Insight Marketing

Once upon a time

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It was a dark and stormy morning, and the anti-hero of our story, Bond Jebakovic, was sitting in a dimly-lit coffee shop — one of the few dimly-lit coffee shops in this otherwise-sunny Catalan town, for Barcelona is where our story takes place — sipping a latte, his bloodshot eyes glued to the door.

Bond was on a top-secret mission, and he was desperate for intel.

Suddenly, a woman walked in.

​​She was wearing a raincoat and sunglasses, though, as mentioned, it was a dark and stormy morning, and sunglasses were really not required. ​​Maybe it was for effect? Or maybe she had something to hide?

The woman looked around. The coffee shop was empty except for Bond, who was sitting on an uncomfortable bench in the corner.

The stranger walked to the counter and ordered. “Double espresso,” she said, “and one of those little pistachio cookies.”

While the barista busied himself with the order, the woman ambled around the coffee shop. ​​She approached and examined the large monstera plant in the corner. She walked to the large window and looked out to the gray street outside. Finally, she took a few steps towards Bond. ​​Without a sound, she dropped an envelope on the bench next to him.

​​Bond grabbed the envelope. ​On the face of it was a typewrittten title: Monday Morning Memo. Bond tore it open and started to read:

From: Research Dept. Head Roy H. Williams
21 Nov 2022, 7:11AM CET

Bond —

I was most pleased to hear you are still alive. Unfortunately, we can’t allow you any rest. You must deliver the following message immediately to AK. it’s a matter of life and death.

Start of Message:

Most stories should be told as fiction, even when they are true. When confronted with facts we are always on our guard. But the words, “Once Upon a Time” dispel doubt, open the imagination, and create a willing suspension of disbelief.

Case study from Agent William Lederer:

“I was a journalist and none of my books had sold very well, so I showed Jim the manuscript for my newest book. He told me to go back and fictionalize the name of the country, the characters, everything. Jim said to me, ‘The public is more willing to believe fiction than non-fiction.’”

Outcome:

* The resulting book, The Ugly American, stayed on the New York Times list for 78 weeks

* It was directly responsible for the creation of the Peace Corps

* Then-President John F. Kennedy bought a copy of the book for every member of Congress

* Historians speculate The Ugly American did more to change American Foreign Policy than any document since the Declaration of Independence

Bond rushed out of the coffee shop and started running down the street. AK’s apartment was just a block away, but as headquarters wrote, it was a matter of life and death.

Would AK be at home? Would Bond deliver the message in time? And what about those little pistachio cookies — were they any good?

All that, and more, on tomorrow’s installment of Bond Jebakovic Action Adventures. For a free trial subscription to this pulp daily email newsletter, click here and fill out the free trial subscription form.

How a nobody can get on a podcast with an audience of millions

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I care little about the news and even less about crypto. But even I couldn’t escape the news this past week about the fraudulent FTX crypto exchange and its owner Sam Bankman-Fried.

I couldn’t escape the news because of the half dozen people I follow online — in the health, marketing, or being alive niches — all talked about it in some way.

That must mean there are hundreds of thousands of people online right now, analyzing and pontificating their best and hottest takes on FTX and SBF.

So here’s a riddle for you:

Who did James Altucher bring on his podcast yesterday to talk about FTX and fraud?

Who did James Altucher — who has an audience of millions, and who normally interviews “billionaires, best-selling authors, rappers, astronauts, athletes, comedians, actors, and the world champions in every field” — think was interesting and competent enough to comment on the current moment?

It wasn’t a world champion in any field.

It was just some no-name guy. Ok, the guy has a name. It’s Antonio Reza, but that’s not what got him on the podcast.

Reza got on the James Altucher podcast because he wrote a prescient and insightful Twitter thread a few weeks ago.

The thing is, Reza wasn’t writing about FTX and how it was bound to collapse.

Instead, he wrote about Enron, the big corporate fraud from 20 years ago, and how all frauds are really alike in key ways.

So hold on to your stomach, because here’s the recipe for how to get on a podcast with an audience of millions, even when you’re a nobody:

Write something insightful and prescient, connected to the current moment, but also from a different perspective than everybody else has.

