For the past 10 months or so, I’ve been running ads on Amazon for my new 10 Commandments book.
Over the past month or so, it seems like Amazon is finally running out of people who are passionately interested in the connections between con men and pick up artists and Hollywood screenwriters.
To wit:
My sales have gone down… my cost of sale has gone up… and for what seemed like a stretch of months, all I got were carping reviews from disgruntled readers, who I guess should not have been reading the book in the first place.
Fortunately, with the coming of spring, it seems my luck is changing.
A few days ago, I got a nice 5-star review by a hypnotist and copywriter, Manuel Herrera Carillo. Manuel’s review is long but I will reprint it in full, for one because it strokes my ego, for another because it may convince you to give my book an open-minded read. Says Manuel:
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I am a hypnotist and also copywriter. Sometimes the mind thinks that it cannot be impressed or amazed anymore, and a book like this tells you otherwise.
We live in an age of cognitive calluses. We scroll. We skim. We assume we have seen every trick. The brain folds its arms like a bored aristocrat. Then along comes John Bejakovic with a lantern and a grin, and suddenly the room rearranges itself.
This is not a book about scams.
It is a book about gravity.
The gravity of attention.
The gravity of desire.
The gravity that pulls a thought from maybe into yes.
Bejakovic gathers an unlikely council: con men, pickup artists, magicians, salesmen, propagandists, stand up comedians, Oscar winning screenwriters. On paper, they look like strangers forced to share a train compartment. In practice, they are all fluent in the same ancient language: influence.
The ten commandments are not moral instructions. They are psychological pressure points. Each chapter peels back another layer of the theater curtain and shows you the machinery. Not in a clinical tone, not with academic frost, but with stories. And stories are the original hypnosis.
As a hypnotist, I recognized the rhythm immediately. Pattern interrupt. Authority. Framing. Tension. Release. The subtle dance between certainty and suggestion. He does not describe persuasion as manipulation in a dark alley. He describes it as choreography. If you understand timing, you can lead. If you understand expectation, you can bend it.
As a copywriter, I found something even more unsettling.
The principles are transferable.
The same mechanics that allow a magician to misdirect a crowd allow a headline to seize a wandering eye. An so and so and so on.
Combine this principles with AI and you obtain a nuclear bomb of influence.
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I don’t know how to what Manuel suggests, to combine the principles in my book with AI, in order to obtain a nuclear bomb of influence.
But maybe you can tell me, if you know more about AI than I do, and if you’ve read my book?
And if you know more about AI than me but you haven’t read my book: