John Bejakovic

The “knitted eyebrows” copywriting technique

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If you ever wished you had the nerve to engage in more risk-seeking behaviors such as unprotected sex or high-stakes roulette, here’s some good news:

Scientists have found a way to help you out.

According to a study published by researchers at the University of Ohio earlier this summer, a 1,000-mg dose of acetaminophen — ie. Tylenol, Panadol, etc. — not only reduced physical pain such as headaches, but also increased risk-seeking behaviors in a batch of 545 college students.

So the next time you find yourself nervously turning away from a suspect sexual partner, or walking away from the big bets table at the Casino in Monte Carlo, just pop a couple Tylenol and you will be good to go.

You might think I’m being foolish or trivial, and perhaps you’re right. But there is a point I’m trying to get to, if only my fingers would follow my brain.

I’ve read somewhere, and I think the Tylenol study above supports it, that we humans have grafted modern brain processes onto old physical hardware.

In other words, when we have the intellectual or emotional experience of, say, trusting somebody, this is connected to physical sensation of warmth in our bodies. The link goes both ways — trust inspires warmth, and warmth inspires trust. (Again, some scientists have run experiments to prove this.)

Similarly, other human emotions such as fear, disgust, anger, and joy, can and do trigger — and are triggered by — physical cues.

“So why is this relevant to me,” I hear you asking as your eyes roll to the back of your head.

Well, if you’re in the business of writing some frightening or infuriating or energizing sales copy, your first move might be to reach for adjectives. Like “frightening.” Or “infuriating.” But that’s for kids.

What grownup copywriters do is pay attention to their own bodies.

​​Dry swallowing… gritted teeth… a fully expanded chest… these are just some of the hundreds of physical cues you can include in your copy, and play your readers’ emotions like a keyboard. ​​Or if you want them to focus and read on, just talk to them about their eyebrows knitting together.

Maybe your face is forming into a frown right now. But maybe you’re nodding along after your eyebrows have shot up. If your reaction is the latter, you might like to sign up for my daily email newsletter.

Super germ ideas for profitable ad formats

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3 years ago, an astronaut on the International Space Station bounced his way outside of the calm and protected interior so he could set up a little experiment in open space.

He left some bacteria on the outside of the station, in the cold, in the dark, only occasionally to be pummeled by murderous space radiation.

It turns out these resilient bacteria survived. I bring this up for two reason:

1) Scientists say this means life COULD have come from somewhere else than Earth, which would certainly explain how the platypus got its beak, and

2) Because I learned about this super bacteria from a stock footage, subtitled video on the BBC site today.

That was interesting to me. I realized this is where the format came from for the Facebook ads I’ve been writing a lot of.

These Facebook ads look and feel the same as the BBC videos. They are made of stock footage, with overlaid subtitles that tell a story. Except the story is not about space-riding bacteria, but about bamboo kitchen towels or silicone freezer bags.

And here’s why this might be relevant to you:

These stock footage video ads are doing very well on Facebook right now. They are outperforming other ad formats my clients are trying (and these guys do a lot of trying and testing).

So if you do any Facebook advertising, it might be worthwhile going on the BBC site and checking out some of these science videos to see what makes them tick, and how you can mimic the same.

And there’s a deeper message I want to leave you with:

If an editorial format is working for a massive site like the BBC, it’s a good idea to try to adapt it into an ad.

Regular articles and these stock footage videos are not the only formats that work for news sites. I can think of other ways that places like CNBC and CNN deliver content, which might be relevant for Facebook advertisers.

The point being, it makes sense to pay attention to your own news consumption. You might find the germ of an idea. That idea can start to spread and multiply… until it forms a colony of money-making ads for your business.

For more biologically inspired marketing ideas, you might like my daily email newsletter. In case you’re interested, put on your space suit, unlock the hatch door, and sign up here.

Getting comfortable copybragging on Facebook

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Speaking on a podcast recently, marketer and copywriter (though not freelance!) Chris Haddad had the following harsh truth to share:

“If I was a freelance copywriter, I would be posting on Facebook about copy all the time. And I would be posting all of my testimonials and all of my successes. Because that’s the gig. And if you can’t do it, you need to go out and do something else.”

Chris was saying how back in the day, what made him successful as a freelance copywriter is he was willing to go out and shout, “Hey I’m Chris Haddad and I’m fucking great.” But that kind of bragging causes a discomfort in his seat these days. It’s also one of the reasons Chris doesn’t offer any copywriting training.

What if you’re the same?

​​What if you have a fear of the spotlight, and you cannot imagine bragging about yourself on Facebook? And what if, unlike Chris, you haven’t yet reached the levels of success that allow you to say, you know what, I’ll do something else instead?

Well, I think you’ve got several options. Such as creating your own product in a non-marketing niche… or writing a daily email newsletter in hopes of establishing your credibility without bragging… or taking a page out of Sasha Fierce’s book.

Yes, Sasha Fierce.

​​Maybe rings a bell. Maybe no? It’s the alter ego that Beyonce created for herself in her early days. Here’s Beyonce:

“Usually when I hear the chords, when I put on my stilettos, like the moment right before when you’re nervous… then Sasha Fierce appears, and my posture and the way I speak and everything is different.”

Psychologists agree. By conducting experiments on children and the weak-willed, they have shown how inventing an alter-ego for yourself (or at least asking yourself, “What would Chris Haddad do?”) works wonders in changing your perspective, your resolve, and your behavior. Search online for the “Batman Effect” if you want to know more about this.

But for now, maybe it’s time to start inventing a braggartly Facebook alterego for your copywriting business. It might not be what you like to hear. But as Chris says, that’s the gig.

Some personal bragging:

I write a daily email newsletter. It’s fucking great. If you want to see what all of my raving readers are swooning over, you can sign up here.

Why don’t people like salesmen?

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I was walking through the streets of an Eastern European capital this morning, when I heard a pleasant melody.

Keep in mind today is Saturday, and this morning at 9:51am there was practically nobody out and about.

But among some sycamores in the center, I heard an accordion playing. An old man had taken a bench by himself in an otherwise empty park, and was playing a nostalgic tune. He wasn’t playing for money. Just for himself.

I found this very pleasing. Better to sit outside in a warm and sunny park than to play your accordion in a tiny apartment with the neighbors banging on the wall to get you to quit.

But here’s the dark thought that occurred to me:

It wouldn’t be so quaint if the guy were playing for money. Then it would be desperate. Right? ​​Sitting in abandoned park, while everyone else is having breakfast at home, playing an accordion in the hope somebody will pass by and like your squeezing and buttoning enough to drop a few coins in your leather case. It’s like a scene from some 1950s Italian melodrama.

So what’s the moral of this story?

I’m not sure. But I think it has something to do with how people see you if you are in the position of selling yourself or your services, and in particular, of appearing needy.

Because selling something and appearing needy are not the same. But for many people and in many cases, they seem identical. That’s why salesmen are often so unpopular.

But you can get rid of the neediness and the stigma of salesmanship, while still continuing to sell.

There are lots of ways to get to this desirable place. The easiest in my opinion is to introduce standards — who you sell to, what you sell, how much you charge — and to not deviate from that. Suddenly the aura of desperation lifts from you, even if you could use a few extra coins in your leather accordion case.

For more tips for selling yourself and your services, you might like my daily email newsletter. It’s free. It’s for freelancers, copywriters, and business owners. And you can sign up for it here.

Sexy stories = dogs and cats living together

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“You could believe Mr. Pecker,” says Bill Murray, “or you could accept the fact that this city is headed for a disaster of biblical proportion.”

That’s from a scene in the original Ghostbusters. The Ghostbusters are at the mayor’s office, trying to convince the mayor to let them do their work. But what’s this biblical proportion stuff?

Dan Aykroyd: “What he means is Old Testament, Mr. Mayor. Real wrath-of-God-type stuff. Fire and brimstone coming down from the skies. Rivers and seas boiling…”

Harold Ramis: “40 years of darkness, earthquakes, volcanoes…”

Ernie Hudson: “The dead rising from the grave…”

Bill Murray: “Human sacrifice, dogs and cats living together, mass hysteria!”

Funny scene. But here’s something deadly serious:

Have you heard it’s good to include stories in your copy? That the human brain loves stories… and that stories have a way of sneaking around our inborn “So what?” and “Bullshit!” detectors?

It’s true. But here’s the deadly serious thing a lot of people fail to grasp. Your stories have got to be sexy. And what is sexy?

Well, all that stuff the Ghostbusters talk about.

Of course, maybe your story doesn’t literally involve fire and brimstone, or dogs and cats living together. So that’s where your job lies. Even if your story covers a mundane event, you’ve got to find the drama… the high stakes… the life and death in this situation. Fail to do so, and your sales letter is headed for a disaster of biblical proportion.

And here’s something even more deadly serious:

I’ve got an email newsletter. It features life and death topics like this every day. If you’d like to subscribe, click here.

A VSL lead idea from the Harmon Brothers Agora ad

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I watched the Harmon Brothers Agora video today.