I hear you groaning. But wait, I’m just getting started. Since I’m on a roll with giving advice, let me also tell you how you win the lottery:

First, you pick the winning numbers. Then you buy a ticket with those numbers, and then you collect when the numbers are publicly announced. Easy!

And yes. Getting an opportunity to speak in front of an audience of millions, when you yourself are a nobody, even an insightful nobody, is much like winning the lottery.

The thing is, having something insightful to say dramatically improves your chances that somebody somewhere, with an audience bigger than yours, eventually plucks you out of obscurity and says, “Wow! This guy has something really interesting to say. Let me share it with my audience!”

At least that’s how it’s been for me, on multiple occasions, in multiple niches, even when I was a total nobody. I wrote something that sounded insightful, and I got rewarded for it.

There are techniques and writing tricks to doing this. Maybe you can spot them if you read more of my writing. If you’d like to do that, click here and sign up for my daily email newsletter.

“All those moments, spoiled in time, by tears in the wind”

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Last night, I walked through the calm and beautiful streets of Barcelona to get to a restaurant. It was so warm that I took my jacket off and went in just a t-shirt. All around me, people were sitting in bars and cafes, talking and drinking and laughing.

It was an extremely unpleasant walk, and I was extremely annoyed the entire way.

At one point, the girl who next to me gave me a kiss on the cheek. Then she pulled back in surprise. “Why are you crying?” she asked.

“It’s this wind,” I said, irritated.

​​Sure enough, a modest breeze had been blowing the whole time, and for some reason my eyes welled up and tears were streaming down my face. I kept wiping my face but that seemed to just encourage the conspiracy between my eyes and the wind, and the tear production increased.

I’m telling you this because I just asked myself what things have happened to me in the past 24 hours that I might include in this email.

This “tears in wind” experience popped up in my mind, and it linked up with the more poetic “tears in rain.” That phrase comes from a famous 42-word monologue, near the end of the sci-fi classic Blade Runner.

​​The monologue is delivered by a Roy, a dying android, who has been alive for only four years, and who is both less and more than human. As Roy sits in the rain on a rooftop, shutting down, he says:

“I’ve seen things you people wouldn’t believe… Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.”

The “tears in rain” monologue has been called “perhaps the most moving death soliloquy in cinematic history.”

​​After the shooting of the scene, crew members reportedly applauded and even cried.

​​The scene has been analyzed by critics and philosophers, referenced dozens of times in other pop culture — and perhaps most significantly, it has its own dedicated Wikipedia page today, separate from main Blade Runner page.

Why am I telling you about this?

Well, I figure if a 42-word monologue manages to have this kind of influence on the world, it might be worth thinking about why exactly that is.

But this email has almost reached its end. In a moment more, it will sit down on the ground, deliver its death soliloquy, and shut down, like a short-lived but passionate android. If you’d like to read more essays like this, time to act.

Daniel Throssell prompts me to put Gene Schwartz into a bigger context

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In response to my “Age of Insight” email yesterday, Australia’s best and favorite copywriter, Daniel Throssell, writes to ask:

I love how you think about this.

But aren’t your three levels of marketing kinda just expressions of market sophistication — and the different techniques required to make an ad succeed at each level?

You’ve probably heard about market sophistication. It’s an idea from Gene Schwartz’s book Breakthrough Advertising.

Basically, sophistication is a question of how many ads people in your market have seen previously. The more ads, the more sophisticated — and you gotta act accordingly.

At first, a simple promise will do. Then you need a bigger promise. Then you need a mechanism. Then you need a cooler mechanism.

And eventually, people get soooo bored with all your promises and mechanisms. You’re in the last stage of sophistication.

So Daniel is asking whether my “ages of marketing” — the Age of Promise, the Age of Positioning, the Age of Insight — are just a restatement of Gene’s stages of sophistication?

​​​​And is insight just another concept that’s hidden between the densely written lines of Breakthrough Advertising?

As often, my answer is both yes and no.

Yes — because pretty much all of marketing is contained in Breakthrough Advertising. This includes examples of proto-insight and insight-like techniques.

And no — because while pretty much all of marketing is contained in Breakthrough Advertising, there is one thing missing.

As far as I understand, Gene’s sophistication model is about individual markets. The way Gene has it, when a market reaches the ultimate level of sophistication, it eventually dies, and a new market is born out it:

The market for cigarettes dies, but the market for filter cigarettes is born, like a phoenix rising out of the ashtray.

