Sticky Messages

I have not been paid to stuff this email full of “hyper”

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Disclaimer:

I did not receive an email last night around half past 10 from CIA special agent Dallin Carr. I have in fact never been in contact with special agent Carr or anybody else from the CIA’s Directorate of Operations. Furthermore, I have no plans to start writing a daily email newsletter on behalf of the CIA, either to be sent internally to CIA employees, or covertly, on behalf of the CIA but under my own name, to any hyper-sophisticated audience around the world.

And now on to business:

I am a big fan of the Brain Software podcast. In fact, it’s one of only two podcasts I listen to.

Brain Software is put out by hypnotists Mike Mandel and Chris Thompson. I listen to Mike and Chris because the topics they cover are often interesting to me personally and useful for the business of persuasion, manipulation, and influence.

But really, really, do I keep listening because Mike and Chris share interesting and useful content?

No. I keep listening because the two of them are fun, in fact hyper-fun, to listen to.

And because I like to kill fun, I decided a while ago to reverse-engineer what exactly it is that Mike and Chris are doing.

One thing I discovered is that they repeatedly use hyper-specific, absurd denials. They often open with a sequence of them, and they also pepper them in throughout their podcast episodes.

So if you too are looking to make your content more fun, add in some hyper-specific denials.

And no, special agent Carr did not tell me to tell you that, nor did anybody from the CIA promise me that I would get $15 each time I use the word “hyper” in this email.

Perhaps you found this whole thing fun and useful. In which case, go and listen to Mike and Chris, and try to reverse-engineer their podcast, like I’m trying to do.

But perhaps you did not find today’s email very fun or useful. In which case, consider that an argument against trying to reverse-engineer how other people communicate.

Instead, consider that an argument in favor of my Copy Riddles program. Because:

Copy Riddles teaches you to create intriguing, persuasive communication, and it doesn’t do it through reverse-engineering anything. Instead, it does it by looking at source material and the ways that source material was transformed by master communicators in order to make it more persuasive and intriguing.

You can find out more about that at the link below. Click, because it’s hyper-interesting:

https://bejakovic.com/cr

Bare metal: Poor single mom risks death to feed her family

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A couple days ago, I sent out an email about charging out, King Arthur-like, to fight dragons on the borders of your kingdom. That was my metaphor for defending your business interests.

I got lots of interesting replies to that email, and none more so than from Shawn Cartwright. Shawn runs TCCII, an online martial arts academy. He wrote:

===

While I sympathize with your position on this, I’d just like to ask this question…

Why are dragons always made out to be the bad guys?

Seriously…

Imagine you were the millenia old beast who woke up one day to find a bunch of unwashed simian descendants using your pristine mountain stream as a latrine?

Or erecting god-awful ugly structures made from your trees they took without so much as a please or thank you.

And shot at you when you went down to have a little chat with them to sort it out.

And then organized some sort of genocidal campaign to eradicate you and take all your stuff.

Is it any wonder they might be a little ill-tempered?

===

Shawn asks a great question. In response to it, my mind jumped to a tense scene from the 2015 Disney documentary, Monkey Kingdom.

The scene shows a tiny and cute macaque monkey dangling from a vine a few inches above some murky water.

This monkey is a single mother, the narrator tells you. But not only that. She’s also at the bottom of the social hierarchy.

Higher-caste females are safe up in a tree eating figs. But even though there’s plenty to go around, these higher-caste females are not willing to share any food with the low-born single mom.

So she is forced to roam deep into the jungle to feed her family. That’s why she’s now dangling above the murky water, so she can harvest some water lily seeds.

And then the scene shifts. It suddenly shows a monitor lizard.

The lizard is huge. It’s seven feet long, three or four times the size of the tiny monkey mom.

The lizard is ugly. It’s thick and black and scaly, with a long flame-like tongue flickering in and out of its mouth.

And worst of all, the lizard is treacherous. At first it’s lurking at the edge of the water. But then it slips in silently, and swims under the surface to where the water lilies are.

So why are dragons always made out to be the bad guys?

Because our race and their race have been at war since time immemorial. Because this feeling is baked into us. Because it’s bare-metal.

Bare-metal is my term for the fact that if you keep asking why long enough, you eventually always get to the answer, just because. Because it’s how we humans are. Because it’s right, whether or not it’s historically fair to the dragons, whether or not it makes sense in today’s world.

If you want to influence people, then write about bare-metal topics.

It’s not just slimy, treacherous serpents.

I gave you a few other bare-metal topics above, in that monkey scene setup. But there are many more.

I rewatched Monkey Kingdom last night. And because I’ve become obsessive through writing this newsletter, I took notes every minute or two.

I found 40+ bare metal topics in Monkey Kingdom. They are brilliantly illustrated because it’s monkeys. Monkeys are close enough to us to be relevant, but different enough to illustrate each bare-metal topic distinctly.

So my advice to you is, watch Monkey Kingdom. And take notes.

If I ever create my mythical AIDA School, this movie will be a part of the first-semester curriculum.

And now for something completely different:

Specifically, my Most Valuable Email course.

That course is connected in some way to today’s email, though only lightly.

That don’t change the fact that, as the name of it says, this course is about a type of email that has been most valuable for me.

If you also write about marketing or persuasion or copywriting, this type of email might be just as valuable for you.

To find out more about it — and about love, death, and politics — go here:

https://bejakovic.com/mve

“Steal” a secret from the master email copywriter

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Yesterday I read an article about an American named Ryan Neil, who spent 6 years living in Japan, apprenticing to become a bonsai master.

During those 6 years, Neil was beaten, humiliated, exploited, and encouraged at every step to quit. In between the abuse, he didn’t even get taught anything, not directly. From the article by Robert Moor:

“Neil learned that an apprentice is rarely given overt lessons; he is expected to watch out of the corner of his eye and ‘steal’ his master’s secrets.”

This reminded me of a curious thing I had spotted recently by watching Ben Settle out of the corner of my eye.

Day after day, I noticed the same pattern. Something Ben was doing, probably consciously, to make his emails easier and more fun to read.

But maybe it was all in my mind. So I went back this morning and checked the past 30 days of Ben’s emails.

It seems elBenbo has been busy recently, because the past two weeks of his emails have almost all been reader questions or testimonials, leading quickly into an offer. Those emails didn’t show the pattern I had spotted.

But the two weeks before are where I noticed the pattern. I spotted it in 8 out of 14 of Ben’s emails during that period.

Now as a matter of transparency, let me say:

1. Yes, you can really call this a secret, because it makes content much more engaging and easy to consume, and yet most marketers don’t use it nearly as often as they could or should…

2. Yes, you can even call it a trick, because it’s quick and easy to do…

3. No, it will not sound particularly sexy or revolutionary when you hear it. But such are most of the things that Ben does. And yet he’s still really the master of email copy.

And in case you’re wondering:

I’m not talking about teasing, trying to get a no, or writing bullet-inspired subject lines.

I’m talking about a specific trick to do with infotainment. It’s more subtle than any of the techniques above, and probably more powerful as well, at least for getting people to come back and consume more of your writing.

Also, it’s something I’ve never seen him talk about in any of his paid products, or for that matter, anywhere else.

So here’s the deal:

If you’ve bought my Most Valuable Email training already, and you have a hunch of what trick I’m referring to, then write me and make your best guess. I will confirm if you’re right, and I will spell it out otherwise.

And if you have not yet bought my Most Valuable Email training, and you’d like to know this trick, then can consider this secret an extra bonus, live for the next 24 hours.

Buy the Most Valuable Email in the next 24 hours, until Tuesday Dec 6 at 8:33 CET, and along with the other bonuses I offer with the training. I will then write you separately, explaining Ben Settle’s infotainment secret and giving examples from his emails.

Of course, a​fter the deadline tomorrow, you can still buy the MVE training. But if you buy after tomorrow, I won’t share this extra bonus with you.

To get a jump on that deadline:

https://bejakovic.com/mve

The most shocking, daring, even Robin Hood-like exploit ever to happen on board a Boeing 727

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Today is Nov 24, 2022, which marks the 51st anniversary of NORJAK.

NORJAK was the most shocking, daring, even Robin Hood-like exploit ever to happen on board a Boeing 727.

On Nov 24 1971, Northwest Orient Airlines Flight 305 took off from Portland to Seattle. A short time after takeoff, a passenger calling himself Dan Cooper called over the stewardess and handed her a note.

“I HAVE A BONB,” the note read.

“A bonb sir?” said the stewardess. “What exactly is a ‘bonb’?”

“A bomb,” whispered Cooper, “I have a bomb!” And he opened a bag that was lying on his lap to show a mess of wires, clocks, batteries, and what appeared to be red sticks of dynamite.

To make short tale:

Flight 305 landed in Seattle. Cooper allowed the 36 passengers to get off. But he kept the crew on the plane. ​​He demanded $200k in 20-dollar bills — about $1.2 mil in today’s money — along with four parachutes.

And he got ’em.

Cooper then demanded the plane be refueled, and had it fly for Mexico City, at altitudes of less than 10,000 feet, at speeds of less than 200 knots.

And then, somewhere over Ariel, Washington, Cooper lowered the rear stairs of the Boeing 727.

He took off his tie, put on a pair of wraparound sunglasses, strapped on his parachute — and jumped.

In the weeks and months that followed, the FBI conducted one of the longest and most exhaustive investigations in its history.

Agents interviewed over 800 suspects.

Other agents calculated wind speeds and flight paths and then still other agents combed probably areas for traces of Cooper.

But it all led to absolutely nothing. The hundreds of FBI agents and millions of dollars in government resources couldn’t find a single trace of Cooper.

And that’s how it stood for years — until February 10, 1980.

​​That day, the most unlikely thing happened. A few of Cooper’s 20-dollar bills surfaced, but in a place that nobody had expected.

Let me pause my story here because I really just wanted to set up a question I got.

The question came from a reader named Alex, who signed up for my Age of Insight training.

​​I’ve been following up with everybody who signed up to ask why they signed up and what they are hoping to learn. One of Alex’s wanna-learn topics was:

“How to give readers new insights into what they already know. So, for example, perhaps everyone knows a good subject line needs the curiosity element. But how can I retell this in a way that is different and insightful?”

My email today is one possible answer to Alex’s specific question about curiosity in subject lines.

As for Alex’s more general question — how do you take worn and familiar points, and make them sound insightful and new — well, there is another, very powerful strategy for that. I won’t talk about that today. But maybe I will tomorrow. In any case, if you’d like to read more of what I write, then click here and sign up for my email newsletter.

Once upon a time

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It was a dark and stormy morning, and the anti-hero of our story, Bond Jebakovic, was sitting in a dimly-lit coffee shop — one of the few dimly-lit coffee shops in this otherwise-sunny Catalan town, for Barcelona is where our story takes place — sipping a latte, his bloodshot eyes glued to the door.

Bond was on a top-secret mission, and he was desperate for intel.

Suddenly, a woman walked in.

​​She was wearing a raincoat and sunglasses, though, as mentioned, it was a dark and stormy morning, and sunglasses were really not required. ​​Maybe it was for effect? Or maybe she had something to hide?

The woman looked around. The coffee shop was empty except for Bond, who was sitting on an uncomfortable bench in the corner.

The stranger walked to the counter and ordered. “Double espresso,” she said, “and one of those little pistachio cookies.”

While the barista busied himself with the order, the woman ambled around the coffee shop. ​​She approached and examined the large monstera plant in the corner. She walked to the large window and looked out to the gray street outside. Finally, she took a few steps towards Bond. ​​Without a sound, she dropped an envelope on the bench next to him.

​​Bond grabbed the envelope. ​On the face of it was a typewrittten title: Monday Morning Memo. Bond tore it open and started to read:

From: Research Dept. Head Roy H. Williams
21 Nov 2022, 7:11AM CET

Bond —

I was most pleased to hear you are still alive. Unfortunately, we can’t allow you any rest. You must deliver the following message immediately to AK. it’s a matter of life and death.

Start of Message:

Most stories should be told as fiction, even when they are true. When confronted with facts we are always on our guard. But the words, “Once Upon a Time” dispel doubt, open the imagination, and create a willing suspension of disbelief.

Case study from Agent William Lederer:

“I was a journalist and none of my books had sold very well, so I showed Jim the manuscript for my newest book. He told me to go back and fictionalize the name of the country, the characters, everything. Jim said to me, ‘The public is more willing to believe fiction than non-fiction.’”

