Bill Burr

How to deliver a racist rant

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Before we dive into the racism, I’d like to remind you of my Copy Riddles program.

​​Somebody once told me that Copy Riddles is expensive, considering it just teaches you one niche copywriting skill.

I have to agree. But I also have more to say about it at the end of this email.

For now, let me tell you about the late great Patrice O’Neal.

As you might know, Patrice was black — a fact that will be relevant in just a moment.

Patrice was also the favorite comedian of a huge number of top comedians of the past few decades. Bill Burr, Norm Macdonald, Andrew Schulz — those are a just a few top comedians I found after a two-minute Google search, who all said there was nobody as funny as Patrice.

I’m using that to set up a contrast to the following. Because racist rants aren’t funny, are they?

Maybe they are. Or maybe they can be.

Take for example, Patrice’s HBO special, One Night Stand. It aired in 2005.

Patrice opens up without any of the usual, “Good to be back, how are you guys doing” fluff. Instead, he launches straight into his material. He says:

“So how many people are getting sick of the Hindu obstacle course at the airport?”

The audience laughs uncomfortably. They’re sensing this might not be stuff they should be laughing at, and they’re wondering where Patrice is leading them.

In fact, the audience is right to be wary.

Patrice is about to launch into a 5-minute racist comedy rant, mocking and imitating Indian people who work at airport security and who run convenience stores.

“I don’t mind foreigners,” says Patrice at one point, “but don’t be FROM your country.” And after he finishes mocking Indian accents, Patrice moves on to Mexicans.

This is the kind of stuff that wouldn’t fly for white comedians since the days of Don Rickles in the late 60s and early 70s.

And in fact, it wouldn’t fly for Patrice either, not in 2005. Except for one thing.

In between saying “How many people are tired of the Hindu obstacle course” and launching into his racist impressions, Patrice delivers one miraculous, life-saving line.

​​It goes like this:

“So how many people are tired of the Hindu obstacle course at airport? [He pauses while a few nervous laughs acknowledge the inappropriateness of this statement. Then he continues] I mean… I’m a racist, but it’s getting…”

… and here Patrice continues into the rest of his set, with the audience suddenly loose and laughing, and ready to laugh more at the rest of his jokes, racist though they are.

My point is not that you should be racist.

My point is also not that you should laugh along with racists, or condone racist behavior.

My point is simply how much you can get away with, if you correctly anticipate your audience’s objection, and call that objection out ahead of time. Even if you don’t do anything else but call it out.

Now back to my Copy Riddles course.

It’s true that Copy Riddles is expensive. It’s also true it only teaches you one copywriting skill, and a niche one at that.

On the other hand, experts in the field, like Ben Settle, John Carlton, and Gary Halbert, have all said that this one niche skill is what all copywriting comes down to.

All these guys have made millions of dollars from copywriting, and some have specifically credited millions in earnings just to this one skill.

When you look at it that way, maybe Copy Riddles isn’t so expensive after all.

Of course, it’s going to depend on your situation, and what you’re looking to do.

If you’d like to find out more about Copy Riddles, and see if it could be a fit in your quest to write more effectively, and even make good money in the process, then take a look here:

https://bejakovic.com/cr/

Here’s something interesting you haven’t thought about before

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This morning I was chewing on a carrot — I’m trying to eat more vegetables — and to distract myself, I put on a standup comedy routine by Larry David, the writer behind Seinfeld and later the star of Curb Your Enthusiasm. David opened his set by saying:

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You seem like a very nice audience. I’m wondering, in case I break into some Spanish or French, may I use the familiar “tu” form with you people? Instead of “usted”? Because I think “usted” is gonna be a little too formal for this crowd. I feel already that I’ve established the kind of rapport that I can jump into the “tu” form with you.

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Larry David’s brand of humor is awkwardness. He always hits a snag on social interactions that others handle smoothly. He has to verbalize and negotiate things that others do subconsciously or nonverbally. That’s why his opening above illustrates the following point so well:

Comedians assume familiarity in their sets.

Why familiarity? Because being familiar is a precondition to being funny.

Comedian Bill Burr opens his “Why Do I Do This” special — my favorite — by saying, “It’s nice to be here. I didn’t do shit today. I didn’t. I’m a loser man. I just sat around watching TV and all that type of stuff. Let me tell you something…” Only then does he launch into his actual set.

You might wonder why I’m killing the joke in this way.

