Don’t start your sales letters like this

“This was not a guy you wanted to mess with before lunch. He was large and threatening… Half his face was covered with a kind of breathing apparatus… He spoke in a strange, mechanical voice. And to make it all the worse, he was as cool as a gherkin and seemed prepared for any eventuality. That’s why his minions followed him blindly, and even his allies feared him. Who was this dangerous man? All we know is his name. He was called Bane.”

So begins Christopher Nolan’s The Dark Knight Rises.

​​With the above spoken-word monologue, the narrator introduces the main villain, Bane.

It’s only after this intro that we get into the rest of the movie, where Bane and Batman work out their relationship problems in sewers and on rooftops.

Maybe you’re puzzled. Don’t be. You’re not going crazy. This of course is not how The Dark Knight really starts.

The real movie starts in a plane, where Bane pretends to be a hostage. Except of course he’s not. ​​His minions come in a bigger plane, use a crane to lift up the first plane, blow a hole in the tail section. Whatever. You’ve probably seen the movie. And even if you haven’t, the point is simply this:

Hollywood blockbusters do not start with a narrator talking you into the story. Instead, they start with a dramatic scene, which introduces the characters and sets the mood.

There’s a valuable lesson in there. Here’s why I bring it up:

A lot of copy I see starts in the narrator style above. “I have a problem. It’s really bad. I’ve tried all the solutions but nothing is working. It is making my life miserable.”

Don’t get me wrong. I’m not picking on anybody. I used to write like this myself until I learned better. Even now, it’s still easy for me to slip into this narrator style. And at least I’m talking about the problem.

The trouble is that many people who make good direct response prospect won’t respond to this copy. They have either seen too many such ads and they won’t get sucked in… or they don’t (yet) identify with the problem you are calling out — and they won’t get sucked in.

The solution comes straight out of Hollywood. Don’t talk. Don’t tell. Instead show. Start your sales letter — or advertorial or whatever — with a dramatic scene. “This happened and then there was an explosion, and I winced in pain.” By the way, there’s got to be pain. Or at least anxiety, anger, or envy. We’re talking direct response copywriting, after all.

Want more copywriting lessons? Or just more fake Hollywood intros? Sign up for my daily email newsletter.

Don’t start your sales letters like this

“This was not a guy you wanted to mess with before lunch. He was large and threatening… Half his face was covered with a kind of breathing apparatus… He spoke in a strange, mechanical voice. And to make it all worse, he was as cool as a gherkin and seemed prepared for any eventuality. That’s why his minions followed him blindly, and even his allies feared him. Who was this dangerous man? All we know is his name. He was called Bane.”

So begins Christopher Nolan’s The Dark Knight Rises.

​​With the above monologue, the narrator introduces the main villain, Bane, and then we get into the rest of the movie, where Bane and Batman work out their relationship problems in sewers and on rooftops.

Maybe you’re puzzled. Don’t be. You’re not going crazy. This of course is not how The Dark Knight really starts.

The real movie starts in a plane, where Bane pretends to be a hostage. Except of course he’s not. ​​His minions come in a bigger plane, use a crane to lift up the first plane, blow a hole in the tail section. Whatever. You’ve probably seen the movie. And even if you haven’t, the point is simply this:

Hollywood blockbusters do not start with a narrator talking you into the story. Instead, they start with a dramatic scene, which introduces the characters and sets the mood.

There’s a valuable lesson in there. Here’s why I bring it up:

A lot of copy I see starts in the narrator style above. “I have a problem. It’s really bad. I’ve tried all the solutions but nothing is working. It is making my life miserable.”

Don’t get me wrong. I’m not picking on anybody. I used to write like this myself until I learned better. Even now, it’s still easy for me to slip into this narrator style. And at least I’m talking about the problem.

The trouble is that many people who make good direct response prospect won’t respond to this copy. They have either seen too many such ads and they won’t get sucked in… or they don’t (yet) identify with the problem you are calling out — and they won’t get sucked in.

The solution comes straight out of Hollywood. Don’t talk. Don’t tell. Instead show. Start your sales letter — or advertorial or whatever — with a dramatic scene. “This happened and then there was an explosion, and I winced in pain.” By the way, there’s got to be pain. Or at least anxiety, anger, or envy. We’re talking direct response copywriting, after all.

Want more copywriting lessons? Or just more fake Hollywood intros? Sign up for my daily email newsletter.