Outcome:

* The resulting book, The Ugly American, stayed on the New York Times list for 78 weeks

* It was directly responsible for the creation of the Peace Corps

* Then-President John F. Kennedy bought a copy of the book for every member of Congress

* Historians speculate The Ugly American did more to change American Foreign Policy than any document since the Declaration of Independence

Bond rushed out of the coffee shop and started running down the street. AK’s apartment was just a block away, but as headquarters wrote, it was a matter of life and death.

Would AK be at home? Would Bond deliver the message in time? And what about those little pistachio cookies — were they any good?

All that, and more, on tomorrow’s installment of Bond Jebakovic Action Adventures. For a free trial subscription to this pulp daily email newsletter, click here and fill out the free trial subscription form.

My recipe for writing a book that influences people and sells itself

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I just spent the morning reading statistics about the best-selling books of the 20th century so I could bring you the following curious anecdote or two:

The year 1936 saw the publication of two all-time bestselling books.

The first of these was Gone With The Wind. That’s a novel that clocked in at 1,037 pages. “People may not like it very much,” said one publishing insider, “but nobody can deny that it gives a lot of reading for your money.”

Gone With The Wind was made into a 1939 movie with Vivien Leigh and Clark Gable, which won a bunch of Oscars. Without the monstrous success of the movie, odds are that few people today would know about the book, even though it sold over 30 million copies in its time.

On the other hand, consider the other all-time bestseller published in 1936.

It has sold even better — an estimated 40 million copies as of 2022.

And unlike Gone With The Wind, this second book continues to sell over 250,000 each year, even today, almost a century after its first publication.

What’s more, this book does it all without any advertising, without the Hollywood hype machine, simply based on its own magic alone.

You might know the book I’m talking about. It’s Dale Carnegie’s How To Win Friends And Influence People.

One part of this success is clearly down to the promise in the title. As Carnegie wrote back then, nobody teaches you this stuff in school. And yet, it’s really the fundamental work of what it means to be a human being.

But it can’t be just the title. That’s not reason why the book continues to sell year after year, or why millions of readers say the book changed their lives.

This includes me. I read How To Win Friends for the first time when I was around 18. It definitely changed how I behave.

For example, take Carnegie’s dictum that you cannot ever win an argument.

​​I’m argumentative by nature. But just yesterday, I kept myself from arguing — because Carnegie’s ghost appeared from somewhere and reminded me that I make my own life more difficult every time I aim to prove I’m right.

This kind of influence comes down to what’s inside the covers, and not just on them.

So what’s inside? I’ll tell ya.

Each chapter of Carnegie’s book is exactly the same, once you strip away the meat and look at the skeleton underneath. It goes like this:

1. Anecdote
2. The core idea of the chapter, which is illustrated by the anecdote above, and which is further illustrated by…
3. Anecdote
4. Anecdote
5. Anecdote
6. (optional) Anecdote

The valuable ideas in Carnegie’s book can fit on a single page. But it’s the other 290 pages of illustration that have made the book what it is.

In other words, the recipe for mass influence and continued easy sales is being light on how-to and heavy on case studies and stories, including personal stories and experiences.

Maybe you say that’s obvious. And it should be, if you read daily email newsletters like mine. But maybe you don’t read my newsletter yet. In case you’d like to fix that, so you can more ideas and illustrations on how to influence and even sell people, then I suggest you click here and follow the instructions that appear.

A man, a woman, a gun, and some crickets

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Picture the scene:

It’s dark.

Crickets are chirping.

A beautiful school teacher is moving quickly around her empty and isolated prairie house.

She’s undressing after a long day.

She gets down to her white chemise. She turns around from her closet to her bed and— SHRIEK!

She sees there’s a man sitting there in the dark, hands crossed on his chest.

“Keep going teacher lady,” he says with a hint of menace in his voice.

The school teacher stands there, breathing heavily, her hand at her chest, with a look on her face that says, NEVER.

The man slowly reaches over, picks up a gun, and points it at the school teacher.

“Don’t mind me,” he says coldly. “Keep on going.”

The woman looks down at her chemise in shame. She starts to untie the top. Now her face seems to be begging the man to let her stop.

But the man is obviously enjoying the show. He looks the woman up and down while still keeping the gun pointed at her.

The woman continues to undress. She’s now down to just her britches. She holds her chemise against her body to keep some dignity.

The man takes a deep breath.

