Oblique Strategies Archives

After a month and a half in an empty coast town, I’m back in a city. So I put a note in my phone to write today’s post with the headline “Welcome to the jungle.” But my phone thought different. It changed it to “Welcome to the Jung” instead. Let’s see where that goes.

I recently read an article about psychologist Carl Jung. In his later days, Jung believed the universe is full of meaningful coincidences. He called this synchronicity. He gave an example:

During a therapy session, one of Jung’s patients was talking about her dream. She dreamt a golden beetle. Right then, Jung looked out his office window and spotted a golden beetle. Synchronicity.

Maybe you’re like me, and you don’t think the universe cares what you think or you do. Or that it’s sending you coded messages. Or setting up golden beetles to thrill and surprise you.

Even so, you can get a lot of use from taking chance events and running with them.

For example, some of my favorite creators — people like Brian Eno, David Lynch, Philip K. Dick — made randomness a key part of their work.

Philip K. Dick wrote The Man in the High Castle using I Ching divination. He used it to figure out where the plot should go.

David Lynch was shooting the pilot to Twin Peaks when a set dresser accidentally got in the frame. Lynch decided not to throw the take away. Instead he kept the set dresser in the show and made him the main villain, Bob.

And Brian Eno has a whole system for adding randomness to his work. It’s a set of cards called Oblique Strategies. You draw a card at random, and it gives you a hint about how to move forward with your project.

So here’s what I want to leave you with:

If you ever worry you won’t come up with good ideas, take the pressure off yourself.

Integrate some randomness into your process, and adapt. You will come up with better ideas than you could if you just lock your brain away in a room and tell it to work.

In other words, Jung’s synchronicity might not be real — but you can make it so.

Now how’s this for terms:

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Did you know a group of ladybugs is called a “loveliness”?

Entomologists might not use this term, but it is what former CBS anchorman Dan Rather seems to call a ladybug congress. I found this out from a Tweet that Dan posted today.

He seems very chipper these days, does old Dan, enjoying being retired and spending time with his grandson. But it wasn’t always so.

As you probably know, poor Dan got beat up on the streets of New York back in ’86 by a guy who kept yelling, “Kenneth, what is the frequency?”

The “Kenneth” phrase became a kind of 80’s meme and inspired the big R.E.M. hit, “What’s the frequency, Kenneth?”

The song’s lyrics are opaque and also include the line, “Richard said, ‘Withdrawal in disgust is not the same as apathy.'” This in turn comes from a scene in the movie Slacker, directed by Richard Linklater, in which one of the characters offers Oblique Strategy cards to a passerby, and the “Whithdrawal in disgust” card is what the guy picks.

Oblique Strategies, by the way, are cards designed by Brian Eno and Peter Schmidt. They hold short, cryptic instructions to help with creative work.

This links back to the R.E.M. song, which slows down at the end. Apparently, the bass player had appendicitis as the song was being recorded, and they had to stop playing and rush him to the hospital. They never finished the recording properly. I don’t think this was one of Brian Eno’s Oblique Strategies, but it runs in the same vein.

You may think this is aimless rambling. And it is — but there is a point to it as well.

A while back, Ben Settle linked to a video that he said was very influential in how he wrote emails. The video is titled “Admiralty Law: Word Controlled Humans & The Law of Money” and it’s the recording of a presentation of one Jordan Maxwell, a world-famous conspiracy theorist.

The video is kind of mind-bending to watch, and the email marketing lesson I drew from it is the power of stringing two ideas together in surprising ways. Each idea has to be somewhat interesting on its own, at least to you. The way you string them together is also up to you — it doesn’t have to make too much sense.

Why do this?

Well, one reason is that surprising people is always a good thing. It wakes them up and makes them pay attention.

But there’s a second, and possibly more important reason. And that is:

Because these are your curious associations between different facts and ideas, they give your unique flavor to what you write. It’s this unique voice that helps you build a relationship with your readers. And ultimately, building a relationship is the highest level of email marketing.

So developing your own voice can be done consciously, like I did with the “Kenneth” stuff above.

The thing is, this association game is not the only way to develop a unique voice for your copywriting.

There are several other strategies. I’ll go over them in similar detail in my upcoming book on email marketing. If you want to get a free copy when it comes out, sign up here:

https://bejakovic.com/profitable-health-emails/