And then the market for filter cigs goes through the same stages of sophistication, from naive to jaded, as the cigarette market went through.

Eventually, the market for filter cigarettes also dies, and yet another new market — the market for flavor in cigarettes — opens up. “Winston tastes like a cigarette should.”

Sounds reasonable, right? Human desires and gullibility are infinite, right?

Well, about that. That’s the one thing that’s missing from Gene’s magnificent Breakthrough Advertising.

Like I said, Gene’s sophistication model is about individual markets.

But it doesn’t account for what happens to both society and to individuals after many such deaths and rebirths.

So what happens? ​​What happens after decades of advertising, after thousands or millions of our personal money spent on cars, cigarettes, detergents, copywriting courses, and book-of-the-month clubs — all of which failed to really deliver on the deepest promises we were hoping they would fulfill?

I’ll tell you.
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What happens is that more and more people become guarded against any kind of advertising — not just bored with the claims in a given market.

What happens is low self-esteem — people start to suspect that there’s something wrong with them, and that even the most credible and amazing new offer can’t help them.

What happens is compulsive aimlessness — as is endemic in the info publishing world — where people still buy on occasion, but they never consume or implement.

That’s when you enter the Age of Insight. And that’s when insight techniques become useful beyond the techniques that Gene talks about in Breakthrough Advertising.

All that’s not to say that promises or mechanisms or positioning are obsolete. You can still sell and influence using just those.

But as Gene says, it’s a matter of statistics. And today, more and more people are becoming jaded, defeatist, or simply indifferent in response to classic advertising and marketing methods.

The good news is that it is possible to reach them — and to open up vast new markets for your offers.

How do you do it? That’s something I talk about on occasion in my daily email newsletter. In case you’d like to read that, and maybe find out how to reach those unreachable people, click here and sign up to get my dailiy emails.

Marketing prediction: Welcome to the Age of Insight

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A year ago, I sent out an email with the subject line,

“Business Prediction: Welcome to the Age of Aquarius”

In that email, I made the claim that the world has gone through three distinct ages of consumption.

The first was the Age of Stuff. That age was made up of straight-up consumerism — Cadillacs and and Frigidaires and Armani suits — which became dominant after WWII. It was about what you own.

The second consumption age was the Age of Experiences. It began around 1990, or at least that’s when I became aware of it. Amazing Thai food, swimming with the dolphins, a visit to Ernest Hemingway’s favorite bar in Key West. It was about what you’ve done.

My claim was that the third age of consumption, in which we are now, is the Age of Transformation. It’s about who you would like to become. Crossfit, sex-reassignment surgery, Masterclass subscriptions.

Like I said, I sent that email a year ago. A year is a long time. I have been enlightened greatly in that time, and I want to share with you some of the things I have seen.

What I have seen is that, mirroring the world of production and consumption, there have been parallel shifts in the world of marketing and advertising.

What I have seen is that the world has gone through three distinct ages of marketing.

The first age was described by copywriter John E. Kennedy. Kennedy correctly divined that advertising is salesmanship in print. As a result, Kennedy gave birth to the Age of Promise:

“Let this Machine do your Washing Free”

The second marketing age was identified by a clever astrological duo, Al Ries and Jack Trout. According to their occult research, some fifty years after Kennedy, advertising had gotten to a point where promises were insufficient — there were just too many players in the market. As a result, we entered the Trout and Ries age, the Age of Positioning:

“Avis is only No. 2 in rent a cars. So why go with us? We try harder.”

And now, if my calculations are right, we are now entering the third age.

It’s the Age of Insight.

Today, a hundred years after John E. Kennedy, it’s no longer enough to make a promise and build up desire.

Today, fifty years after Trout and Ries, it’s no longer enough to give people a mental hook to hang your name on.

Today, the smartest marketers — people like Rich Schefren, Travis Sago, and Stefan Georgi — are doing something different. They are using specific and subtle techniques to take the disgust with manipulation, the disappointment of previous purchases, the confusion and uncertainty and indifference that most of us feel on some level…

… and transform them into something new. Into something motivating. Into something contagious.

Into the feeling of insight.

