Stories

I’m good at writing stories, hate writing personal stories, and found a new way to look at it

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I spent a good amount of time just now, thinking up and then discarding 10 alternate angles to start this email about personal stories. The fact it took me so long and I still got nothing proves the point I’m trying to get at:

It’s easy to write stories. It’s hard to write personal stories. At least write ’em well.

But what does that mean?

I’ve written thousands of stories, in the context of this newsletter, in sales emails for clients, in Facebook ads, advertorials, sales letters.

Many of those stories were written well, in the sense that people read them, and were then hypnotized — they became open to suggestion and influence.

Most of those thousands of stories involved my clients, or were retold horror stories I’d found online, and one was about Benito Mussolini, and what happened to his corpse after he died.

But out of those thousands of stories, some were also personal stories, featuring me. Some of those personal stories I managed to write well. Some not. I never knew why.

Because of this, I always felt an extra level of confusion, resistance, and doubt whenever I have to tell a personal story. “Is this a good story? Should I include this bit? Is it relevant? Is it interesting? Am I just including it for the sake of ego? Is it irrelevant to the story but somehow important on another level?”

Today I was reading an old issue of the New Yorker. I came across an article, written by Prince Harry’s ghostwriter, about the challenges of ghost writing a memoir for Prince Harry.

“No thank you,” I said immediately, and was ready to turn the page.

But I have this rule that whenever an article seems utterly repulsive to me, I force myself to read it. And good thing I did. I came across the following passage.

The ghostwriter was fighting with Prince Harry over a detail in a story. The prince wanted the detail included. The ghostwriter didn’t. The prince insisted, because this detail showed an important bit of his character. To which the ghostwriter said, “So what?” And he explained:

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Strange as it may seem, memoir isn’t about you. It’s not even the story of your life. It’s a story carved from your life, a particular series of events chosen because they have the greatest resonance for the widest range of people, and at this point in the story those people don’t need to know anything more than that your captors said a cruel thing about your mom.

===

I found way of looking at personal stories insightful. I mean, this is what I’ve always done instinctively when writing stories about other people. But it’s something I could never put my finger on when writing stories about myself.

And I’m only telling you I found this insightful because maybe you too have found it frustrating to write personal stories in the past, and maybe you will find this new way of looking at personal stories insightful also.

There were other valuable things that prince Harry’s ghostwriter said, which might be useful to you, whether you’re trying to bring to life your own personal stories, or whether you too work as a ghostwriter. In case you are curious:

https://www.newyorker.com/magazine/2023/05/15/j-r-moehringer-ghostwriter-prince-harry-memoir-spare

I am wired for story… from a trusted, liked, famous source

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A non-personal but true story:

Late into his career escape artist Harry Houdini started cutting some corners in his stage show.

Houdini was injured and physically exhausted, and it was hard to put in the same level of shoulder-dislocating, suffocating, skin-tearing escapes he used to put on.

Sure, Houdini still did some of that, but he minimized it. Instead, he filled up the empty time on stage with some magic tricks and with talking. About himself.

One viewer was shocked and disgusted.

This viewer was the newspaper critic for the local paper in Nottingham, England. So rather than simply firing off an outraged email to Houdini to say how the show isn’t as good as it used to be and to demand to be unsubscribed, this critic wrote up the following review and published it in his paper:

“Why on earth should Houdini imagine that any audience would be entertained by hearing a long and uncalled-for account of what he has been doing during the past six years… people go to a vaudeville house to see a performance… not to hear a diatribe on the personal pronoun around ‘the story of my life, Sir.”

Truly, who would want to hear a diatribe on the personal pronoun? Certainly not the critic.

​​But the audience?

Turns out Houdini broke all attendance and earnings records that year. He earned the highest salaries of his career, pulling down $3,750 a week — about $60,000 a week in today’s money.

Now at this point your brain might jump ahead and conclude, That’s the power of personal stories and reveals! Almost $60k a week! Let me get on it!”

But I’ve made the point before, and I will make it again:

Nobody cares about your stories and personal reveals. Not unless you already have real authority and even fame.

When Houdini changed up his show to be more personal and story-based, he had already been performing his stage show for decades. He didn’t change the core of his show during that time, and it’s probably a good thing. It’s what the crowds wanted and expected.

But then Houdini went to Hollywood. He made a couple of hugely successful movies, rubbed shoulders with Hollywood celebrities, and became a truly international star himself, beyond just the vaudeville stage.

That’s when people wanted to hear Houdini’s stories and the details of his personal life — and that’s what he was talking about on the stage. As Houdini himself put it, “Blame it all on the fact I have been successfully in the movies.”

So tell your stories and share your vulnerabilities — after you’re known and respected and even admired. People will love it then.

Before then?

Well, before then you might be interested in my Most Valuable Email training.

Most Valuable Emails never required I have any status or authority.

