what-sounds-insightful/

2 advertorial lessons from Joe Sugarman’s BluBlockers

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Right now, I’m looking at a pair of ugly, orange, bug-like sunglasses that are lying on my desk.

I’ve only worn them a few times in my life.

Each time, people made fun of me for how stupid I looked.

The glasses in question are called BluBlockers, and they are the brainchild of one Joe Sugarman.

Joe is a big-time direct marketer. He initially made lots of money in the 1970s selling electronic gadgets such as digital watches, pocket calculators, and programmable thermostats.

But none of it compared to BluBlockers, which became a $300 million bug-eyed behemoth.

And it all started with a single ad that Joe wrote, which ran under the headline “Vision Breakthrough.”

This ad offers (at least) two big lessons if you are writing advertorials today.

The first is curiosity.

Joe keeps going on about how incredible it is to look at the world through the BluBlockers.

Everything seems sharper.

Clearer.

More vibrant.

Of course, he can describe it all he wants. You’ll never know what it’s like to actually wear these hideous things until you put them on.

And that, according to Joe himself, was one of the main reasons why people bought the BluBlockers initially.

This curiosity approach is something I’ve tried in several recent advertorials for physical products. One was for a way for women to create boob cleavage even if they are flat-chested. The other was for an all-natural, all-effective way to wash clothes without detergent (“I don’t know how it gets clothes this clean, but it works”).

The other lesson I drew from Joe’s “Vision Breakthrough” ad is both more practical and more broadly applicable than simple curiosity.

I won’t spell out what it is here.

But I will include it in an upcoming report on advertorials I am preparing.

For now, you might be interested in another kind of secret.

Such as how to write simple 3-sentence applications that win you $150/hr jobs on Upwork.

You can find the answer to that in my Upwork book, which is still available on Amazon.

But come tomorrow, it will go underground, only to reappear later, in much the same form, but off Amazon, and at a much higher price.

In case you want to grab this book while it’s still cheap and available, here’s where to go:

https://bejakovic.com/upwork-book