Copywriting

A copy riddle with a swipe file prize

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Here’s a copy riddle for you:

Gary Halbert called it the only reason that people buy from an ad, for the most part…

While Ben Settle said that copywriting is all about this one thing.

Parris Lampropoulos credits his success to it. And drilling this one thing is how he spends 80% of his time with his copy cubs.

David Deutsch said it’s the “key to the kingdom”…

And John Carlton believes it makes the difference between a sale made and a sale lost.

So my riddle for you is, what is this one thing?

I gave this riddle to people on my email newsletter. And the people who got it right got a prize.

The prize was a link to the best publicly available swipe file I have ever found. And no, it’s not swiped.co.

In my opinion, the swipe file I have in mind is about 100x better, based on the quality and quantity of ads you can find inside… many of which are only available today as bonuses to expensive copywriting and marketing courses.

Sometimes, I run little contests and challenges like this, as a way to keep my newsletter fun and profitable. If you’d like to try out my newsletter, both to see whether you like the content, and so you can participate in the next little riddle challenge, then click here and fill out the form.

The “Cow For Sale” principle

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Do you know what this is:

If you’re like me, you probably said it’s a cow.

Actually, this is Posh Spice. Posh is a pedigreed Limousin heifer, and several months ago, she became the most expensive heifer in the world. She sold at auction for a little over $359k. (Her owner described her as”smart and stylish” with a “lot of panache.”)

Speaking of farm animals:

Gary Bencivenga has this thing he calls the “Duck For Sale” principle. Sometimes, says Gary, when you have a duck for sale, just say so. “Don’t beat about the bush with a headline such as, ‘Announcing a special opportunity to buy a white-feathered flying object.'”

That’s good stuff, Gary. But don’t forget about the “Cow For Sale” principle.

Because sometimes, what you have in hand, or at the end of a rope, is a solution that is more specific than what your prospect really wants, or at least is aware that he wants.

I couldn’t tell Posh apart from any other cow. Maybe you couldn’t either. Maye you just thought to yourself,

“I just really need a cow right now. Any cow. That’s all.”

In that case, no sense in being stubborn. Don’t push a specific headline on your prospect such as, “Pedigreed Limousin heifer for sale — daughter of Gingerspice.” Because that will fly right over your prospect’s head.

Instead, swallow your pride and write a less specific headline. Something like:

“Beautiful cow for sale. Milk for miles, cheap to keep. Call 617-459-POSH”

One final point:

Are you looking for entertainment as well as education, specifically in the field of persuasion? In that case, check out the opportunity at the other side of this link — it might be just what you need.

“Good-bye, please don’t cry”: Dan Kennedy and Dolly Parton enforce the rules

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“I cried all night,” Dolly said, “cause I just pictured Elvis singing it.”

Back in 1974, Dolly Parton had a no. 1 hit with a song she’d written, I Will Always Love You. And a year later, she got word that the king himself, Elvis, wanted to record the song.

“I was so excited,” Dolly said.

And then, the night before the recording session was supposed to happen, Elvis’s manager, Colonel Tom Parker, told Dolly the deal.

“Elvis don’t record nothing unless we get the publishing rights or at least 50%.”

Dolly cried all night. But she said no. It was her song and it didn’t feel right giving away the rights to it.

​​In the end, Dolly made out all right. I Will Always Love You became a giant hit for Whitney Houston in 1995, and Dolly got over $10 million in royalties — in the 90s alone.

But most songwriters aren’t like Dolly. They give in. And apparently, this kind of thing is a dirty little secret of the music world, according to an article I read in Variety today.

Big stars routinely get songwriting credit — including publishing royalties — for songs they didn’t write or even help write.

But now, a bunch of songwriters are pushing back.

They find it outrageous that they are forced to share a part of their creative ownership with people who were not involved in the creation in any way.

It sounds like a perfectly legit complaint against a perfectly outrageous practice.

But it goes industry to industry, doesn’t it?

Take copywriting.

It’s standard that you write something and hand over all the control to the client.

In fact, if you’re very good and you manage to claw your way to the top, then you can hope to hand over all control of your copy in exchange for a few percent of the revenue it generates.

But it don’t have to be like that.