It’s because the same applies to you, at least if you want to influence other people, to sell your products, your services, or your ideas.

Comedians assume familiarity. So do pick up artists. Hypnotists do something similar that suits them, and that’s to assume trance.

The result is that their audiences, targets, and subjects, follow.

So that’s my suggestion for you too:

Figure out what goal you are trying to lead people to. Then figure out what the preconditions are for that.

And then, just act as-if. Assume that the preconditions are true.

Do it with enough conviction — not like Larry David, but like Bill Burr — and people will fall into step with you. This is as true of sales and copywriting as it is of comedy, magic, and seduction.

Speaking of seduction:

If you think you might learn a thing or two from me about influence, then consider my Copy Riddles course.

​​I break down the seemingly simplest type of copy — sales bullets — along dimensions you might not have ever thought about.

​​The result is you go from unconscious incompetence to conscious competence quickly… and then with a bit of practice to unconscious competence, where you simply own these copywriting skills, cold.
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​In case you’re interested:

​https://bejakovic.com/cr/

The trouble with “writing how you talk”

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“Pitbulls are like a gun you can pet.”
— Bill Burr

I read a question on a copywriter message board recently:

“Should you write copy the way you speak?”

It’s certainly common advice to do so. And it can help people who fear writing to get over their phobia.

​​But I don’t agree that you can speak your way to good writing, or even to good copy.

Fact is, copy should use simple words and paint word pictures.

But except for a few talented communicators, most people don’t talk like that.

Sure, when it’s all done and done, somebody reading your copy should be able to convince themselves they might say this when speaking. But they never really would, any more than your random schmuck off the street would deliver a Bill Burr-level rant while jiving with his friends at the bar.

A top comedian like Burr will put in dozens or hundreds of hours of work to polish and perfect a joke that lasts only a few minutes.

​​And if you want similar success with your copy, you too will have to work harder on your copy than just “writing how you talk.”

Or you can just write daily emails. The rules for those are often different than for traditional sales letters. And if you want to see what I have in mind, you might like to sign up for my daily email newsletter. You can do so by clicking here.

17 good reasons to hit a woman

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I just watched a comedy special by a guy named Bill Burr.

He’s apparently one of the biggest comics in the world for the past 10 years, but since I’m like a hermit, I hadn’t heard of him until a few days ago.

Anyways, during the special, Bill dances on the razor’s edge for just over an hour.

He gets so close to incredibly divisive, controversial, and dangerous topics that it took my breath away.

“Black people never got the memo that you have to register your weapons.”

“Goldgigging whores are bringing down great men.”

“I’m not saying anybody should ever hit a woman, but you can’t deny there are good reasons. I can think of 17 of them right now.”

(By the way, I’m paraphrasing all of these bits, but that was the basic gist.)

I bring this up because comedy and copywriting have so much in common. And after listening and reading about copy and marketing for years, I now find I often get better ideas by watching comics, and listening to them analyze their work, than by listening to yet another copywriting seminar.

Now, there’s decades worth of work that goes into producing and polishing a comedy special like Bill Burr put out.

But some of the fundamentals are obvious.

And that’s what I want to point out today, for your benefit as well as my own.

Point 1: Think about where you stand. Bill Burr isn’t just saying things because they are shocking and provocative. He’s saying them because he genuinely believes them, at least in my impression. The thing is, even though he’s saying napalm-level-incendiary stuff, he’s thought through his point well enough, and he’s got enough good arguments (presented in a funny way), that you at least have to hear him out. And he definitely has your attention.

Point 2: Don’t back down. Once he says something crazy and provocative, there’s no weakness in Bill Burr. He has this grin on his face all the time, and even when he says, “I can think of 17 good reasons to hit a woman,” the grin doesn’t change. And neither does his delivery. Or the words he uses. Or his arguments. And that means that people who don’t agree with him don’t get an automatic chance to shut him down.

I think both of these points, though they are high-level, can be useful for marketers and copywriters as well.

Particularly if you’re putting out long-term marketing, such as daily emails, that go out to people who know you, rather than cold prospects.

But that’s not for everybody. If you don’t like playing that game, and you’d prefer simply talking benefits, and convincing cold prospects to buy from you, there’s good money to be made there. And in case you want some battle-tested ideas on how to write such copy, specifically in the form of advertorials, then check out the following:

https://bejakovic.com/advertorials/