Paul Newman

Can you identify this persuasion strategy?

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Yesterday afternoon, in a breakdown of all discipline and order, I decided to skip the gym, eat whatever sweets I could find around the house, and instead of working, download a movie to watch.

After all, Daniel Throssell was sending out emails to sell my Copy Riddles course. Money was coming in without me doing anything. So why not take a rare day off to loaf about?

The movie I downloaded was one of my favorites — The Sting.

​​I’d seen it 3-4 times already. But yesterday, I saw something new in it, something I want to share with you because it’s very relevant to persuasion and influence.

What I want to tell you requires a spoiler.

​​So if you’ve never seen The Sting before, it might be worth stopping this email right now, and coming back to it only when you’ve watched the movie yourself.

It’s worth it.

Not only does The Sting have Paul Newman and Robert Redford in the lead roles… not only did it win an Oscar for best film and best director… but it also has a sparkling script (which also won an Oscar) by a guy named David Ward, who was well-read in the techniques of conmen, and who also seems to have had an intuitive understanding of human psychology.

Are you still reading? Don’t say I didn’t warn you. Here goes:

The relevant scene is when Johnny Hooker, a lonely conman on the run played by Robert Redford, tries to pick up Loretta, a gruff waitress at the local diner.

Hooker has already talked to Loretta before. He knows she is as alone as he is, and that she’s only passing through town, another tramp like him.

He’s tried asking her out before. She shot him down cold. But Hooker gives it one more try.

He knows where Loretta lives. And one night, at 2am, when Loretta finishes her shift at the diner and goes home and turns on the light in her room, Hooker takes a deep breath, walks up to her building, climbs up the stairs to her door, and knocks.

Loretta cracks open the door. The following dialogue follows:

HOOKER: I was wondering if you might wanna come out for a while, have a drink or something.

LORETTA [indignant]: You move right along, don’t you?

HOOKER: Hey I don’t mean nothin’ by it. I just don’t know many regular girls is all.

LORETTA [still angry]: You expect me to come out, just like that…

HOOKER: If I expected something, I wouldn’t still be standing here in the hall.

LORETTA: I don’t even know you!

HOOKER: You know me. I’m just like you. It’s two in the morning and I don’t know nobody.

Loretta pauses at this. She gives Hooker a sad smile. She opens the door a bit wider, and moves aside to let him in.

So that’s the scene. Now here’s the spoiler:

Loretta is not actually a waitress at a diner. She’s actually a top level hitman, or hitwoman, working for a mob boss that Hooker fleeced by accident. She’s been hired to take Hooker out. She’s playacting her indignation, just trying to reel Hooker in so she can kill him.

In many ways, this is the essence of a confidence game. And sure enough, the pattern above repeats in different situations in the movie, with different characters, as they try to influence and con each other.

Now, since Daniel’s Copy Riddles promo is over, I have to get back to work. And I do have something to sell today. But it’s not something I want to sell to just anyone.

​​F​​or one thing, this thing I have to sell is too valuable to make available to anyone who wants it. For another, it requires more than money to profit from.

This thing I have for sale is probably not for you. But I’ll make you a deal:

Hit reply right now. Tell me the name of the persuasion pattern or strategy that the scene above illustrates. If you don’t know the name for it, then tell me in a sentence what you think is going on, on the level of persuasion.

​​I’ll give you a hint:

This pattern is also used regularly by pick up artists, salesmen, even by legendary copywriters.

So write in and tell me what you think it is.

If you get it right, it will tell me you might have it. In other words, you might actually profit from this thing I have for sale, so I’ll tell you more about that.

And if you don’t get it right, well, at least I’ll tell you what’s really going on throughout The Sting, and how it works in the real, non-con world as well. And maybe you can profit from that in some way.

“If you got an area of excellence… then rich can be arranged”

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The Color of Money is green and it’s also the title of an 1986 Martin Scorsese film about pool hustlers. The movie contains a valuable truth about business, so let me quickly spell it out.

The Color of Money has two main characters:

An old pool shark, named Fast Eddie Felson, played by Paul Newman, and…

A young pool shark, named Vincent Lauria, played by a 24-year-old Tom Cruise.

In the beginning of the movie, Fast Eddie tries to recruit Vincent and so he says:

“If you got an area of excellence… if you’re the best at something, anything… then rich can be arranged.”

Vincent knows he’s the best at pool. He likes the idea of being rich. So he agrees to team up with Eddie.

It’s only later, once the two are already on the road, driving around in Eddie’s big white Cadillac and cleaning out dirty poolhalls around the Midwest, that Eddie tells Vincent the whole truth and nothing but the truth:

“Pool excellence is not about excellent pool. It’s about becoming something.”

