Who today remembers Ragged Dick?

I was very grateful to find out the following fact just now:

Today being January 13, it is the birthday of Horatio Alger, one of the most popular and influential American writers of all time.

Starting with Ragged Dick in 1868, Alger published almost a hundred novels. They were all exactly the same — but readers didn’t mind.

Each of Alger’s novels starred a poor and luckless boy, who managed to stay afloat through honesty, hard work, and perseverance.

Eventually, following a noble act, the boy would be brought to the attention of a wealthy patron. The patron gave the boy his lucky break, setting him on the path to success and security.

It was good story for 19th-century America. That’s why it could be told over and over again.

Today, of course, nobody remembers Ragged Dick. Nobody reads Horatio Alger any more.

It takes somebody like me, an email columnist a little desperate for a daily email topic, to even bring up the fact that today is Alger’s birthday, and to tell you something interesting about the man. Such as the following haiku:

Rags-to-riches theme,
Urban tales of working class,
Alger’s legacy.

In case you are wondering what I’m getting at, I’ll admit that Alger’s story makes me think of the mysterious question of fame, and who gets it and who gets to keep it for more than a few years.

Alger sold some 20 million copies of his books in his time. But just a few years after his death, surveys showed that few kids had ever heard of him.

But — and maybe I am naive, and maybe I have bought into the Horatio Alger myth too much — I feel that today is a moment of opportunity as good as 19th-century America. Maybe better. And Alger’s stories, outdated as they are, remain emotionally relevant.

Ragged Dick was a bootblack.

If Dick lived today, I imagine he would join the creator economy, and maybe start a free email newsletter. Through honesty, hard work, and perseverance, he would toil away on his newsletter until he got his lucky break, which would set him on the path to success and security.

Maybe you don’t buy into my Ragged Dick daydream. And maybe this entire email isn’t relevant to you.

But if by chance you are starting a free email newsletter, or in case you’ve already got one, then you might want to know about my Most Valuable Email.

For more info on that:

https://bejakovic.com/mve

Bare metal: Poor single mom risks death to feed her family

A couple days ago, I sent out an email about charging out, King Arthur-like, to fight dragons on the borders of your kingdom. That was my metaphor for defending your business interests.

I got lots of interesting replies to that email, and none more so than from Shawn Cartwright. Shawn runs TCCII, an online martial arts academy. He wrote:

===

While I sympathize with your position on this, I’d just like to ask this question…

Why are dragons always made out to be the bad guys?

Seriously…

Imagine you were the millenia old beast who woke up one day to find a bunch of unwashed simian descendants using your pristine mountain stream as a latrine?

Or erecting god-awful ugly structures made from your trees they took without so much as a please or thank you.

And shot at you when you went down to have a little chat with them to sort it out.

And then organized some sort of genocidal campaign to eradicate you and take all your stuff.

Is it any wonder they might be a little ill-tempered?

===

Shawn asks a great question. In response to it, my mind jumped to a tense scene from the 2015 Disney documentary, Monkey Kingdom.

The scene shows a tiny and cute macaque monkey dangling from a vine a few inches above some murky water.

This monkey is a single mother, the narrator tells you. But not only that. She’s also at the bottom of the social hierarchy.

Higher-caste females are safe up in a tree eating figs. But even though there’s plenty to go around, these higher-caste females are not willing to share any food with the low-born single mom.

So she is forced to roam deep into the jungle to feed her family. That’s why she’s now dangling above the murky water, so she can harvest some water lily seeds.

And then the scene shifts. It suddenly shows a monitor lizard.

The lizard is huge. It’s seven feet long, three or four times the size of the tiny monkey mom.

The lizard is ugly. It’s thick and black and scaly, with a long flame-like tongue flickering in and out of its mouth.

And worst of all, the lizard is treacherous. At first it’s lurking at the edge of the water. But then it slips in silently, and swims under the surface to where the water lilies are.

So why are dragons always made out to be the bad guys?

Because our race and their race have been at war since time immemorial. Because this feeling is baked into us. Because it’s bare-metal.