​​You might know what I’m talking about. It’s a humorous, viral-style video by the same people who made the one for Purple Mattress — except this one is selling an Agora stock-picking service.

This video is deadpan because it moves so quickly. I counted 17 jokes — visual, verbal, and physical – in the first 60 seconds alone. That’s a joke every 3.5 seconds, and I might have missed some.

When I first saw this video, I thought it was mostly a ripoff of Will Farrell movies. But I now realize it’s actually inspired by The Simpsons, which had the same rapidfire sequence of jokes.

​​Each joke might not be spectacular in itself. But the jokes are staggered in such quick fashion and edited so tightly that your brain starts to play along.

Unfortunately, the type of humor in the Harmon Brothers video is hard to replicate in writing. Instead, this might be a good way to write a lead, particularly for a VSL in gotta-wow-em markets like bizopp or weight loss. Here’s the recipe:

Take everything you want to say, all your promises, open loops, proof, objections and rebuttals, and write an obnoxiously long lead. Don’t be shy. Then boil it down through merciless editing by at least 10%, preferably much, much more.

The resulting copy will have so much momentum, that even if none of your individual claims or promises is all that unique or impressive or believable, you will simply blitz your reader’s brain into sticking with you through the first few minutes. And that, as they say is, 50% of the battle.

For more rapidfire copy ideas, you might like my daily email newsletter. If you’re interested, sign up here.

Sweet inconsistency in copywriting education

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“The most important thing — you can know every copywriting technique in the book, you can read every book — the most important thing is to understand your audience.”
– Parris Lampropoulos

At the start of this year, I got a job to rewrite a VSL for an upsell of a successful offer.

A bit of background:

The offer was in the real estate investing space. It basically showed newbie investors how to get their leads for free using a secret resource.

​​Once people bought the frontend offer, they were shown the upsell. The upsell was about how to hire virtual assistants to automate much of the work involved in the frontend offer… so you can make more money in less time.

The question was how to position this upsell VSL.

My copywriting coach at the time said something like, “This training is the quickest way to become a millionaire real estate investor.”

That might be true. But my feeling was, for this audience, it was not believable. Most of these people had never even completed their first deal. Lots of them were retirees, or people who just wanted to quit their crap jobs and spend more time at home.

If these folks heard “You can be a millionaire,” my gut feeling was they would say, “No, that’s not me.”

And so I wrote that VSL around the promise of, “Get your first deal faster by doing less.” And that positioning turned out to be a winner. It beat out the control by 50%.

Here’s why I bring up this story from my client annals:

Copywriting wisdom is full of sweet inconsistency. Many top copywriters will tell you to make the biggest promise you can — and they will show you million-dollar ads to back up their case. Here’s a famous one from John Carlton:

“Amazing Secret Discovered By One-Legged Golfer Adds 50 Yards To Your Drives, Eliminates Hooks And Slices… And Can Slash Up To 10 Strokes From Your Game Almost Overnight”

But then you have other top copywriters, who will tell you the opposite — to make modest but believable promises. They will also show you successful ads to back up their case. Here’s one from Gary Bencivenga:

“Get Rich Slowly”

So who’s right? The “biggers” or the “modests”?

Neither, of course. Instead, it’s Parris who’s right.

As he says in the quote above, you’ve got to know your audience. Some audiences will believe any promise, so the larger it is, the better for you. Other audiences won’t. So make the biggest promise you can — as long as you’re sure your audience will find it believable.

Want to get better at copywriting slowly? I have a daily email newsletter where I share more information like this. You can sign up here.

Self-loathing in Hollywood and direct response copy

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A holstered gun comes flying through the trailer door and crashes into the opposite window. A furious Rick Dalton follows.

He’s just been humiliated on set, or rather, he’s humiliated himself.

“You forget all your lines,” he screams. “You embarrass yourself in front of all these people. You been drinking all night. Eight goddamn whisky sours. You’re a fucking miserable drunk.”

Maybe you know this scene. It’s from Tarantino’s Once Upon a Time in Hollywood.

Dalton, played by Leonardo Di Caprio, is a fading Hollywood actor. Regardless of what he does, he can’t seem to turn things around.

After forgetting his lines on set (even though he practiced them), he’s disgusted. He proceeds to trash his trailer. And then he sets himself an ultimatum.

“You’re gonna show that fucking girl, you’re gonna show that goddamn Jim Stacey, you’re gonna show them all on that fucking set who Rick Dalton is.”

And if he doesn’t?

“Let me tell you something,” Rick says while looking at himself in the mirror. “You don’t get these lines right… I’m gonna blow your brains out.”