I heard Dan Kennedy talk about different things he does. How he bakes into his contract that he might later reuse copy that he’s writing for that client. Or that he might use copy on the current project that he wrote for a previous client. Or how he creates templetized copy, and licenses it to clients instead of giving away the copyright.

Don’t get me wrong. I’m not telling you to be outraged if you are working the same standard way as every other copywriter. I just want to, as Ben Settle likes to say, give you options for thinking differently.

​​Because the standard way is not the only way it can be. You can create your own rules, and like Dolly and Dan, you can stick to them. And if a potential client doesn’t go for it, you can sing him a bit of Dolly’s song:

Good-bye, please don’t cry
‘Cause we both know that I’m not
What you need…

And then, when the song ends, you wonder what’s next. Perhaps you open up your inbox and read a new email I’ve written, and get some more ideas for thinking differently. Because I have an email newsletter — click here if you’d like to sign up for it.

Writing to the urgent foot fetish market

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Today I learned about Wikifeet, which is just like Wikipedia, with one big difference. Where Wikipedia has a range of in-depth articles on things like gift wrapping and Sam Kinison, Wikifeet only has pictures, and only of feet.

The feet on Wikifeet belong to celebrities, like Ilona Robelin and Trisha Paytas. If you’ve never heard of these two celebrities, don’t worry. Neither had I before today. But both Ilona and Trisha apparently have an IMDB page (a requirement for getting onto Wikifeet), and of course, they both have feet.

I learned about this today through a woman named Laura Bassett. Bassett, who is not a big celebrity but who does have an IMDB page, wrote an article about discovering her Wikifeet profile.

Finding a page dedicated to your own feet would probably be strange enough. But what was even more strange was that Bassett’s Wikifeet profile was always up-to-date. Each time Bassett posted a new photo to Instagram where her feet showed, a few minutes later, she found the same photo, uploaded to Wikifeet.

Mysterious.

So Bassett posted to Instagram, asking the foot poster to get in touch (“No shade, I just have questions”). And to her surprise, she got a response. Bassett’s foot admirer came out of the shadows, and was willing to publicly share his name — and so much more.

I won’t reprint the whole article, but here are a few key statistics about the man who came forward, Robert Hamilton:

1. Robert is 58 years old, and he lives in northern New Jersey.

2. He works as a salesman.

3. He loves the Yankees.

4. He is also a big fan of live music.

Basset had a Q&A with Robert, which is printed in the article. Robert revealed the key childhood events that led to his foot fetish. He explained what he looks for in a foot. He listed his favorite celebrity feet.

He also said he is aware his foot fixation on Internet strangers might make those strangers uncomfortable. And he’s willing to stop if asked. Otherwise, he doesn’t think he’s harming anybody.

Which leads me to something A-list copywriter Gary Bencivenga teaches.

Markets are problems, says Gary. And by problems, he means problems, wants, desires, or possibly, fetishes.

Gary’s point is not to get hung up on demographics. How many other Wikifeet posters are 58-year-old salesmen from New Jersey? Probably not many. And yet all Wikifeet posters share something powerful in common.

So Gary says to focus on writing to that common problem. And even better if you can write to a slice of that market that has a more urgent problem.

But that urgent part is another topic, for another time. Speaking of which:

If you have a problem, or a fetish, involving persuasion, marketing, and copywriting, you might like my email newsletter. It’s just like Wikipedia, except it’s a short email that arrives to your inbox each day. In case you’d like to try it out, here’s where to go.

The practice to become a skillful copy-fancier

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“Not one man in a thousand has accuracy of eye and judgment sufficient to become an eminent breeder. If gifted with these qualities, and he studies his subject for years, and devotes his lifetime to it with indomitable perseverance, he will succeed, and may make great improvements; if he wants any of these qualities, he will assuredly fail. Few would readily believe in the natural capacity and years of practice requisite to become even a skillful pigeon-fancier.”

I’ll tell you in a moment who wrote that quote. But first, let me admit how foolish I was.

Many years ago, in my first three months of writing copy for money, I thought I’d learned everything there is to know about copywriting.