Bare-metal is my term for the fact that if you keep asking why long enough, you eventually always get to the answer, just because. Because it’s how we humans are. Because it’s right, whether or not it’s historically fair to the dragons, whether or not it makes sense in today’s world.

If you want to influence people, then write about bare-metal topics.

It’s not just slimy, treacherous serpents.

I gave you a few other bare-metal topics above, in that monkey scene setup. But there are many more.

I rewatched Monkey Kingdom last night. And because I’ve become obsessive through writing this newsletter, I took notes every minute or two.

I found 40+ bare metal topics in Monkey Kingdom. They are brilliantly illustrated because it’s monkeys. Monkeys are close enough to us to be relevant, but different enough to illustrate each bare-metal topic distinctly.

So my advice to you is, watch Monkey Kingdom. And take notes.

If I ever create my mythical AIDA School, this movie will be a part of the first-semester curriculum.

And now for something completely different:

Specifically, my Most Valuable Email course.

That course is connected in some way to today’s email, though only lightly.

That don’t change the fact that, as the name of it says, this course is about a type of email that has been most valuable for me.

If you also write about marketing or persuasion or copywriting, this type of email might be just as valuable for you.

To find out more about it — and about love, death, and politics — go here:

https://bejakovic.com/mve

Stolen ideas are worth more than fine gold

Incline thy ear unto my sayings:

Over the past day and night, I’ve had an unusual influx of new subscribers. I went to check my website analytics.

There was nothing unusual except extra traffic to a post with a weighty and smooth title:

“The 7th pillar of influence”

“Huh?” I said. I couldn’t remember ever writing this. I had no idea what it was about. But I did find the title intriguing so I looked it up. It turns out the “7th pillar of influence” is an email I wrote in very earliest days of my newsletter, back in 2018. I won’t tell you about the content of that email — you can look up the 7th pillar on my site if you like. But I will tell you about that title:

The 7th pillar of influence was a play on T.E. Lawrence’s 7 Pillars of Wisdom, his memoirs of serving in the Arab revolt. I read that book some time ago, but I never did figure out what the 7 pillars of wisdom are. I checked just now. It turns out Lawrence’s title was itself a reference — to the book of Proverbs, chapter 9, verse 1:

“Wisdom hath builded her house, she hath hewn out her seven pillars”

Now I betcha that this Old Testement reference in Lawrence’s title is one good reason why we are still talking about his book today, one hundred years after it was written. And perhaps it’s the reason why my email from 4 years ago, archived in the chambers of death that is my website, got some surprise visits today.

James Altucher called this practice plagiarizing.

​​And what else can you call it? Stealing from another text, word for word, without giving credit. And yet, James himself has stolen in this way many times, for the following reason:

Because out of the thousands of documents written over the past 5,000 years, this document has survived. Thousands didn’t.

Religions and philosophies sprung from it. Millions worshipped it.

The text is somehow primal to our experience as humans.

So let me reveal a secret to you:

If you want to instruct or influence people, and you want to find an attractive way to package up your message, then dig through the Book of Proverbs. Find a formulation that has survived thousands of years, and stuff your message in that box.

Perhaps you think it’s foolish for me to reveal this secret. But I find that the more I scatter good ideas about, the more they increase.

On the other hand, the Book of Proverbs also promises blessings to those who sell. So let me sell you a spot on my daily email newsletter. It’s worth more than fine gold. You can pay for it by clicking here.

My recipe for writing a book that influences people and sells itself

I just spent the morning reading statistics about the best-selling books of the 20th century so I could bring you the following curious anecdote or two:

The year 1936 saw the publication of two all-time bestselling books.

The first of these was Gone With The Wind. That’s a novel that clocked in at 1,037 pages. “People may not like it very much,” said one publishing insider, “but nobody can deny that it gives a lot of reading for your money.”

Gone With The Wind was made into a 1939 movie with Vivien Leigh and Clark Gable, which won a bunch of Oscars. Without the monstrous success of the movie, odds are that few people today would know about the book, even though it sold over 30 million copies in its time.

On the other hand, consider the other all-time bestseller published in 1936.