Becoming what exactly?

Well, a businessman. In pool, it means being a flake… tanking on occasion… hustling the other guy and sometimes even the audience.

Maybe your business is not pool. And maybe you really dislike the idea of tanking on purpose or hustling anybody.

Fine.

So just take this as a reminder that excellence in whatever you do is about working on your business as well as in it.

And also:

If your business happens to be freelance copywriting, then take this as a reminder that my copy Zone Offer is now in the oven and is baking at 475°F.

I want to make sure the final result — all about the business of copywriting, as opposed to the craft — is fully baked before I put it on the table. More info on that soon — sign up here if you want to get notified.

How to use goons and other criminal elements to make more sales

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“They don’t want you to score goals! They want blood! They’re booing ya!”
— Reggie Dunlop, Charlestown Chiefs

I’ve been laid up sick for the past few days.

So I’ve been watching lots of movies, including a nostalgic 1977 look at the bad old days of professional hockey, titled:

“Slap Shot.”

It stars Paul Newman as Reggie Dunlop, an aging player and coach of the Charlestown Chiefs, a losing team that’s about to be shut down.

Reggie thinks that if he can start filling up the stadium again, he might save the team.

So he resorts to a proven, age-old strategy to increase engagement, curiosity, and sales:

Drama.

For example, he regularly starts playing the Hanson brothers, a trio of teenaged goons wearing identical coke-bottle glasses, who are ready to start a fight at any moment — including during warmups, before the game has begun.

He also puts out a bounty on an opposing team’s captain, saying he’ll pay $100, out of his own pocket, to the first of his players to “nail that creep.”

Is it illegal?

Probably.

Reggie doesn’t care.

Nor does he stop there.

For example, he hires an ambulance to circle the stadium with the siren running, signalling the bloodbath that happens inside to the whole town.

And when the thuggish and criminal reputation of the the Chiefs becomes known throughout the league, and opposing teams’ fans wait to protest as the Chiefs arrive into town, he gets the whole team to moon the hecklers.

Yes, it’s becoming a freak show rather than a sports contest.

But it’s working.

The stadium is full, fans are ecstatic, and the Chiefs themselves are so motivated they even wind up winning the championship.

And so for you.

If you can work in some drama into your marketing copy — and you can — it will increase increase your engagement, curiosity, and sales.

Anyways, while I’ve been laid up watching movies, my book on Upwork success is still progressing.

And if you want to know when I publish it on Amazon, and run the initial free promotion, then skate on over to the page below, and slap your email address in:

https://bejakovic.com/upwork-book-notification-list/

How to get going when you don’t know what to write

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The first part of the Big Con happens on a train. I’m talking about the movie The Sting, where Paul Newman plays Henry Gondorff, an expert con man, who’s looking to fleece a mob boss named Lonnegan. (Lonnegan killed off one of Henry’s old pals.)

So Henry is now on a train, where Lonnegan regularly runs a poker game. Lonnegan cheats. But Henry cheats better.

Of course, there’s a lot of detailed info necessary to out-cheat a cheat. That’s ok. Henry has got a whole team of tricksters and confidence artists on his payroll. One of them, a guy named J.J. Singleton, comes to give Henry the lowdown right before he goes in to join the poker game:

SINGLETON: “He usually plays with a Royal or a Cadenza. [handing him two sealed decks] I got you one of each. He likes to cold deck low, 8’s or 9’s.”

“That’s nice work, J.J.”

Armed with this info, Henry goes into the poker game.  He slaps some gin on his face, acts the fool, and cleans up the table. Lonnegan is furious — and hooked for the rest of the Big Con.

Several times, I’ve written sales emails that started out just like this post. In other words, they referenced a movie, and then tied it into what I was promoting.

Once, this was the X-Men — I talked about Professor X’s ability to read minds, and said how this would help guys who want to please their women better (this was for a “rekindle your romance” course). Another time, I started off talking about the Shawshank Redemption, and then tied this into an ebook on treatments for chronic kidney disease.

The thing is, in both those emails, I was stuck at first. I knew the movie tied into what I wanted to say, but I didn’t know how to make the link. I made several false starts that were weak or rambled on for too long. The answer in both cases was to pick a specific scene, and lead off with that. And that’s the marketing lesson I want to crystalize in this post:

When it’s hard to figure out what to write, the answer is almost always to look for more info. Sometimes, that means going out and doing more research. Other times, it simply means focusing more on the details that are already at my disposal — like picking a specific scene from a movie.