A while back, I wrote about psychological shortcuts our brains like to take. Specifically, the ones that relate to direct response copywriting.

Well, there’s one for you in that Tarantino scene above.

When things aren’t going well for your prospect, even though he’s tried and struggled to turn things around, his brain jumps to a conclusion.

The conclusion is that he is a fuckup, and everybody knows it. Or if you want it in quotes:

“It’s my fault because I’m worthless.”

Of course, your prospect probably won’t say it out loud like Leo above. He might not even admit it to himself consciously.

But it’s there, beneath the surface, roiling around in his brain. You’re gonna have to address it. You’re gonna have to fix your prospect’s self-esteem, if only for a few moments, if you will have any hope of selling him.

Perhaps you’d like to know how to do this. Well, I’ve just finished writing a book on A-list copywriter wisdom, and chapter 7 tells you one technique you can use.

This book isn’t out yet, but it will be soon. If you’d like to know when it’s available, you can sign up for my daily email newsletter.

Sad Kermit noises in Bejakoland

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Whenever a big tennis tournament finishes, nerdy tennis fans shift in their armchairs and take to their keyboards to post the same sad Kermit meme.

The meme consists of a few pictures of Kermit the frog.

So there’s Kermit looking wistfully out of a rain-streaked window…

Kermit fishing alone on an empty riverbank…

Kermit leaning on a lamppost and staring off into the bleak distance.

I bring this up because I just wrapped up my new book on A-list copywriting commandments. This is something I’ve been working for the past month. And now it’s done.

I’ve asked a friend to read over it and give me final feedback… I’ve ordered a cover for it online… and inshallah, I will publish it in the next few days.

And then what?

I’m grunting those same sad Kermit noises right now. Or if you prefer, I’m looking for ideas for the next one-month project.

Now here’s a quick lesson I want to share with you:

I heard it from Ben Settle. Ben, who makes a play of being contrarian and dismissive, said you should never survey your audience or your customers about the next product you should create.

It’s the old Gary Halbert movie/play argument. Gary would give lectures and he’d ask the audience which they preferred, going to a play or to a movie.

Everybody said they preferred plays.

Bull, Gary would say. And to prove it, he’d ask people to raise their hand if they’d been to a play in the last week.

No hands.

How many had been to a movie?

Many hands.

That’s why Ben, himself a big student of Gary Halbert, says that if you want to ask your list anything, ask them what they bought recently.

I asked this question today of the people subscribed to my email newsletter. We will see what the responses will be.

By the way, I don’t only ask and query my list for ideas. Lots of time I give out ideas, and sometimes even more tangible things, too.

Of course, you have to be on my email newsletter to get any of this. In case you’d like to subscribe right now, click here.

Making missed opportunities hurt

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I’m at the seaside for a few days. Last night, after the fortieth glass of aperol, the decision was made to go for an “early-morning swim” today.

Today however, thanks to that same aperol, morning came later than usual. And then there was breakfast and some packing and a bit of standing around on the balcony. The early-morning swim plans turned into mid-day swim plans.

And then it started to rain. There would be no swimming after all.

Typical. At least in my life. Because in my experience, you can screw up in two ways:

You can take action and do something dumb… or you can not take action and miss an opportunity.

I’ve noticed in my own life that I’m much more likely to not take action, just like this morning, than to get overeager and get into trouble.

And I guess I am not the only one.

I read in Daniel Kahmenan’s Thinking Fast and Slow that we humans have a reliable bias in this direction.

It’s not just laziness.

But somewhere deep down in our monkey and lizard brains, we believe we will regret a mistake much more if we actively did something to bring it about… rather than if we just sat by, staring out the window, watching the clouds gather.

If Kahneman is right — and why wouldn’t he be, the guy’s got a Nobel Prize after all — then it’s another notch in favor of writing over-the-top, emotionally supercharged, manipulative sales copy.

Because sales copy, in spite of what many people will tell you, is not just like an ordinary conversation. You can’t just present a sober, reasoned argument and have people jumping out of bed.

Instead, you’ve got to create such desperation and fury in your prospect’s mind not only to overcome his natural laziness… but to overcome his fear of trudging all the way down to the beach, and then getting drenched in ice-cold rain. That’s gonna take some hyperbole. It’s gonna take some drama.

Finally, here’s a vision I want to paint in your mind:

I have an email newsletter. Each day I write a short email about copywriting and marketing lessons I’m learning.

If you like, you can sign up for the newsletter here. Or you can just wait. The opportunity will still be there tomorrow. And the day after. And the day after that.