It has sold even better — an estimated 40 million copies as of 2022.

And unlike Gone With The Wind, this second book continues to sell over 250,000 each year, even today, almost a century after its first publication.

What’s more, this book does it all without any advertising, without the Hollywood hype machine, simply based on its own magic alone.

You might know the book I’m talking about. It’s Dale Carnegie’s How To Win Friends And Influence People.

One part of this success is clearly down to the promise in the title. As Carnegie wrote back then, nobody teaches you this stuff in school. And yet, it’s really the fundamental work of what it means to be a human being.

But it can’t be just the title. That’s not reason why the book continues to sell year after year, or why millions of readers say the book changed their lives.

This includes me. I read How To Win Friends for the first time when I was around 18. It definitely changed how I behave.

For example, take Carnegie’s dictum that you cannot ever win an argument.

​​I’m argumentative by nature. But just yesterday, I kept myself from arguing — because Carnegie’s ghost appeared from somewhere and reminded me that I make my own life more difficult every time I aim to prove I’m right.

This kind of influence comes down to what’s inside the covers, and not just on them.

So what’s inside? I’ll tell ya.

Each chapter of Carnegie’s book is exactly the same, once you strip away the meat and look at the skeleton underneath. It goes like this:

1. Anecdote
2. The core idea of the chapter, which is illustrated by the anecdote above, and which is further illustrated by…
3. Anecdote
4. Anecdote
5. Anecdote
6. (optional) Anecdote

The valuable ideas in Carnegie’s book can fit on a single page. But it’s the other 290 pages of illustration that have made the book what it is.

In other words, the recipe for mass influence and continued easy sales is being light on how-to and heavy on case studies and stories, including personal stories and experiences.

Maybe you say that’s obvious. And it should be, if you read daily email newsletters like mine. But maybe you don’t read my newsletter yet. In case you’d like to fix that, so you can more ideas and illustrations on how to influence and even sell people, then I suggest you click here and follow the instructions that appear.

A new way to acquire copywriting skills while reducing emissions by over 80%

Today I have a new pasta recipe for you:

Boil the water, throw in the pasta, cook as usual for two minutes. Then turn off the stove. Put a lid on your pasta and keep it in the hot-but-no-longer boiling water until the usual cooking time.

It’s called passive cooking and apparently it works just as well as your usual “stove’s on” way of cooking pasta, while reducing emissions by 80%.

Whatever. I’m just sharing this recipe with you because 1) it’s trending on the Internet, and I’m a trendy guy and 2) because I went to the page that explained this pasta cooking recipe and saw something interesting.

The passive cooking page is on the Barilla site. Barilla is a brand of pasta. And yet, on that page of the Barilla site, it says the following:

DOES IT WORK ONLY WITH PASTA BARILLA?

Of course not! We chose to study the process, adapt it to our classic product range and provide all the information to adopt this method. But helping the planet goes beyond our brand. So, with a few tweaks, you can try Passive Cooking even if you choose products from other brands.

This is interesting — and smart. It goes back to something I heard once from A-list copywriter Parris Lampropoulos.

Parris said how many sales letters go from problem => my offer and why it’s just what you need!

“How convenient,” says the reader after reading this. “All this time, while you were pretending to be talking about me and my problem, you were just leading me by the nose until you could start hawking your stupid brand of tortiglioni.”

A much better way to do it, says Parris, is to go from problem => broad category of solution => why your specific solution is a great or really the best choice within that category.

“It works with any brand of pasta! Of course, you might have to tweak a few things, do a bit of light multivariate calculus, and risk a beating from your hungry spouse — but really, any brand will work! Or of course you can just go with Barilla because we’ve done all the work for you.”

Which brings me to my Copy Riddles program:

IS COPY RIDDLES THE ONLY WAY TO TRANSFORM YOUR COPYWRITING SKILLS?

Of course not! I chose to study actual, million-dollar copy of A-list copywriters, present it to you in fun bite-sized pieces, and provide you all the information so you can practice each A-list copywriting technique yourself.

