Copywriting

Easier, more powerful prospecting: Thinking like Jay Abraham

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Back in 2006, Jay Abraham, aka “The 9 Billion Dollar Man,” interviewed Michael Fishman, aka “The World’s Greatest List Broker.”

I randomly came across a transcript of this interview a few days ago.

The interview was messy. Jay Abraham had to keep running to the toilet to pee. And he was talkative. For much of the interview, he riffed ad hoc while Michael, who was supposed to be the one sharing his expertise, just kept saying “um-hmmm.”

And yet, while it’s messy, this interview is pure gold.

It’s gold because of the unique insights Michael Fishman has about the psychology of direct response buyers. But the thing I want to share with you today is something Jay Abraham said, right at the end.

Because the whole purpose of this interview was to create a kind of calling card for Michael Fishman. A thing that demonstrates his knowledge and insights, that he could use to drum up new business.

So at the end, Jay Abraham, who might be world champion at spinning up lucrative business ideas, gave Michael two pieces of advice on what to do with the interview.

The second and I suspect less valuable piece of advice was to find potential clients, write to them and say, “A lot of people told me this tape opened up their eyes and made them a bunch of money, thought you might like it.”

This is good. It’s what many businesses, including many direct response businesses, are doing in essence.

But I think it pales in effectiveness to the first piece of advice that Jay gave Michael.

And that was for Michael to go to everybody he knows… ask them to make a list of people they would like to send this tape to… and then to send it, along with their letter of endorsement.

The mathematics definitely checks out. Because if you know a 100 people… and they know a 100 people… suddenly that becomes a very big space. One that you might have a hard time exploring on your own.

Just as important, the psychology checks out. Because there’s a huge wall in the human mind between “known” and “unknown.” And you want to be on the “known” side.

There’s a broader lesson here too. But I saved that for people who are subscribed to my daily email newsletter.

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The easy way to start making more money with copywriting

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I recently read the plight of one newish copywriter. He is hoping to make the transition from “Hey, I write copy” to “Hey, I get XYZ results.”

That’s smart. It’s the easy way to start making more money with copywriting. But here’s the trouble:

This guy says none of his clients are sharing data with him. They seem to be using his copy. But when he follows up with them a few months down the line, they never respond about the sales his copy was responsible for.

I’ve been there and it sucks. So let me tell you what I did to deal with it:

1. Kept going. Eventually you’ll get to a client who will get value out of your work AND share the results with you.

2. Followed up with clients 3-4 weeks after I delivered the copy. “Have you had a chance to put it into production? How is it doing?” Don’t expect them to write you… and don’t wait months to write them. People forget, and they get lazy.

3. Kept learning and getting better on my own. Once clients really start getting results from your copy, it stops being “one-off.” It then becomes much easier to press them for the results of your copy.

4. Increased my rates. Better clients are more likely to share this kind of info with you.

5. Started working on my own side projects. You get all the data when you run your own small campaigns on Facebook, or send out emails to your own list.

Once upon a time, the name of the game in copywriting was “controls.” Today, there’s so much more work, and many successful copywriters are not writing for one of the big publishers. But it’s still helpful to throw out sales numbers that you can attribute to copy you wrote.

Claude Hopkins, one of the first people who got really rich as a copywriter, started out as a bookkeeper. He had the following insight to share about it. It still holds true — for both bookkeepers and copywriters:

“A bookkeeper is an expense. In every business expenses are kept down. I could never be worth more than any other man who could do the work I did. The big salaries were paid to salesmen, to the men who brought in orders, or to the men in the factory who reduced the costs. They showed profits, and they could command a reasonable share of those profits. I saw the difference between the profit-earning and the expense side of a business, and I resolved to graduate from the debit class.”

Maybe that’s gonna help you out. And here’s something else that might:

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Plagiarizing on the shoulders of giants

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Nobody called me out on it.

For the past four days, I’ve been sending out plagiarized emails. I would have kept going too, but I ran out of source material to abuse.

So on Saturday, I sent out the email “What I learned from copywriting.” That was plagiarized from James Altucher’s “What I learned from chess.”

On Sunday, I sent out “Stop caring what people think.” That was plagiarized from Jason Leister’s “Just tell me what to do.”