Maybe you find that idea intriguing. Or maybe you find it confusing.

If so, don’t worry. You are in luck, or rather, you are in the right place at the right time.

I’ll be telling you more about insight over the coming two weeks.

Because, as you can probably guess, I’m promoting something. I’m promoting a series of live trainings, all about the Age of Insight. In these trainings, I will tell you how you can align yourself to this new age in such a way that you prosper and surpass those marketers who do not yet possess this esoteric knowledge.

The first of these live training calls will happen on December 1. So I will be talking the Age of Insight until the end of this month, when registration for this training will close.

If at any point you decide that this is an opportunity you do not want to miss, you can get the full details on my Age of Insight training, or even register for it, at the page below:

https://bejakovic.com/aoi

My recipe for writing a book that influences people and sells itself

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I just spent the morning reading statistics about the best-selling books of the 20th century so I could bring you the following curious anecdote or two:

The year 1936 saw the publication of two all-time bestselling books.

The first of these was Gone With The Wind. That’s a novel that clocked in at 1,037 pages. “People may not like it very much,” said one publishing insider, “but nobody can deny that it gives a lot of reading for your money.”

Gone With The Wind was made into a 1939 movie with Vivien Leigh and Clark Gable, which won a bunch of Oscars. Without the monstrous success of the movie, odds are that few people today would know about the book, even though it sold over 30 million copies in its time.

On the other hand, consider the other all-time bestseller published in 1936.

It has sold even better — an estimated 40 million copies as of 2022.

And unlike Gone With The Wind, this second book continues to sell over 250,000 each year, even today, almost a century after its first publication.

What’s more, this book does it all without any advertising, without the Hollywood hype machine, simply based on its own magic alone.

You might know the book I’m talking about. It’s Dale Carnegie’s How To Win Friends And Influence People.

One part of this success is clearly down to the promise in the title. As Carnegie wrote back then, nobody teaches you this stuff in school. And yet, it’s really the fundamental work of what it means to be a human being.

But it can’t be just the title. That’s not reason why the book continues to sell year after year, or why millions of readers say the book changed their lives.

This includes me. I read How To Win Friends for the first time when I was around 18. It definitely changed how I behave.

For example, take Carnegie’s dictum that you cannot ever win an argument.

​​I’m argumentative by nature. But just yesterday, I kept myself from arguing — because Carnegie’s ghost appeared from somewhere and reminded me that I make my own life more difficult every time I aim to prove I’m right.

This kind of influence comes down to what’s inside the covers, and not just on them.

So what’s inside? I’ll tell ya.

Each chapter of Carnegie’s book is exactly the same, once you strip away the meat and look at the skeleton underneath. It goes like this:

1. Anecdote
2. The core idea of the chapter, which is illustrated by the anecdote above, and which is further illustrated by…
3. Anecdote
4. Anecdote
5. Anecdote
6. (optional) Anecdote

The valuable ideas in Carnegie’s book can fit on a single page. But it’s the other 290 pages of illustration that have made the book what it is.

In other words, the recipe for mass influence and continued easy sales is being light on how-to and heavy on case studies and stories, including personal stories and experiences.

Maybe you say that’s obvious. And it should be, if you read daily email newsletters like mine. But maybe you don’t read my newsletter yet. In case you’d like to fix that, so you can more ideas and illustrations on how to influence and even sell people, then I suggest you click here and follow the instructions that appear.

A man, a woman, a gun, and some crickets

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Picture the scene:

It’s dark.

Crickets are chirping.

A beautiful school teacher is moving quickly around her empty and isolated prairie house.

She’s undressing after a long day.

She gets down to her white chemise. She turns around from her closet to her bed and— SHRIEK!

She sees there’s a man sitting there in the dark, hands crossed on his chest.

“Keep going teacher lady,” he says with a hint of menace in his voice.

The school teacher stands there, breathing heavily, her hand at her chest, with a look on her face that says, NEVER.

The man slowly reaches over, picks up a gun, and points it at the school teacher.

“Don’t mind me,” he says coldly. “Keep on going.”

The woman looks down at her chemise in shame. She starts to untie the top. Now her face seems to be begging the man to let her stop.

But the man is obviously enjoying the show. He looks the woman up and down while still keeping the gun pointed at her.