But effective copywriting goes beyond Copy Riddles. So, with a few tweaks, along with a few thousand hours of effort and a few tens of thousands of dollars of investment in books, courses, and coaching, you can try to acquire the same copywriting skills in different ways also.

Or you can just get Copy Riddles.

In case the pot’s boiling, here’s where to go:

https://bejakovic.com/cr

“Why would you ever say anything that’s not awesome?”

This past summer, I wrote an email about how I was struggling to get through the Dig.This.Zoom course, in spite of having paid $1,200 for it.

Maybe it will turn out the course wasn’t an entire waste of money, because it did provide me with the following quick story:

In one Dig.This.Zoom lesson, Aaron Winter, former copy chief at Motley Fool and guru to super successful Dig copywriters like Dan Ferrari and Austin Lee, was talking about headlines.

​​”So there’s headlines,” Aaron said, “and then there’s… stuff? Content? We reject that. Ideally, they’re all headlines. Why would you ever say something that’s not awesome?”

In slightly clearer words, Aaron was saying that each line of your copy should have as much pull — as much emotional weight and curiosity and benefit, all fused together — as your headline has.

This is the kind of inspirational but vague mysticism that made me start to tune out the entire Dig.This.Zoom course.

Fortunately, Austin Lee, who was on this particular Dig.This.Zoom call, chimed in at this point with some practical advice:

“One of the most fun and educational exercises you encouraged me to do was write a headline for every little section of my outline. I really wrote an entire promo of maybe 26 or 32 headlines all the way down through the offer.”

I bring this up (spoiler alert) because I am promoting my Copy Riddles program. Whenever I do promote this program, I always get some form of the following question:

Is Copy Riddles just about bullets OR about about copywriting in general?

The answer is yes.

As Aaron says above, copywriting is really about your best headlines. And your best headlines are really just your best bullets. Or as Ben Settle put it once:

“Bullets still work, never stopped working, and will always work — When written correct everything ‘comes’ from the bullets, including non-bullet copy or ads where there are no bullets.”

Copy Riddles is now open and ready to turn you into somebody who writes stuff that’s awesome. Whether that’s awesome bullets, awesome headlines, or awesome body copy.

​​In case you’re interested:

https://bejakovic.com/cr

The ring of truth

Here’s a quiz question for the criminal mastermind in you:

How might you sneak into Buckingham Palace?

How might you make your way over the castle-like walls and fences, past the hundreds of armed guards, the thousands of staff, the sensors, the alarms, and the vicious and bloodthirsty packs of attack corgis?

​​How might you get make your way to the heart of the labyrinth-like structure, all the way to the queen’s bedroom, so you can breathe on her, while she’s asleep in her own bed?

Think about that for a moment, but only for a moment. Because really, it’s quite easy to do. Here’s how, in just five steps:

1. First, climb up the 14-foot wall and over the barbed wire and rotating spikes.

2. Then, shimmy up the side of the palace. If you need help shimmying, use a drain pipe or something.

3. Then, find an open window. There’s sure to be one.

4. When you get into the palace, then walk around aimlessly. Don’t worry about the staff and the guards, because they will arrange themselves in just such a way that not one of them will notice you.

5. Finally, stumble upon the queen’s bedroom. The door will be unlocked. Open it, enter, approach the bed, pull back the curtain, and start your heavy breathing.

Does that sound like it would work? Does that sound like a credible plan?

Well, credible-sounding or not, it actually happened. At around 7am on July 9 1982, a certain Michael Fagan did just what I told you.

Fagan, an unemployed and not very mentally stable English man, climbed over the walls of Buckingham Palace and into palace itself, then rambled around, unnoticed by all the guards, staff, and corgis, making it all the way to the sleeping queen’s bed.

This is a true story, a slice of real history.

And if you found it interesting or surprising, then that’s kind of my point.

In order for the above story to have any worth at all, you have to believe that it’s real, that it’s documented history. You have to believe that it really happened, and you have to believe that you can go and check the details yourself if you want to.

On the other hand, imagine if instead of being a historical incident, this unlikely “story” were part of a Disney cartoon or an Ocean’s 11-type heist film.