Monday was “Why I didn’t collect my $10.5 million.” That was plagiarized from Mark Ford’s “Why I wasn’t loyal to my broker.”

And yesterday I sent “How to create a selling style people love to read.” That was actually Ben Settle’s “How to create a writing style people love to buy from.”

If you are compulsively curious, track down the originals and then take a look at my plagiarized copies.

Because it’s not just subject line I plagiarized.

I plagiarized the content too. Especially the structure. Even entire sentences.

(By the way, I picked these four writers to plagiarize because 1) they send out more or less daily emails… and 2) they are the only people whose emails I more or less read each day.)

But here’s my point, and perhaps something that will benefit you:

I’ve spent a hundred hours or more hand-copying successful sales letters. I think this practice had some value. It forced me to slow down and actually read the damn things. But I don’t buy into the whole magic of “neural imprinting,” which is supposed to happen when you copy stuff by hand.

Instead, I’ve found plagiarizing to be much more useful.

Plagiarizing does double duty. It first forces me to look at copy critically, and ask, “What is this guy really doing here?”

For example, for the Jason Leister email, I came up with the following skeleton underlying the flesh of his writing:

* where I was before
* how that benefited others, why that was, all the wrong places I was looking
* realization of what will happen if I continue this same way
* what I do now
* what that does NOT mean
* bring it around to you
* analogy to reinforce
* diagnostic question you can ask yourself
* exposing all the reasons and assumptions that kept me where I was
* bigger consequences, or bigger context of this single issue
* inspirational takeaway if you do, and uninspirational takeaway if you don’t

I find this is much more effective than hand copying ads for learning. It seems to sink into my memory better, and it impacts how I write copy weeks and months later.

But that’s only half the exercise.

Because once you “chunk up,” you then have to “chunk down.” You actually write a new piece of copy with the same skeleton.

And that’s what I mean by double duty. Not only does this exercise help me learn… but it also produces a serviceable piece of copy. Often, it produces something better than what I would have written on my own.

With plagiarizing, I’m earning while I’m learning. Which is why, if you’re looking to get better at copywriting, I recommend shameless plagiarism to you too.

You can plagiarize my stuff if you want. Here’s the optin for my daily email newsletter.

How to create a selling style people love to read

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Let’s talk about the infamous Arthur P. Johnson.

I say “infamous” because the man was as unlikely as anyone ever to become a successful sales copywriter.

Johnson graduated from Swarthmore College with highest honors. He then went to Oxford University for a graduate degree. He had ambitions of becoming a poet, and a backup plan of becoming an academic.

Yet, through a chance runin at a bar with a former classmate, Johnson gradually got sucked into the world of direct response. He first worked at the Franklin Mint, writing copy for collectibles (a good education — how do you sell something with no obvious benefits?).

He next worked in product development at another collectibles company. Finally, even though he did not want to write copy any more, he stumbled into freelance copywriting. And that’s when things really took off.

Johnson wrote controls for a number of major publishers, including Boardroom and Agora. He made himself a fortune in the process.

He was so successful he made it onto Brian Kurtz’s Mount Rushmore of greatest copywriters, along with Parris Lampropoulos, David Deutsch, and Eric Betuel.

And here’s the lesson. When Arthur P. Johnson was asked what he attributes his success to, he said the following:

“I think that I’m able to sell products in a more entertaining way than a lot of other people are. I think that being entertaining while you are selling is a big key to success in a very crowded marketplace these days, because you really have to buy people’s attention.”

Johnson did most of his work in the 90s and 2000s. But this lesson, about having to be entertaining to sell, is even more true today than it was back then.

I’m proof of this.

Not with these emails, where I rarely sell anything.

But starting earlier this year, I’ve helped move hundreds of thousands of dollars worth of ecommerce products.

​​I’ve done it by writing emails, much like this one, that tell some kind of story or share a joke or just a funny picture. And those emails most often link to advertorials I also wrote… which contain more of the same — stories, fake personal confessions, and light humor (so I think).

The thing is, I’m not particularly entertaining in real life, or when writing things other than copy. In other words, all this entertainment stuff can be learned by rote.

So how do you learn it?

Two ways:

First, start paying attention to the books, shows, emails, and movies you yourself find entertaining.

Second, read or re-read Commandment IX of my 10 Commandments of A-List Copywriters.