The woman continues to undress. She’s now down to just her britches. She holds her chemise against her body to keep some dignity.

The man takes a deep breath.

“Let down your hair,” he says.

She does. The chemise drops to the ground and she’s just left in her one-piece underwear.

“Shake your head,” the man says.

She does. Her hair falls across her face.

The man doesn’t say anything more. Instead, he just gestures with the gun. He wants the woman to do away with the remaining underwear also.

She hesitates. There’s a mixture of fury and resolve on her face. Eventually, with decided movements, she starts to untie and unbutton her underwear.

She stands there, almost naked, with the underwear barely on her shoulders, ready to slip off.

The crickets keep chirping.

The man lowers his gun. Slowly, he takes off his gun belt. He stands up and walks to the woman.

He reaches inside her untied underwear.

The woman can barely control her fury.

“You know what I wish?” she says with her teeth clenched.

“What?”

“That once you’d get here on time!” And she puts her arms around the man and they kiss.

As you might know, that’s a scene from the 1969 film Butch Cassidy and the Sundance Kid.

It’s the first time we see the character played by Katharine Ross, the school teacher who was Sundance’s lover and who accompanied Butch and Sundance all the way down to Bolivia.

I’m using this scene to express an idea by Mark Ford, which is itself an expression of a much older idea:

“Ideas in and of themselves have little value. The value lies in the way they are expressed. New ideas are never new. Nor are they the product of a single mind. Rather, they are the particular articulation of general ideas that are in the common marketplace of ideas, repeated endlessly until one particular articulation catches fire. Remember this when you have a new idea that you are excited about. If you want to have it accepted, you must be willing to express it in dozens of different ways.”

A man and a woman in love. Not new.

A man and a woman in love, meeting after a long absence and hungrily reaching for each other. Not new.

An apparent rape, which turns out to be a man and a woman in love, meeting after a long absence and hungrily reaching for each other. That’s something you win an Oscar for, which is what happened to screenwriter William Goldman after he wrote Butch Cassidy and the Sundance Kid.

Whatever. Maybe you see where I’m going with this. And maybe you don’t. If you don’t, then I guess I’ve done my job, and that job ain’t easy. As A-list copywriter Jim Rutz said once:

“You must surprise the reader at the outset and at every turn of the copy. This takes time and toil.”

Do you see where I’m going now? I want to make sure that you do, so let me spell it out:

I write a daily email newsletter about copywriting, marketing, and influence. If you’d like to be surprised on occasion, and maybe get exposed to some valuable ideas as well, you can sign up for my newsletter here.

Today is a possible keyframe moment in your life

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About two months ago, I reconnected with an ex-girlfriend I had not talked to for over 5 years, pretty much since the day we broke up.

She seems to be thriving now. Maybe because of that, she wrote me a short email this summer to wish me a happy birthday. We exchanged a few more short emails and she suggested we get on a call and catch up. So we did.

It was an oddly pleasant and chirpy call that lasted over an hour.

I’ll tell you one detail from the call that stands out in my mind.

It turns out that in those five years, my ex started her own law office.

“I didn’t want to do it,” she said, “even though it was always the plan. Actually, in a funny way you were responsible for why I did finally do it.”

The “funny way” was this:

Back when we were together, my ex and I used to play-plan, and talk about sharing an office together one day. She could have one room, where she could write serious real estate contracts, and I could have the other room, where I could write serious dog toothbrush advertorials. We could share the coffee machine and the secretary.

It was a nice idea in my mind, and I guess in her mind as well. Because, as she told me during that oddly pleasant and chirpy call, it was this memory that made her finally decide to get the office and to start her own law practice.

All this popped up in my head today when I learned of a new word, watashiato:

“Watashiato: n. Curiosity about the impact you’ve had on the lives of the people you know, wondering which of your harmless actions or long-forgotten words might have altered the plot of their stories in ways you’ll never get to see.”

Watashiato, the word, comes from The Dictionary of Obscure Sorrows. That’s just a blog by some guy, who’s inventing new words for feelings and experiences most of us have, but cannot put a finger, or tongue, to.

And that’s it. That’s all I’ll share with you today. That new word, plus The Dictionary of Obscure Sorrows, plus the quick personal story.