After all, I’d read Joe Sugarman’s Adweek book and a bunch of Gary Halbert’s newsletters. I’d learned you’re supposed to get attention and turn features into benefits. In the end you had to include a call-to-action. Oh yeah. Also open loops, like I used above. What else is there?

It was a serious case of newbie blindness.

That’s when you know just enough to explain everything away, without seeing the subtle detail that divides failure from success. Take the following headline for example:

The 7 Deadliest Crimes Against Yourself
Are You Guilty of Any of Them?

“A listicle with a warning.” That’s what I would have said back then. “I could write the same, without being so melodramatic. There’s nothing special here.”

Well today, I can see many special things in this short headline.

For example, how it sets you up to expect the 7 deadly sins — and then subverts your expectations. Or how it says deadliest instead of deadly. Or how it sneakily uses “crimes against yourself” rather than ” causes of your anxiety.”

And by the way, I don’t think any of those things are accidental.

The guy who wrote this headline was Gene Schwartz. He was an eminent copywriter, one in a thousand, really. He devoted a lifetime to writing copy with “indomitable perseverance.” As a result, he made great improvements in this field.

Maybe that’s more than your ambition right now. Fine. It’s also more than my ambition. But you might still like to hear the following:

If you want to become a good copywriter, and make yourself a lot of money as a result, then it doesn’t have to take unusual “natural capacity.” I’ve managed, and my natural capacity is common.

But like Charles Darwin says in the quote at the top, it does take practice to become a skillful copy-fancier. It can take you years, like it took me. Or maybe you can do it more quickly, if you don’t waste your time like I did, thinking that I already know everything.

Which brings me to my question for you:

Have you gone through any copywriting course or training in 2021? Anything you would recommend? Anything you would warn others against?

I’ll be transparent about why I’m asking. I’m nearing the halfway point of the trial run of my bullets course. And I am thinking about the next run, which will kick off probably in early June.

So if you’re interested in taking this course down the line… then write me an email and tell me about any copy training you have or have not liked. It will help me make my course better — and more useful to you if you do ever decide to take it.

But bullets course? Maybe you don’t even know what I’m talking about. If that’s the case and you’re curious, take a look at this post, which basically gives you a free sample lesson:

https://bejakovic.com/surprise-how-to-make-your-copy-more-appealing-by-saying-less/

How to sound smarter

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There’s a well-known guy in the copywriting space who loves to use million-dollar words. He does it a lot in writing. He does it even more when giving a speech.

I’ve always wondered at this. It seems out of place in the quick-cheap-easy world of direct response. Like some kind of insecurity. Like he’s trying to prove he’s educated and smart.

If so, then bad move, at least if you go by a study I just read.

Back in 2005, a scientist at Princeton University jiggered a bunch of texts. He put in longer words into some. He put in shorter words into others. And then he put these texts in front of Stanford undergrads, to see what they would say.

I’m sure you can guess one part of what the students said. The texts with the longer words were harder to read. No surprise there.

But get this:

Students also said that longer words made the author sound less smart. And vice versa. Shorter words made the author sound more smart.

Of course, if you like, there are holes you can poke in this study:

It was only done on Stanford students, an unusual bunch. And it’s only about written texts, and not about speech.

But to my lazy mind, the conclusion is clear:

Use short words. Make your writing and speaking simple. Not because you want to sell more. That’s a nice side effect. But the real benefit is that short and simple will make you sound smarter.

And now the punchline:

Are you impressed by my 1- and 2- syllable words? Then you will love, I say love, my email news-letter. It’s full of short words. You can sign up for it here.

Tom Cleveland continues his productive NYT snooping

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How do veterans of #vanlife feel about all the newbies? Can you make a statement about your gender, when there’s no one there to watch you? And is that “maskne” on your face, or is it plain old acne?

In case you want answers to any of these questions, head on over to the New York Times website. As I write, these stories are all up on the home page.

A guy named Tom Cleveland has been snooping on the Times. I wrote about him a few weeks ago. Through his snooping, he discovered how the NYT makes its headlines more dramatic through A/B testing.

Now Cleveland has put out a part two to his research. It’s about which stories linger on the Times digital front page. And the breakdown is this:

News: 46.6%
Opinion: 22.2%
Feature: 31.1%

“Categories and numbers, huh?” Let me translate what I think this means.