No, this chapter is not a how-to for writing entertaining copy. But it will give you some successful examples of such copy that are running right now.

Plus it will even give you some advice on who and what to study if you want to get better at entertaining in your copy.

And once you start to entertain in your copy, expect people to comment on how interesting your writing is. Expect to have them say how they look forward to hearing from you. And most of all, expect to have them buy — as long as you’ve got anything to sell.

Speaking of which, I happen to have something to sell tonight. In case you don’t yet have my 10 Commandments book, here’s the link:

https://bejakovic.com/10commandments

What I learned from copywriting

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Copywriting pays for my food, my plane tickets, and my collection of black t-shirts.

Back when I had an apartment, it also paid for my rent.

Copywriting allows me to work on a Saturday, if I so choose, and skip Monday through Wednesday.

It’s put me in touch with multimillionaires and even one billionaire.

It’s exposed me to strange new worlds, such as beekeping, billboard wholesaling, and penis enlargement.

But that’s kids’ stuff. Where copywriting really impacted me, where it changed me in ways I didn’t expect, is the following:

A. It taught me to read.

David Deutsch said, “If I had to do it all over again, I wouldn’t read 50 books one time each; I would read 10 books five times each.”

Other famous copywriters say the same.

So I reread books now. And I find mucho stuff in there that I didn’t see before. My brain changed in the meantime.

Also when I read, I’m much more careful. I keep stopping to ask myself, “Is this interesting? New? Useful? Could it be useful if I combined it with something else I’d read?” It’s slow and it’s work. But it’s a better use of my time than flying through text and not getting anything out of it.

B. It gave me a real acceptance of the moist robot hypothesis.

Scott Adams says we are all “moist robots”:

“Humans are wet robots that respond to programming. If you aren’t intentionally programming yourself, the environment and other people are doing it for you.”

This sounded outlandish when I first heard it… then amusing… then interesting… then believable… then obvious. Copywriting provided me with plenty of real-life examples. There might be something more inside of us, some capacity for experience and reflection… but most of what we do is moist robot.

C. It exposed me to the Gene Schwartz sophistication/awareness models.

This is so valuable whether you’re writing copy or doing any other kind of communicating. It can be summed up with the idea of starting where your reader/prospect/adversary is… But how do you do that? Schwartz’s models tell you exactly.

D. It taught me the low value of secrets.

And also the low value of supplements. And the low value of opportunities. In general, through copywriting, I’ve developed a suspicion of anything new being advertised for sale.

E. It taught me the enduring power of listicles.

For getting attention. Not necessarily valuable attention. Which is why I used the headline “What I learned from copywriting” instead of “5 things I learned from copywriting.” As Mark Ford said recently:

“If you want to get cheap readership, listicles are great. But they don’t do a good job selling anything, or getting serious attention, or creating a fan out of the reader, especially at higher price points.”

F. It taught me how to get rich.

I’m not sure if I ever will be rich. But I might.

Through copywriting, I’ve had an amazing business education. I’ve gotten to look behind the curtain at dozens of successful enterprises. I’ve found out exactly how they get their customers… what they sell to these customers… and how they keep selling more.

Maybe one day, I’ll turn that knowledge into actual success. Speaking of which, let me repeat something I wrote a few months back:

​​”Perhaps success is simply about choosing a field where you don’t mind getting better. Where the daily work is something you find enjoyable enough — or at least, not too repulsive — so you can continue to get better at it day after day.”

Copywriting is not my passion. I don’t have any passions.

But I don’t mind the daily work, and sometimes I even find it enjoyable. And that’s something I never thought would happen.

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Suggestion: “Play rabbit” in your copy and one-on-one dealings

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Rabbits can pretend to be healthy even when sick. They can mask it so well that they go from looking perfectly normal in one second to dead on the floor the next.

In other words, rabbits can cover up their neediness.

​​Neediness is when you feel threatened, and you enter survival mode. All of God’s little creatures, including you and me, experience neediness now and again, whether real or imagined.

The next time you feel needy, I’d like to suggest that you “play rabbit.”

​​In other words, suck it up and cover it up. Because being seen as needy makes you also look weak, vulnerable, and desperate. That’s not the profile of someone that people want to shake hands with, in business or in private.