I did have more to say about this, including talking about keyframe moments.

But I saved that for people who are signed up for my email newsletter, and who get these emails live, instead of getting these emails archived on my website. In case you would like to join them, click here and possibly enter into a strange new area of your life.

Free info on free reports

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Copy Riddles member Andrew Townley takes advantage of the Copy Oracle privilege to ask:

I was listening to a Dan Kennedy program today that got me thinking about all those direct mail “free reports.” I was wondering if you had a source of any guidance on how to build one. I remember Parris describing the process somewhere on a podcast or something, but I can’t find it now.

The background, as you might know, is this:

A-list copywriters like Dan Kennedy and Parris Lampropoulos are experts at selling newsletters. Newsletters are a direct marketing staple because they are great for the publisher. Money comes in like clockwork, on your own schedule, without any added selling of your vague and broad and cheap-to-produce subscription offer.

For those same reasons, newsletters are a suspect deal for the subscriber. Many potential subscribers instinctively feel repulsed at the thought of paying good money, every month, for a “cat in the bag” piece of content, whether they are eager to consume it or not.

Enter free reports. Free reports are one effective strategy that guys like Dan and Parris use to overcome the resistance of skeptical newsletter buyers. The recipe is simple:

1. Go through your past content (newsletter or really anything else)
​
2. Find the sexiest stuff. It can either be a single bit of info, or a small number of related items you bundle together.

​3. Put that sexy stuff in its own little package.

​4. Give that package a sexy and mysterious new name.

​5. Repeat as many times as your stamina will allow. I believe one Boardroom promo offered 99 free reports along with a newsletter subscription.

When you think about it, this is really just the same work that a copywriter would do normally. Look at what he has to sell… figure out the sexiest parts of that… highlight it in the sales material, and of course, make it sound as sexy and as mysterious as possible.

And now for the pitch that probably won’t convince you:

I write a daily email newsletter about copywriting, marketing, and persuasion.

But like I said, that probably won’t convince you to sign up.

So let me take my own advice, and offer you a free report when you sign up:

“Become a Repositioning Specialist”

This report shows you how to start a profitable repositioning business, with your own home as headquarters. In case, you want this report, follow these steps:

  1. Click here and sign up to my free daily email newsletter
  2. When you get my welcome email, hit reply and tell me you want the free report

Using Stefan Georgi in your copy

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“It might take some figuring out to do it to where people aren’t pissed at you and you do it right, but I think this could actually be a home run thing that just absolutely CRUSHES it.”
— Stefan Georgi

So now let me ask you:

What is it?

What is Stefan talking about in the quote above?

I’ll give you a hint:

It’s a little gimmick, which Stefan advises you to use to start off your ad and VSL copy. It ties into that all-powerful driver of action, curiosity. And additionally, it creates a feeling of insight.

No? you don’t know the gimmick Stefan has in mind? Let me give you one more hint:

It starts with the letter R…

Then I…

Then D…

Then another D…

All right, fine — it’s riddles. In a recent video, “Using riddles in your copy,” Stefan advises using riddles in your ads and VSLs.

Why riddles?

Because riddles — “How many months have 28 days?” — consistently go viral on social media.

And what Stefan and many other smart marketers like to do is to camouflage their sneaky sales pitch and make it look like something — a riddle, for example — which you might want to consume for your own ends, and not for theirs.

And now, let me throw off my cloak and hold up my wizard staff, and with a blinding light shining from behind me, admit in my deep and resonant voice that this is exactly what I’ve done with this email.

Because the underlying idea Stefan is recommending — people enjoy riddles, so give ’em riddles — is at the core of my Copy Riddles program.

My goal was to make Copy Riddles fun. So I covered up the teaching, the learning, and the transformation bit in what I call copy riddles, hence the name of the program. ​​Did it work? Here’s what copywriter Cindy Suzuki, who joined Copy Riddles a few days ago, thinks about it:

Hi John,

I am having a blast with copy riddles so far. It feels like a game. I love it when learning is actually fun. Was on the fence until the last day, and I’m so glad I bought it 🙂

Cindy

If you like fun and games, and maybe some sales, then don’t join Copy Riddles. But see if you can sign up for my email newsletter. You can get started on that puzzle right here.