“So stupid,” would be the only reaction that the audience would have as they walked out of the movie theater. “The corgis would have smelled him a mile away. Couldn’t the writers have thought up something a little more life-like? A little more believable? Something with at least the ring of truth to it?”

So that’s actually my point for today.

Truth isn’t where it’s at. But having the ring of truth — now that’s a different story.

And as in cartoons and heist films, so in sales letters.

A couple days ago, I did a copy critique for a business owner of an ecommerce brand.

He had written an advertorial telling his own true story.

Only problem was, his story, dramatic and true though it was, sounded unbelievable. The tears… the sleepless nights… the worried looks from his wife…

I mean, this guy’s business is selling dog food. Literally.

So it didn’t matter much if his dramatic story was true, which it was. It didn’t ring true. And so my advice to him was to tamp down his true story, or to swap it out altogether, and find some other stories, which, true or not, at least have the ring of truth to them.

And now, you might think I will transition into an offer for consulting or copy critiques, where I point out obvious but damaging flaws in your advertising.

That won’t happen.

I had those offers, consulting and critiques, during this past summer. But I closed them down as of today.

Because I now have a regular offer to promote at the end of each of my daily emails. It’s my Most Valuable Email course. And I’ll tell you the following curious fact:

While the core MVE training is about a clever email copywriting trick, the course also comes with a Most Valuable Email swipe file. This file collects some of the most effective Most Valuable Emails I have personally written.

Each of those emails contains a valuable marketing or copywriting idea.

And MVE swipe emails #17, #18, #19, #20, and #22 contain five valuable ideas about how to write formulaic stories. Stories that sound like other stories that people have heard a million times before. Stories that, because of their familiarity, ring true to your audience.

So if you are trying to figure out how to shape your own personal history into something that your prospects won’t reject as A) boring or B) a manipulative lie, then these specific Most Valuable Emails might be worth a look.

They are available inside the complete MVE training. ​​

In case you want to get your mastermind paws on them, here’s where to go:

https://bejakovic.com/mve

The biggest egos in the world

One morning in 1985, actor Val Kilmer staggered to his bathroom and got ready to shave. He squinted because of how sleepy he still was. But then he spotted something in the mirror that shocked him awake.

In the middle of Kilmer’s chest a perfectly round bruise, the size of a 50-cent piece.

“I didn’t drink,” Kilmer said to himself. “I didn’t fall during the night. What could stab me like this in the chest?”

After a moment, the realization hit him.

The night prior, Kilmer had gone out partying with a bunch of Navy pilots. He was about to start shooting Top Gun, and he was trying to get into the role of Iceman.

The real Navy fighter pilots liked Kilmer a lot.

“You’re the actor that we’re most like,” they kept yelling the whole night. “You got good hair!”

And each time the fighter pilots said this, they emphasized their point by stabbing their fingers into the middle of Kilmer’s chest. That’s how he got the bruise.

Kilmer later said,

“The only egos bigger than actors are rock stars. And the only people beyond that are fighter pilots. They have the biggest egos on the planet.”

My point being, in spite of how it might look in the insular direct response world, email copywriters do not have the biggest egos in the world. Likewise, copywriting and marketing newsletters, podcasts, and books are not the most valuable things to read and study if you want valuable ideas, stories, and inspiration.

I recently made a list of 10 sources where I get ideas for my daily emails.

Most of these sources were predictable, or I had written about them already in emails prior.

But there was one source that I haven’t really talked about much.

And that’s analyses, documentaries, and original material about entertainment I love. Analyses and background info on Looney Tunes cartoons… William Goldman screenplays… Farside comics… and of course, Top Gun. For example, The Val Kilmer story above came from Danger Zone, a feature-length documentary about making of Top Gun.

So that’s my advice for you for today:

Think about your favorite movies, books, TV shows. Read about how they were made, or track down a documentary that saves you from reading.

You will get great ideas you can apply to your business, and in the most enjoyable format, since you will be digging into something you love.