I was reviewing a Frank Kern VSL today. It was for a big launch he did a few years ago for his Inner Circle coaching program.

​​I don’t know whether Frank was desperate for this launch to succeed. The VSL certainly doesn’t make it seem so.

Except for some fake urgency (a timer above the VSL), there’s not much pressure to buy. No “You need this NOW.” No “You’re at a fork in the road.” Instead, there’s just a voluptuous, sleepy-eyed seductress of an offer, lazily smiling at you and showing off her many attractions.

I’ve written already about my 3-sentence method for applying for copywriting jobs. It involves no friendly banter, no big life story, and certainly no explaining or apologizing.

Back when I applied for copywriting jobs, this method worked great. And one big reason is that I didn’t look needy, regardless of how I felt. (By the way, if you want more on this, I wrote up this article about it.)

My point is that, in your copy and in your one-on-one dealings, don’t telegraph your neediness and vulnerability. If anything, do the opposite. Play rabbit. Don’t let anyone know what’s going on inside your beating little chest.

But perhaps the above examples didn’t convince you. So let me leave you with the words of the godfather and midwife of modern advertising, Claude Hopkins.

For his first advertising job, Hopkins had to sell 250,000 carpet sweepers. I don’t know what a carpet sweeper is, but apparently it was an important but unsexy household product.

So Hopkins wrote a straightforward letter to dealers. It outlined why his product is unique. It listed conditions in case the dealers wanted to sell it.

Take it or leave it.

So what was the result? From Hopkins himself:

“I offered a privilege, not an inducement. I appeared as a benefactor, not as a salesman. So dealers responded in a way that sold our stock of 250,000 sweepers in three weeks.”

One last point:

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The secret psychology of giving up

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This is a brontosaurus:

Hello I am Brontosaurus

But let me give you the back story:

Yesterday I saw a question from a struggling copywriter. He says he’s put in the time and effort. But he’s not getting the reward.

He’s not swamped with client work… he’s disappointed by the money he’s making… and he’s not even hearing a kind word or two about a job well done.

This brought to mind a presentation I saw once by billion-dollar copywriter Mike Palmer.

Mike works at Stansberry Research, an Agora imprint. He wrote The End of America VSL, which brought in many millions of simoleons for Stansberry.

So Mike gave this presentation called The Secret Psychology of Becoming a Great Copywriter. The upshot is, there will be times when you feel you suck.

Mike drew a graph to illustrate the natural changes in skill/suck levels. It’s pretty much the brontosaurus up top:

Hello I am Annotated Brontosaurus

Point A is when you get started, full of optimism.

Point B is when you realize it will be harder than you thought.

Point C is the moment of crisis and despair. At this point many people give up.

(I just want to say I am all for giving up. There’s no shame in it if you ask me, and I suspect most people who champion blind perseverance haven’t tried to do much in life. I’ve given up often, and with very few exceptions, I’ve never looked back.)

But if for some reason you don’t give up, then you eventually move to point D. That’s where you improve and rise above your previous level.

This is not a one-time thing, by the way.

It’s happened to me over and over since I started writing copy for money.

For example, last year around this time, I thought I was pretty good at this whole thing. I then joined Dan Ferrari’s coaching group. After getting some feedback from Dan, I realized I still had big things to work on.

A month or two later, deep into a project, the feedback kept pouring in and getting more significant. I thought “Jesus, why do I need this? I’m obviously not meant to write sales copy.”

But I stuck around, finished the project, became better at the craft, and eventually got my rewards.

Like I said, this has happened to me over and over. I expect it will happen again.

Perhaps if you know this, it will make it easier to progress to point D once you hit that hollow, right at the bottom of the brontosaurus’s neck.

Or perhaps not. Perhaps you’ll look up, squint… well, let me stop there.

When I wrote this article and sent it out to my email newsletter subscribers, I ended on a personal note, about giving up. But I limit those things on this public blog. In case you want to get on my email newsletter, where I don’t hold anything back, click here to subscribe.

Gary Bencivenga’s “disinterested” way to create proof and get attention

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I read a confession today by a former employee of a shady solar company.

This guy reports the company used to print out fake ID badges for its salespeople.

The salespeople were then told to focus on houses with “No Soliciting” signs out front. After the door was open, they were supposed to claim they “worked with the power company” in order to get in to start their pitch.