These emails make it 100% clear I know what I’m talking about, even when I don’t harp on about the great results I’ve had for clients or the testimonials or endorsements I’ve gotten.

As a result, Most Valuable Emails helped me build up immediate and unquestionable authority — even when I had no standing in the industry. ​​

And I claim Most Valuable Emails can do the same for you. In case you’d like to find out more:

https://bejakovic.com/mve/

Counterpoint to the screwing

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I was at gym not long ago. Instead of working out, as I should have been, I was listening to a particularly interesting episode of the James Altucher podcast.

This particular episode was particularly interesting because James was interviewing Steven Pressfield, the author of the War of Art and some other books.

It turns out James plagiarized a valuable ideas from one of those books. I later plagiarized the same idea from James.

But I’ve written about that before.

What I haven’t written about is that I recently contacted Brian Kurtz, the former Boardroom VP and current marketing mastermind organizer.

I wanted to see if Brian would like me to give some kind of presentation to Titans XL, his virtual mastermind/community.

Several people who are in Titans XL are also customers and readers of my newsletter. In fact, one such reader suggested the idea that I present at Titans XL.

I’m grateful to that reader. I don’t know why I didn’t think of this myself. After all, I’ve been reading Brian’s stuff for years, and I often refer to his stories and experiences in my own emails. I’ve learned a ton from the guy, both directly and indirectly.

All that’s to say Titans XL and me might be a good fit.

They might be almost as good a fit as Steven Pressfield and porn. Because as I found out listening to that interview:

After Pressfield moved to Hollywood, hoping against hope to become a screenwriter, he got a gig rewriting a screenplay — for a porn movie.

At the time, Pressfield had worked a number of odd jobs, including as an advertising copywriter. He knew how to write.

But could he write a good screenplay? And more importantly, could he write porn?

The producer of the porn movie, a “really nice family man” according to Pressfield, took Pressfield out to breakfast at the start of the project.

Sitting in a restaurant in Santa Monica, with the sun shining in his eyes, the producer leaned in. “Here’s what I want you to do, kid,” he said. And he gave Pressfield two rules of effective porn storytelling. Here’s one of ’em:

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Whenever there’s a screwing scene, always have something else going on at the same time.

For instance, if it’s the wife and the pool repair guy, and they’re in the bedroom, have the husband coming home unexpectedly in the middle of the day, unbeknownst to his wife. Then we can cut back and forth from the couple in bed to the husband coming home, and now you got something interesting going on!

===

Speaking of which:

After I wrote Brian Kurtz about that Titans XL idea, I got an automated email saying Brian is mostly unavailable until April 24th. He’s planning and then hosting his final in-person Titans mastermind event.

April 24th has passed. I’m still waiting to hear back from Brian for real. Maybe he’s taking a break after the big event. Maybe he’s just busy. Maybe he’s ignoring me. Maybe he silently decided that I am not a good fit to present to his community, even though I think I am.

But I continue to be hopeful, though with each passing day, I’m getting more unsure. I’ll let you know how it goes.

And as for Steven Pressfield, he applied the two rules of porn storytelling in that script rewrite. He realized how important and valuable these rules were, so he kept applying them later in his other screenplays and even his novels. As he says, the “principles of storytelling I know are all movie principles.”

I told you one of the two storytelling rules above. And if you’re curious about that second one, you can dig up that James Altucher episode, and listen to it yourself.

Or you can just take me up on the following offer:

Sign up to my newsletter. Once you get the welcome email, hit reply and tell me about any paid communities or masterminds you are currently in.

​​If you’re in Titans XL, that’s fine. If it’s another marketing mastermind or community, that’s fine too. If it’s not marketing, but some kind of other paid community or mastermind, that works also.

If you do that, then in return, I’ll write you back and tell you the second of Pressfield’s two porn storytelling rules. I’ll also tell you how Pressfield used those rules in other non-porn scripts he wrote. And I’ll even tell you how smart marketers, maybe even me on occasion, use the same storytelling rule in their own sales copy and marketing content.

A very likely-sounding story

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This morning, right before starting work on this email, I checked WhatsApp on my laptop. I saw a text from last night that a friend had sent me:

“Kuki [the friend’s cat] broke your glass after all! And was joyfully playing with the glass pieces..”

The background is that last night this friend and I met up to go for a walk. My friend was late – getting her hair done, because she’s traveling today for some business thing — so I walked up the road to meet her.

​​We walked for a while, and I told her about my experiences at the Sean D’Souza Seville meetup a few days ago.

“I have to go to the bathroom,” my friend said. “How about we stop by my place?” We were right next to her house, which is close to the Arc de Triomf in downtown Barcelona.

So we went to her place. Bathroom finished, we sat around in the kitchen for a moment having a glass of water.

