Johnny Carson

Jerry Seinfeld’s serious joke about the news

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Today I watched a clip of Jerry Seinfeld on the Johnny Carson Show. Jerry smiles his precocious-boy smile and says:

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To me the most amazing thing about the news is that whatever goes on in the world, it exactly fits the number of pages that they’re using in the paper that day. [Johnny Carson chuckles off screen. Jerry continues:]

They must stand around after each edition going, “I don’t believe we just made it again! If one more thing happens, we’re screwed. There’s no more room in this paper!”

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This is a joke if you hear Jerry Seinfeld tell it, or imagine him with his mannerisms, or if you include that exaggeration at the end.

It’s not a joke if you just read the first sentence of that quote. It really is amazing that the day’s news always just fit the newspaper.

Of course, who reads newspapers any more — but the underlying point still stands:

The news was and is just a constant drip of telling you what to think, how to feel, how to react.

The news is not what’s worth knowing. At least that’s the way I look at it.

If you’re still reading, you might wonder what I think is worth knowing. I call it anti-news.

I’ve written before of my policy of not reading books that were published in just the last year.

I’ve been informed this has a clever name, “the Lindy effect,” after some long-surviving deli in New York.

The idea is, if something is worthwhile, it will still be worthwhile in a year from now. More generally, the longer something has been around, the more likely it is to keep being around.

This simple but powerful idea impacts everything I do, from the books I read to the emails I write to the offers I create. And since it’s time to start promoting:

It also lies behind my Copy Riddles program.

Copy Riddles is built on examples of winning copywriting that have been around for three, four, five, six decades or more.

But I’d take it still further back:

I believe Copy Riddles is really about the principles of effective communication, going back thousands of years. That might sound high-heeled, but it’s really what direct response marketing is — a merciless distillation that purifies and concentrates the evergreen principles of effective communication.

These principles were relevant yesterday, last year, a hundred years ago, a thousand years ago.

And if you are looking to influence or manipulate people, these principles are your best bet for what will continue to be relevant tomorrow.

As marketing consultant Khaled Maziad wrote me to say after going through Copy Riddles:

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Man, this’s the best course on bullets I have ever seen. And believe me, I have seen a lot. I loved that you didn’t include bullet templates but went deep into the psychology behind each bullet. This course is not just about the “how-to” of writing bullets but understanding the artistry and the deep psychology behind them… Plus, when and where to use them.

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As you might know already:

This is the last week I am giving away two free bonuses with Copy Riddles. The first bonus is Storytelling For Sales. The second bonus is Copywriting Portfolio Secrets.

Don’t buy Copy Riddles just for the free bonuses.

But if you decide you want to get Copy Riddles, you have until tomorrow, Saturday Jan 21, at 12 midnight PST to get Storytelling for Sales and Copywriting Portfolio Secrets as free bonuses.

After then, Copy Riddles will remain available, but the free bonuses will disappear.

To get the whole package:

https://bejakovic.com/cr/

How to write like your client in 3 mechanical steps

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Who’s the greatest actor in Hollywood? Well, now that Chris Farley is dead and Mickey Rourke is unrecognizable, the field is thin. In my opinion, it’s not De Niro… or Pacino… or DiCaprio… or even Nicolas Cage.

Instead, I think the greatest actor is [drum roll, opening the envelope]:

Jim Carrey.

Yes, Jim Carrey is amazingly talented. If you don’t believe me, just go on YouTube and find a 1983 appearance he did on the Johnny Carson show.

Carrey puts on a complex performance, doing pat imitations of James Dean, Clint Eastwood, Jack Nicholson, and Elvis. He actually becomes Elvis. It’s incredible. Almost supernatural.

How does he  do it?

Well, there’s body movement.

When he’s imitating Elvis, Carrey can’t stand still. Hair flailing, shoulders jerking, weight shifting from leg to leg, arms out to the sides like he’s trying to balance himself on a slippery patch of ice.

Then there’s the face.

Lips in a one-sided sneer, eyes rolling back in his head.

Then there’s voice.

Yes, there’s a bit of magic in how Carrey mimics the color of Elvis’s voice. But he also creates the effect by exaggerating Elvis’s cadence — how fast/slow, how loud/quiet he speaks — and which words he emphasizes.

And that’s all there really is to it.

Don’t get me wrong. There’s no doubt that Carrey is talented, and that he worked hard to develop his plastic face and his mimicry of the people he imitates. I just want to point out that there are 3 almost mechanical strategies that, when perfected, allow him to create the illusion he is actually another person.

And get this:

The same thing is true when you’re trying to imitate somebody’s voice in writing.

Fortunately, it’s much easier to write like somebody than to imitate how they look and speak. When you’re writing, you’ve got much more time — and you don’t need to get everything perfect.

But just like on stage, a few simple tricks or strategies are enough to imitate somebody’s voice on the written page.

In fact, if you go by the advice of Justin Blackman, a “Brand Ventrioloquist” who’s written copy for big brands (Red Bull) as well as direct response businesses (The Copywriter Club), there might only be 3 mechanical steps you need to take to write in anybody’s voice.

Which 3 things?

Well, Justin laid them out on a recent episode of The Copywriter’s Podcast. If you’re in the business of imitating your client’s voice in print, it might be worthwhile to listen to. Here’s the link:

http://copywriterspodcast.com/index.php?podcast=940