Emily Gerard

My best recommendation for books that are sure to give you a change of perspective

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Back in 2019, I started reading an obscure non-fiction book called The Land Beyond the Forest. I got the idea to read it because I heard that it was a source for Bram Stoker, when he created the modern character of Count Dracula.

The Land Beyond the Forest was written by Emily Gerard, a Scottish woman who lived in Transylvania, modern Romania, in the second half of the nineteenth century. Gerard wrote up a kind of sociological character study of the Germans, Romanians, Hungarians, and Gypsies who lived around her.

At that time, Transylvania, with its deep forests and high mountains, still had pockets of medieval life in quickly modernizing, industrializing, urban Europe. The people Gerard wrote about truly lived with different traditions and beliefs to what’s become dogma in the past century or so. I guess that’s what Bram Stoker was latching on to when he used Gerard’s book for inspiration.

For example, Gypsies in Gerard’s time were a forest-dwelling, pot-mending, violin-playing elf people. This is how Gerard describes the three tenets of their half-pagan, half-Christian religion:

1. The Gypsy fears God without loving him

2. The Gypsy believes in the devil but thinks him silly and weak

3. The Gypsy scoffs at the idea of immortality: “We’re already wretched enough in this life. Why begin it anew?”

I read Gerard’s book and I really found myself experiencing a fresh change of perspective. I found the experience so enjoyable that I started going back, century by century, and reading a book for each century. If you’re looking for a change in perspective, or a moment of insight, that’s my best recommendation to you as well.

Also, here’s a notice you may or may not need. Tonight was the last night to join my Insights & More Book Club, at least for a while. At the stroke of midnight tonight, as wolves howled, and owls hooted, and an icy black shape moved in the shadows under the pine trees, I closed the doors to the Insights & More Book Club, to keep everyone inside safe, and to lock any werewolves, ghouls, and vampires out.

I will reopen the Insights & More Book Club in two month’s time. But in order to have the chance to get in, you have to be signed up to my email newsletter. If that’s something you aren’t willing to do, no problem. Otherwise, click here and fill out the form that appears.

Blood-sucking Transylvanian copywriting secrets

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For the past week, I’ve been reading a book called The Land Beyond The Forest.

It was written in the late 19th century by a Scottish woman named Emily Gerard, who lived for a good part of her life in Transylvania (a section of today’s Romania). This book was one of the inspirations for Bram Stoker’s Dracula, which was published about 10 years after Gerard’s book.

Anyways, I came across the following passage in the book, which has a lot of value if you’re a copywriter — or just trying to craft sticky messages. Gerard’s writing is in italics and indented, my comments in regular font:

“As in Italy, the recitatore (story-teller), called here provestitore, holds an important place among the Roumanians.”

People love a good story, and they always will. That’s why you should use stories in copy whenever you can.

“The stories recited usually belong to the class of ogre and fairy tale, and would seem rather adapted to a nursery audience than to a circle of full-grown men and women.”

Parris Lampropoulos once said we all believe in magic. It can be overt like these Romanian peasants and their fairy tales… but it’s true even of nerdy and rational 21st century science buffs.

“Sometimes in verse, sometimes in prose, these stories oftenest set forth the adventures of some prince subjected to the cruel persecutions of a giant or sorcerer. The hero has usually a series of tasks allotted to him, or difficulties to be overcome, before he is permitted to enjoy his father’s throne in peace and lead home the beautiful princess to whom he is attached.”

A perfect 2-sentence summary of the hero’s journey, which is one good template you can use to tell a compelling story in copy.

“The tasks dealt out to him must be three at least, sometimes six, seven, nine, or twelve; but never more than this last number, which indeed is quite sufficient for the endurance even of a fairy prince.”

Same thing in copywriting. When you’re giving proof, arguments, or examples, it’s common and effective to give three of the bunch. Plus, if you swap out “task” and put in “bonus” or “premium,” you get the structure of a good offer.

“When the tasks are nine or twelve in number they are then grouped together in batches of three, each batch being finished off with some stereotyped phrase, such as, ‘But our hero’s trials were not yet over by any means, and much remains still to be told.'”

“But wait, there’s more!” Some phrases are so valuable that they keep surfacing across cultures, across media, and across centuries.

“As a matter of course, these trials must always be arranged crescendo, advancing in horror and difficulty towards the end.”

This reminds me of something I heard in a video by copywriter Kyle Milligan. Kyle quoted Agora Fiancial chief Joe Schriefer, who apparently says, “The magic show must always get better!” In other words, the proof must improve, and the results too.

And that, young Nosferatu, is the quote I wanted to share with you.

You probably know this already, but there are predictable ways to get into people’s heads and influence them. Direct marketing copywriters have figured out many of these tricks for themselves.

​​But if you look around, there are other disciplines, or even folk traditions, that can give you good ideas for how to craft sticky, influential messages. And this passage from Gerard’s blood-sucking Transylvanian book is just one good example of that.