My friend has a cat, from what I can tell a Siamese cat, which is deaf and doesn’t have good motor control and which has some other deficits, which I forget — maybe it’s that it can’t read or write.

​​In spite of these handicaps, the cat still maintains some usual endearing cat behaviors. For example, the little bastard kept walking around the kitchen counter, repeatedly nudging my empty water glass towards the edge. “Oh sweetheart,” I said to the cat with menace in my voice, “that’s not okay.” My friend looked at the cat lovingly.

Anyways, eventually we left the cat alone and went outside to finish our walk. Actually, we also stopped to get food.

Even though the first place we stopped at was entirely empty, they told us that without a reservation we couldn’t get a table. So we wound up at some “Argentinian” place, which really just turned out to be the standard tapas fare you get anywhere in Barcelona.

Dinner in stomach, I walked my friend back to her place, wished her a good trip, and then walked home myself. And then this morning I got that text from her about the cat breaking the glass after all. “Actually just as I entered the house,” my friend wrote, “in time for me to witness it.”

So what do you think of my story? Pretty pointless, I know, but does it at least ring true?

It should. I won’t tell you whether the story is actually true or not, but I will tell you that I worked actively to make it sound more credible.

And you can do the same.

I’m not telling you to go all psychopath, and simply study the elements of truthful stories so you can embellish lies and make them sound true.

But — if you do have a true story, and nobody cares, or nobody believes you, then massaging your true story to make it sound more credible — well, maybe there’s money or influence to be gained in that.

In any case, you can study my pointless but likely-sounding story above and try to figure out what I did to make it sound more true.

Or you can take me up on my offer, which is just to sign up to my daily email newsletter. It won’t help you figure out what I did in the story above, but maybe, tomorrow or the day after, I will write more about this topic.

We groaned when she pulled off her boots, but when she propped her feet up on the seat!

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I was on a train a few months ago. A woman sitting across from me was wearing a face mask, even though nobody else on the train was wearing one. Perhaps a sign of things to come?

The woman had wool-lined boots on her feet — way too hot for the warm and sunny afternoon. So as the train rumbled along the Catalan seaside, she pulled off her boots and propped her feet up on the seat opposite, to cool them off.

The other people around her, myself included, started exchanging looks — disgusted, amused, incredulous. And yet the woman kept sitting there, eyes beatifically closed, mask on her face, her sweaty feet drying in the sealed wagon air.

I talked to a budding email copywriter a few days ago. He said he wants to learn storytelling.

I feel there’s been a lot of mystification around that topic. It’s something like the guy who wrote a book all about breathing — you’re not breathing optimally, you need to read this book to find out how to breathe better.

People breathe fine. People tell stories fine. You don’t need a course or even a book on it. You just need to do it.

That said, there is something approaching a “secret” that makes for better stories, particularly in print.

At least that’s how it’s been in my experience. When I first heard this advice, I felt enlightened; I felt the doors of perception opening up. Maybe I’m just very dense because I needed to have this pointed out to me:

I used to think of a story as a timeline, a series of facts that need to be laid out and arranged in some kind of order. Then you pepper in details to make the important parts come alive.

“Once upon a time, I was born, a baby with not very much hair. The date was February 19, 1939. My family stock was originally from England but my ancestors had settled in Gotham City many generations earlier. My father, Thomas Wayne, a kind, gentle, mustachioed man, was a highly respected physician here…”

The secret is that you often don’t need any of this — the timeline, the explanatory facts, the logical order. If anything, they probably make your “story” less effective.

A much better option is to think comic book, to think movie, to think of a story as a series of snapshots. Even one snapshot can be enough — like that thing up top with the woman and her wool-lined boots on the train.

Anyways, that’s really the only big storytelling secret I have to share with you.

Maybe you don’t think it’s much. All I can say is that if you apply consistently, it produces real results.

And this brings me to my current offer, my Horror Advertorial Swipe File. Each of those advertorials starts out with a snapshot — scary, disgusting, outrage-forming.

​​You don’t need this swipe file to learn storytelling. But you might want this swipe file if you have a cold-traffic ecommerce funnel, and you want to squeeze more results from your cold traffic. In case you are interested, you will have to sign up to my list, because this is an offer I am only making to my subscribers. If you’d like to do that, here’s where to go.

Spewing inappropriate things at Kim Krause Schwalm

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A while back, I asked my readers which of my emails first came to mind. One reader (not sure he wants me to share his name) had this to say:

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The first one that jumped out of my memory was “How Copywriters can avoid ham-handed segues that get them eaten alive.”

The first time I read this email, I printed it out.

And to this day, I read it frequently.

Sometimes even multiple times.

It pretty much shaped the way I write now.

The other day I was reading an email from Kim Krause Schwalm that started with a fascinating story.

It sucked me in and kept me scrolling down, begging for more.

And as you might expect now, she jumped into a straight pitch with no transition whatsoever.