“Let down your hair,” he says.

She does. The chemise drops to the ground and she’s just left in her one-piece underwear.

“Shake your head,” the man says.

She does. Her hair falls across her face.

The man doesn’t say anything more. Instead, he just gestures with the gun. He wants the woman to do away with the remaining underwear also.

She hesitates. There’s a mixture of fury and resolve on her face. Eventually, with decided movements, she starts to untie and unbutton her underwear.

She stands there, almost naked, with the underwear barely on her shoulders, ready to slip off.

The crickets keep chirping.

The man lowers his gun. Slowly, he takes off his gun belt. He stands up and walks to the woman.

He reaches inside her untied underwear.

The woman can barely control her fury.

“You know what I wish?” she says with her teeth clenched.

“What?”

“That once you’d get here on time!” And she puts her arms around the man and they kiss.

As you might know, that’s a scene from the 1969 film Butch Cassidy and the Sundance Kid.

It’s the first time we see the character played by Katharine Ross, the school teacher who was Sundance’s lover and who accompanied Butch and Sundance all the way down to Bolivia.

I’m using this scene to express an idea by Mark Ford, which is itself an expression of a much older idea:

“Ideas in and of themselves have little value. The value lies in the way they are expressed. New ideas are never new. Nor are they the product of a single mind. Rather, they are the particular articulation of general ideas that are in the common marketplace of ideas, repeated endlessly until one particular articulation catches fire. Remember this when you have a new idea that you are excited about. If you want to have it accepted, you must be willing to express it in dozens of different ways.”

A man and a woman in love. Not new.

A man and a woman in love, meeting after a long absence and hungrily reaching for each other. Not new.

An apparent rape, which turns out to be a man and a woman in love, meeting after a long absence and hungrily reaching for each other. That’s something you win an Oscar for, which is what happened to screenwriter William Goldman after he wrote Butch Cassidy and the Sundance Kid.

Whatever. Maybe you see where I’m going with this. And maybe you don’t. If you don’t, then I guess I’ve done my job, and that job ain’t easy. As A-list copywriter Jim Rutz said once:

“You must surprise the reader at the outset and at every turn of the copy. This takes time and toil.”

Do you see where I’m going now? I want to make sure that you do, so let me spell it out:

I write a daily email newsletter about copywriting, marketing, and influence. If you’d like to be surprised on occasion, and maybe get exposed to some valuable ideas as well, you can sign up for my newsletter here.

Using Stefan Georgi in your copy

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“It might take some figuring out to do it to where people aren’t pissed at you and you do it right, but I think this could actually be a home run thing that just absolutely CRUSHES it.”
— Stefan Georgi

So now let me ask you:

What is it?

What is Stefan talking about in the quote above?

I’ll give you a hint:

It’s a little gimmick, which Stefan advises you to use to start off your ad and VSL copy. It ties into that all-powerful driver of action, curiosity. And additionally, it creates a feeling of insight.

No? you don’t know the gimmick Stefan has in mind? Let me give you one more hint:

It starts with the letter R…

Then I…

Then D…

Then another D…

All right, fine — it’s riddles. In a recent video, “Using riddles in your copy,” Stefan advises using riddles in your ads and VSLs.

Why riddles?

Because riddles — “How many months have 28 days?” — consistently go viral on social media.

And what Stefan and many other smart marketers like to do is to camouflage their sneaky sales pitch and make it look like something — a riddle, for example — which you might want to consume for your own ends, and not for theirs.

And now, let me throw off my cloak and hold up my wizard staff, and with a blinding light shining from behind me, admit in my deep and resonant voice that this is exactly what I’ve done with this email.

Because the underlying idea Stefan is recommending — people enjoy riddles, so give ’em riddles — is at the core of my Copy Riddles program.

My goal was to make Copy Riddles fun. So I covered up the teaching, the learning, and the transformation bit in what I call copy riddles, hence the name of the program. ​​Did it work? Here’s what copywriter Cindy Suzuki, who joined Copy Riddles a few days ago, thinks about it:

Hi John,

I am having a blast with copy riddles so far. It feels like a game. I love it when learning is actually fun. Was on the fence until the last day, and I’m so glad I bought it 🙂

Cindy

If you like fun and games, and maybe some sales, then don’t join Copy Riddles. But see if you can sign up for my email newsletter. You can get started on that puzzle right here.