And if you happen to love Top Gun:

I can’t recommend that Danger Zone documentary enough. It’s fascinating, and not just if you are a die-hard Top Gun fan. The documentary shows how complex it is to produce an hour and a half of seamless entertainment… how many specialists are involved… how much thinking lies behind seemingly simple decisions… how many layers of persuasion go into even a jockish, commercial, fantasy flick like Top Gun.

In case you are interested, you can find Danger Zone on YouTube in two parts. Here’s part 1:

Storytelling recipe for disaster that ended up succeeding against all odds

Tom Hanks sauntered into the office, and he didn’t look pleased.

A few months earlier, Hanks had won the Best Actor Oscar for Philadelphia. With movies like Forrest Gump and Apollo 13 coming out soon, he was perhaps the biggest star in Hollywood.

Hanks sat down and picked up the script. He frowned. He shook his head a little.

“You don’t want me to sing, do you?”

I just watched a TED talk about storytelling.

The talk was not great. That’s because it was too valuable, with too many good-but-different ideas packed into just 19 minutes.

The emotional highlight of the talk, to me at least, was the Tom Hanks story above.

As it turns out, the filmmakers didn’t want Hanks to sing. Even though the movie in question was an animated film, and even though the only imaginable animated films at the time looked like The Lion King, filled with Hakuna Matata.

But no. There would be no Hakuna Matata and no Under the Sea in this new animated movie. And not only that.

There would be no love story.

There would be no “I want” moment.

There wouldn’t even be a villain.

It sounded like a recipe for disaster. It broke all the rules of how a Hollywood cartoon was supposed to go.

And yet, the movie in question ended up earning $735 million (in today’s money), making it the second biggest film of the year… it got rave reviews (a 100% rating on Rotten Tomatoes)… and it was nominated for the Oscar for best original screenplay (the first animated movie ever to be nominated for a great story).

That’s why, if you’re into storytelling, or more broadly, if you want to create salt peanuts content that people can’t help but consume, my advice to you is:

Watch this TED talk. In fact, watch it two or three times.

If you’re curious why I would say this talk warrants rewatching, then watch it once first. And maybe you will get a hint. In case you’re curious:

https://bejakovic.com/story

Cool-o & Sexy-o: I kill a bad joke even more dead for your benefit

In my email yesterday, I wrote about a tricky anti-tobacco campaign, “Tobacco is whacko.” ​​​I played on that phrase and explained how you can make your appeals “cool-o” and “sexy-o”. To which a friend lovingly wrote me:

“Cool-o. Sexy-o. This is the corniest email you’ve ever sent. You old man. Watching too many Joe Biden speeches?”

Let me take a Joe-like ramble and say:

Marketers and copywriters are often told to study only the successful advertising. The controls. The winners.

But I have personally found a lot of value by looking at stuff that flopped. Particularly if it was done by somebody who should have known better.

In my view, flops shine more light on valuable techniques than situations when everything goes perfectly.

So for example:

Maybe — though I admit nothing — the jokes in my email yesterday were lame-o and corny-o.

And yet, if you look at what exactly I was doing, you will be able to identify a powerful email copywriting technique I use all the time. Often to very good effect.

Rather than killing a bad joke even more dead by explaining what exactly I have in mind, let me just get to today’s point:

Read more bad advertising.

I’m not joking.

Ads that flopped might turn out to be the cheapest, though corniest, education in effective writing and marketing techniques you can get.

Of course, not all bad advertising is created equal.

Like I said, you want to look at stuff that flopped, but was written by somebody with sufficient other success. Somebody who was reaching for a technique that works in general, but for whatever reason, didn’t come out right-o that particular time-o.

If you want an example of that, pull out your copy of Joe Sugarman’s Adweek book.

Joe was great copywriter. He sold hundreds of millions’ worth of stuff with his infomercials, catalogs, and magazine ads.

But not every piece of Joe’s copy was a success. And his Adweek book includes a bunch of failures, where Joe’s copywriting techniques, including some he doesn’t highlight explicitly in the book, become obvious.

And if you still don’t have a copy of Joe’s book… well, what are you waiting for? Get it here, daddy-o:

https://bejakovic.com/adweek