Your first step to achieving natural authority

I’ve got three quotes about celebrities for you, and then I will tell you about a hack. A hack to make you be seen as a natural-born leader — or at least a necessary ingredient for it.

But first, the quotes.

Quote 1:

“Patton believed that it was critical for a general to stand out and to be seen by his troops, a philosophy that conveniently coincided with his ego. He dressed impeccably in a colourful uniform and knee-high boots, sporting ivory-handled pistols.”

Quote 2:

“Long before ‘mumblecore’ became a film genre, critics complained about Brando’s speech patterns until it finally became clear they were an integral part of his performances.”

Quote 3:

“Prince’s handwriting was beautiful, with a fluidity that suggested it poured out of him almost involuntarily. It also verged on illegible. Even in longhand, he wrote in his signature style, an idiosyncratic precursor of textspeak that he’d perfected back in the eighties: ‘Eye’ for ‘I,” ‘U’ for ‘you,” ‘R’ for ‘are.'”

A few days ago, I started thinking about natural authority.

What makes it so that some people just seem imbued with the royal farr? So that they command obedience or respect or awe, even if they aren’t wearing a uniform… or standing on stage in front of an adoring crowd… or climbing alone, without ropes, up a 3,000-foot cliff of sheer rock?

Well, I wrote down a bunch of ideas. If you like, I’ll share them all with you in time.

Today I’ll just tell you about one. You can see it illustrated in the quotes above.

Got it? It’s just this:

Patton, Brando, and Prince all had a unique style. In some ways, a style completely beyond the pale of what was normal or acceptable.

In one case (Brando), it was probably inborn, or at least unconscious.

In another (Patton), it was clearly cultivated.

In the last (Prince), it was a bit of both.

So that’s your first step to natural authority, should you want that position in other people’s minds.

Maybe you already have your own inborn style. In that case, emphasize it.

Maybe you don’t. Then you can consciously build it.

And style can be anything. How you talk, how you write, how you dress, how you walk, how you spell. Some of them, or all. Whatever your audience can see. And maybe even stuff they can’t, because it’s somehow still likely to shine through.

It might not instantly make you a star or a king or queen. But like I said, I think it’s a necessary ingredient, at least in some form. So you might as well thinking about it now, while I write up the emails about the other bits you’ll need.

Emails? Yes, emails. I write a daily email newsletter. If you’d like to sign up for it, here’s where to go.

The occasion of A-list copywriting

Like Hollywood celebs, A-list copywriters come and go.

Gene Schwartz… Gary Bencivenga, Parris Lampropoulos…

That’s only natural. People age and the market demands new stars.

But what’s not natural is to have a modern-day A-list copywriter introduce a new insight about copywriting.

After all, pretty much all wisdom we have about copywriting was written down around the time that Marlon Brando was screaming “Stella” and redefining what it means to be an actor.

And yet, these new breakthroughs sometimes happen. Case in point:

Dan Ferrari and his “occasions.”

I’ve written about Dan aplenty in these emails. But the short version of his bio is that he was a top copywriter at the Motley Fool, starting around 2013…

Before going out on his own and becoming an even more successful freelance copywriter.

So let me tell you about one new bit of copywriting wisdom I heard from Dan Ferrari. This happened on a call he did with Kevin Rogers of Copy Chief.

Dan was breaking down his “Genesis” promo. This sales letter beat the previous control by over 300%.

(And if you read my email from yesterday about the fickleness of “beating a control,” let me add that the client in this case was Green Valley Natural Products, which hires the best copywriters and is actually owned by an A-list copywriter, Lee Euler. In other words, that previous copy must have been at least decent.)

Anyways, while talking about this promo, Dan made a small comment, something along the lines of:

“I always look for an occasion or an event to tie my copy into.”

This was something I’ve never heard anyone else talk about. It was entirely new, at least to me. And it took me a while to find out what Dan meant by this.

I guess this occasion stuff came natural to him because of his background in writing financial copy.

All financial promos are sensitive to news and current events, because markets are sensitive to news and current events.

But Dan’s insight was that other markets are the same too.

Your prospects also want to know what the occasion is of your writing.

Are you selling a completely new invention that nobody’s heard of until now? And if not, why are they only hearing from you now, and not five years ago?

This is a question you have to answer for your readers. You have to create an “occasion” for your sales letter.

It might seem like a trivial thing to focus on, but it can make the difference between A-list copywriting and everything else.

For more info on A-lister copywriting tactics, you might like my daily email newsletter.