“News” you’re probably familiar with. “U.S. Adds 916,000 Jobs in Sign of Surging Labor Market.” No thrills there.

“Opinion” is a little more fluid. It includes hard-hitting editorial such as “The unsettling power of Easter” (also on the NYT front page right now) as well as the “If a gender falls in the forest” piece above.

And then there’s “Features.” This is apparently an industry term for pure fluff — your typical #vanlife and maskne pieces.

So adding up Opinion and Feature, we get that the NY Times shows this type of content 54.3% of the time on its front page. In other words, this is most of what they show — because it’s most of what people want to see.

Please believe me:

This is not my ant-sized attack on the elephant that is the New York Times. Instead, I just want to point out that people always want human-interest stuff, first and foremost.

If you’re in the business of feeding people whatever, just to sell subscriptions and ads, they you might as well stick to fluff or tabloid content.

On the other hand, perhaps you have an important message to share with the world. But you worry that your topic puts people to sleep. Or gives them a headache.

Don’t worry. It’s an easy problem to fix. Just wrap your dry, complex topic in a thick human-interest sandwich. People will happily devour it, all the way to the end. ​​Here’s an example from an email I wrote last year:

“It’s a story of family betrayal… of breakthrough ideas, conceived in prison… of a small group of desperate visionaries who took an almost occult science… and combined it with a strange, untested new technology… to create the foundations of an industry worth over a quarter trillion dollars.”

Do you know what that paragraph was about? It’s about dry, technical topic. Namely, direct marketing, told through the colorful characters who dun it — Claude Hopkins, Gary Halbert, Ken McCarthy. And if you want to know how that story developed, you might like to sign up to my very human-friendly email newsletter.

Persuasive vemödalen

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I’m staying in a beautiful coast town these days so I just went for a walk along the shore. The sun was shining, the trees were doing their thing, and the sea, a few cliffs below where I was walking, was shuffling restlessly from side to side. I got tempted — for just a moment — to take out my phone and take a picture.

“But what’s the point?” I told myself.

Because I realized a long time ago that the only time I think to take a picture is when I come across a scene that looks like pictures I’ve seen before.

“Gee, this looks just like a postcard. Better create another postcard myself!”

If you love to take pictures with your phone, my point is not to razz on you. Instead, I just want to point out, in case you feel like I feel — that so much photography is repetitive and redundant — that there’s a word for this.

The word was coined in 2014 by a guy named John Koenig. ​Koenig called this vague intuition many of us have probably had — he called it vemödalen.

​​So now, when you and I talk to our friends, we can call this feeling by its name and we can communicate it to others. We have a handle on it, and it’s much more real in our minds. (Well, it would be, if we could only remember the word vemödalen and know how to pronounce it.)

Before you start thinking I’m getting sentimental, let me turn things around to hard-core direct marketing. Specifically, something marketer Travis Sago shared once in a podcast, about how he does email marketing:

What’s different and what I found works really well and takes a lot of lifting off the writing is bringing out what symptoms do they have, what symptoms are they seeing or feeling or hearing in their life? What is he saying? What’s happening in their life and starting out with the symptoms.

[…]

I’ll have to admit, some days I’m just brain dead and I’ll just go with the problem. But it’s way more powerful to go with the symptom.

What Travis doesn’t say in this quote is that when he talks about a symptom, he will often focus on a “new” symptom. Not new in the sense that it just popped up… but new in the sense that nobody else has talked about it, and even his prospect might not have a conscious awareness of it.

​​Even better if you can give it a name. Kind of like vemödalen. That’s what Travis does — and he manages to convert something like 25% of his list over time.

But speaking of unnamed symptoms:

Do you know that feeling when you’re nearing the end of a novel, and you start to feel a bittersweet angst, knowing that the characters you’ve made friends with over the past weeks will disappear from your life? I checked, and it’s called lithatonophobia.

The good news is, you never need to feel lithatonophobia at the end of one of my blog posts. Because I write a new email each day with new marketing and copywriting content. And if you’d like to keep that in your life, here’s where you can join my newsletter.