I’ve done my best to hide a valuable lesson inside today’s email

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“I was in hell. I knew all the salesman’s tricks. Why wasn’t I rich? Why wasn’t I successful? I opened the Bible, and I read the 18th Psalm. ‘The Lord is my rock and my fortress.’”

That’s from the “Christ in Commerce” sermon in Elmer Gantry, a 1960 film that I believe should be required viewing for anybody interested in copywriting, marketing, and influence.

Elmer Gantry should be required because fun should be required. And Elmer Gantry is a fun, loud, and entertaining film starring Burt Lancaster, possibly the most manly man of all time.

But Elmer Gantry should also be required because it’s about a huckster, a scammer, a traveling salesman turned revivalist preacher, once he figures out that preaching pays better than selling electric toasters.

Elmer Gantry tells of a time in US history that also gave birth to direct response advertising.

In fact, the Elmer Gantry type of big-tent sermonizing was a cousin discipline to direct response marketing.

​​It continues to be so to this day. Just think of people like Dan Kennedy and Tony Robbins — and the thousands of marketers who have learned from them — speaking in front of an audience of ten thousand, while a hungry sales team waits near the exits.

All right, that’s it for my email today. In case you’d like to learn how to write emails like this, you can find that inside my Most Valuable Email training. The link to that is below.

“Whoa there,” I hear you saying. “Why in the Elmer Gantry would I want to learn to write emails like this? Just something from an old movie? Where’s the cleverness or the conceit in that? Where’s the valuable marketing idea? What exactly did I learn here?”

I promise there’s a valuable idea in this email, and it’s not just that Elmer Gantry is a fun film.

Perhaps you can figure out this idea on your own.

In any case, you can find it explicitly explained in MVE #14 in the Most Valuable Email Swipes, which is something you get with core MVE training. In case you’re curious:

https://bejakovic.com/mve

Gratuitous fun to make readers stand up and beg for buttermilk

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For the first 20 or 30 years of my life, I had this serious mental defect where I couldn’t enjoy a good bangemup action movie.

“So unrealistic,” I snuffled. “So predictable.” That’s how I wasted decades of my life.

Thank God I’ve grown up.

​​Because now I can watch and enjoy movies like True Lies, James Cameron’s 1994 action comedy.

​​True Lies stars Arnold Schwarzenegger as super spy/boring suburban dad Harry Tasker, and Jamie Lee Curtis as his stodgy/talented wife Helen.

The initial reason I watched True Lies was the following famous line. It’s delivered by a used car salesman who’s trying to seduce Helen and is unwittingly confiding to Harry about it:

“And she’s got the most incredible body, too, and a pair of titties that make you wanna stand up and beg for buttermilk. Ass like a ten year old boy!”

Which modern Hollywood screenplay would dare have that?

But even beyond the risky dialogue, I was surprised by how fun this movie is. I guess that’s the only word to describe it. For example, as the movie goes on, you get to see:

– an old man sitting on a public toilet, calmly reading a newspaper, during the first shootout between Harry and the bad guy

– Harry riding a horse into an elevator, and an aristocratic couple in the elevator getting whipped in the face by the horse’s tail

– Tia Carrere (the evil seductress in the movie) rushing to grab her purse before the bad guys drop a box with a nuclear warhead onto it

– a pelican landing on a teetering van full of terrorists and sending it crashing off the bridge

– Harry saving the day flying a military jet, perfectly landing the plane on a city street, and then accidentally bumping a cop car

The point is that all these details are what I call “gratuitous fun.”

They weren’t in any way central to the action of the movie… and even the comedic part of the plot could have done without them.

They were just pure, unnecessary fun that made the movie sparkle a bit more. And I guess they helped it become the success that it was, netting almost $400 million in 1994 dollars.

I think the message is clear:

This year, surprise your readers with some gratuitous fun in your online content, in your sales messages, and even your one-to-one business communication.

​​People love James Cameron’s movies. They will love your stuff, too. In fact, you’ll make them wanna stand up and beg for buttermilk. Whatever that means.

And if you are too close to your own marketing to know what “gratuitous fun” might look like… well, maybe you can get some ideas from my own marketing. If you like, you can sign up for my daily email newsletter here.