And here’s where it gets dark:

The guy says he and every other salesperson knew full-well the savings from solar depended on government tax credits.

And yet…

They pushed these same savings as given — to senior citizens. Who weren’t paying much in taxes. Who couldn’t benefit from a tax credit. And who wound up getting saddled with a massive loan, which they couldn’t afford.

Now back to the ethical world of direct response marketing:

I used the story above in an email today, to a large list of buyers of money-saving ecommerce products.

At the end of that email, I said how I’m passing this story along as a warning. And that if they want to get the money-saving benefits of solar, they can. But they might have to bypass solar companies and power utilities and government tax credits. Then I linked to an affiliate offer that shows them how to do this.

A-list copywriter Gary Bencivenga said that proof is the most important element of copy when it comes to closing the sale.

He also said that acting as a consumer advocate is one powerful way to create proof.

It makes you seem disinterested… it demonstrates you know what you’re talking about… and if done right, it can even capture attention.

Sounds good.

But it begs the question, where do you get riveting consumer advocacy stories that go beyond what everybody already knows?

Well, I have my own private little methods of digging up such stories. I don’t share them in public… but I have shared one of them today with the subscribers of my email newsletter. In case you want to get on my newsletter, so you get more posts like this, with nothing held back, click here and follow the instructions.

Specializing on the cheap for new copywriters

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A few days ago I saw the following question on a copywriting forum:

“Just starting out. How niche is too niche? I know that the more niche you are, the more high-paying clients you’ll get. But if you’re too niche, then wouldn’t it be hard finding target clients?”

When I was starting out, I had the same question. Largely because I had heard the same advice — you gotta niche down if you want to be successful.

Here’s my attitude about this topic, now that I’ve emerged on the other side of the newbie-to-successful-copywriter underwater passage:

If you’re just starting out, then you should be in the exact niche that the job you are applying to is in.

For example, when applying for a job to write case studies for a medical clinic, you say, “I specialize in writing case studies for the healthcare market. Here are two relevant samples.” (If you don’t have the samples, write them then and there.)

The point is you don’t have to mention that you also specialize in finance, tech, and pet food… and that you will also write emails, sales letters, and supplement packaging copy.

The time to genuinely specialize — meaning you would actually turn away work because it’s not something you want to do — comes later, when you have some experience… when you know what the market wants… and when you have an idea of which way you want to develop. Or as Mark Ford wrote in Ready, Fire, Aim:

“It’s almost always better to get into a new industry on the cheap by figuring out how to test the waters without committing yourself to an unproven idea.”

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The George Costanza method of client seduction

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There’s an episode of Seinfeld where George Costanza, the fat short bald loser who is always making up exciting careers for himself to impress women, realizes that everything he has done in life has lead to failure.

Desperate, George takes another tack.

He goes bizarro. He does the opposite of whatever he would normally do.

George starts by ordering the opposite lunch from what he normally gets. He then notices an attractive woman looking at him from across the restaurant.

Bizarro George decided to get up and go talk to her — because normal George never would.

“Excuse me,” George says to the woman, “I couldn’t help but notice you were looking in my direction.”

“Oh yes I was,” the woman explains. “You just ordered the exact same lunch as me.”

George takes a deep breath.

“My name is George. I’m unemployed and I live with my parents.”

The woman turns to face him fully, her eyes sparkling and a smile spreading across her face. “I’m Victoria. Hiii…”

Chris Haddad said in a recent interview that if you are a freelance copywriter, then you should be constantly going on Facebook, bragging about how great you are, and sharing all of your successes and testimonials.

That’s one approach. It can definitely work.

But there’s another approach. It’s when you seek to not impress. Instead, you give clients reasons why you are not a good match for them. You refuse to talk about your experience and successes, or at least you put it off as long as possible.

This is nothing more than a page out of Jim Camp’s negotiation system. You’re looking for a no. More importantly, you are eliminating any neediness that’s typical when freelancers talk to clients.

Very likely, this approach is not right for you.

But if you find that the typical advice of confidence and bragging has lead you to failure over and over… then this bizarro George approach is worth a shot. Because it can work, and not on just on TV.

Here’s another thing that is very likely not right for you:

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