The trouble with selling to late 50s white guys with money

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Brian Kurtz sent an interesting email today about list selection, with the following thought:

The question I wanted an answer to, in living color, although a black and white copy would do:

‘What was the promotion that got the name.’

I believe the logic behind this kind of list research applies to all media today even though most of the lists you use online don’t have data cards attached to them.

Lists are people too… and finding out as much about them — how they think, how they respond, how they read, what they read — are components you can find out before you ever send a promotion to them.

Like Brian says, this is still relevant today, as long as you’re selling anything to anybody.

Because the standard advice is to do a bunch of research on your customers or prospects. Who they are. What problems they have. What language they use.

Not bad. And certainly much better than just pulling your advertising out of your own head.

Better still is knowing what these people bought. (If they bought one copywriting course, there’s a good chance they will buy another.)

But what’s best is what Brian says. Find out “how they think, how they respond, how they read, what they read.” You get that from the type of advertising these people bought from — or didn’t buy from.

Some people respond to hype- and intrigue-filled direct response copy. Others respond to quick and brandy TV-style commercials. Others still might not respond to either, but will respond to independent recommendations, or stuff that they find through their own research.

Because lists are people too. And two people can have the same demographics… the same buying history… and yet still be very different, in the kinds of things that get them stirred to action.

James Hetfield (of Metallica) and George Clooney (of ER) are both late 50s white guys with millions of dollars in the bank. They are also both Tesla owners.

And yet, I imagine it might take a whole different appeal to move George than to move Papa Het — and vice versa. It’s something to be mindful of, if you run any kind of advertising, and if you don’t want to go bankrupt.

The trick behind the magic in Gary Halbert’s unbeatable copy?

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Do you believe in magic? Maybe you will after the following story:

After Gary Halbert died, a former client of his approached Dan Kennedy. The client wanted Dan to try beating a control that Halbert had written.

To Kennedy’s eagle eyes, Halbert’s control certainly looked beatable. There were obvious things that Kennedy could see to attack. Besides, the control was written years or decades earlier, and was starting to fatigue.

So Dan Kennedy, expert copywriter that he is, tried to beat Halbert’s control — and he failed.

Looking back on it, Kennedy said there was some magic in Halbert’s copy. You couldn’t see it… but it was there, and customers responded.

Do you believe that? The magic part? In case you do, let me tell you a second Halbert story, which might shoo the magic away:

Back in the 2000s, Halbert got into daytrading. He was making money daytrading online. And being a direct marketer, he naturally started selling his expertise to people who wanted to learn daytrading also.

And get this:

Halbert went to daytrading school. Even though he already knew what they would teach him. In other words, he paid some guy a lot of money and went day after day… month after month… to hear stuff he already knew and was already doing.

Why would he possibly do something so silly and wasteful?

According to Caleb O’Dowd, who apprenticed as a teenager under Halbert, it was an act of undercover copy detective work. Halbert went to daytrading school so he could hang out with all the other would-be daytraders, and talk to them, and hear their stories and fears and motivations. Day after day after day.

Maybe that’s how the magic got into his copy.

Caleb said this is the kind of thing very few marketers are willing to engage in. But those who do inevitably wind up at the top of their market. They don’t just succeed, they have breakthroughs, and they make millions.

Anyways, this was one little snippet I heard during Caleb’s segment in this month’s issue of Steal Our Winners. Caleb’s segment was about how he goes into markets where he has no business being, and how he quickly rises to the top in spite of established, bloodthirsty competition.

If you want to know how he does it, I’ll tell you:

Caleb comes up with offers that overcome his lack of credibility, and which can compensate even for poor advertising.

If you want to know the full details of the offers Caleb makes, I suggest you check out his Steal Our Winners segment. From what I understand, the issue is still available, for a grand investment of exactly one (1) of your dollars.

You can find out more at the link below. But first, a warning:

The link below is an affiliate link. That’s because last month, I wrote an email promoting Steal Our Winners with no affiliate link, since I think what they’re doing is so great.

And then Rich Schefren and the good people at Agora got in touch with me and offered to give me a cut of your $1, should you choose to wager it.

​​Perhaps take that into consideration when deciding whether you truly want this information. In any case, here’s the link:

https://bejakovic.com/sow