Man, I was spewing…

“No, Kim. No, not you. Why?”

I found myself saying some inappropriate things to a person whom I highly respect.

And gues what? I went to reread your email and laugh like a maniac.

The way I see it… It’s like conducting an instant hypnotic induction, then smacking the sh!t out of the person and forcing him to snap out of it.

===

That “ham-handed segues” email is archived on my website. You can find it and read it if you like.

It talks about how copywriters often perform a clumsy bait-and-switch from their fascinating story to their self-interested sales pitch.

Even the best fall into this trap sometimes.

In my ham-handed email, I told a story of an unnamed A-list copywriter who did this bait-and-switch on me, and had me yelling at my laptop. And my reader above had the same frustrating experience with Kim Krause Schwalm.

So how to avoid ham-handed segues?

Get ready. Because the sales pitch is coming. Let me build it up for you. Here it is:

You can find out about that in my Most Valuable Email training.

Because the “ham-handed segues” email uses my Most Valuable Email trick. (And I’m not using that trick in today’s email, in case you’re wondering.)

If you want an explanation of how and where the “ham-handed segues” email uses the Most Valuable Email trick, you can find that in the Most Valuable Email Swipes. That’s a collection of 50 of my best MVEs, which I give you along with the core training of the course.

Look up #10 in that swipe file, and you get an explanation of the trick in action.

Plus as an added benefit, you will learn how to avoid ham-handed segues that get you eaten alive, or worse, spewed upon.

To get Most Valuable Email now:

https://bejakovic.com/mve/

4 stories

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Story 1. John Carlton was interviewing a copywriting client. After hours of ho-hum information, the client casually mentioned how the TorsionFlex Super Saiyan MiracleT golf swing he was teaching was something he learned from a golfer who had lost a leg, possibly in a whaling accident.

​​”Huh?” said Carlton as he leaned in. This turned into John Carlton’s most famous headline:

“Amazing Secret Discovered By One-Legged Golfer Adds 50 Yards To Your Drives, Eliminates Hooks And Slices… And Can Slash Up To 10 Strokes From Your Game Almost Overnight”

Story 2. Dan Ferrari struggled as a copywriter for the first year of his career, only getting work from freelance sites.

​​Things only changed when saw an job listing from the Motley Fool, which I believe he applied to just because it was down the street from where he was living at the time.

These days, he’s known as the number 1, most successful, how-does-he-do-it direct response copywriter out there. ​​

Story 3. Dan Kennedy once had a car repossessed during a seminar he was giving.

​​The seminar was in an office park building with big windows. All the attendees could see Dan go out to the parking lot, knock on the window of his own car, and hand the repo man a $20 tip, as though he was taking the car to get detailed.

4. My mom threw a slipper at me once out of frustration and fear. I was going through a teenage melancholy phase, looking wilted and sad for days, possibly ready for self-harm.

​​My mom kept asking me what’s wrong but I just sighed and turned away. Eventually the slipper came at my head. I managed to dodge it, but it did wake me up.

My point?

I heard recently that door-to-door encyclopedia salesmen were taught to first tell four stories before they go for a trial close.

Now, I’m selling an encyclopedia or an A-Z guide to copywriting. Rather, I’m selling a collection of wisdom that’s been handed from people who made it to the very top of the copywriting mountain.

I’m talking about my 10 Commandments of A-List Copywriters.

The three A-list copywriters above, plus me, all feature in the book. No, none of the stories above are in the book. But many others are. In case you would like to read those stories, and maybe obtain some wisdom in the process:

https://bejakovic.com/10commandments

Bare metal: Poor single mom risks death to feed her family

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A couple days ago, I sent out an email about charging out, King Arthur-like, to fight dragons on the borders of your kingdom. That was my metaphor for defending your business interests.

I got lots of interesting replies to that email, and none more so than from Shawn Cartwright. Shawn runs TCCII, an online martial arts academy. He wrote:

===

While I sympathize with your position on this, I’d just like to ask this question…

Why are dragons always made out to be the bad guys?

Seriously…

Imagine you were the millenia old beast who woke up one day to find a bunch of unwashed simian descendants using your pristine mountain stream as a latrine?

Or erecting god-awful ugly structures made from your trees they took without so much as a please or thank you.

And shot at you when you went down to have a little chat with them to sort it out.

And then organized some sort of genocidal campaign to eradicate you and take all your stuff.

Is it any wonder they might be a little ill-tempered?

===

Shawn asks a great question. In response to it, my mind jumped to a tense scene from the 2015 Disney documentary, Monkey Kingdom.

The scene shows a tiny and cute macaque monkey dangling from a vine a few inches above some murky water.

This monkey is a single mother, the narrator tells you. But not only that. She’s also at the bottom of the social hierarchy.

Higher-caste females are safe up in a tree eating figs. But even though there’s plenty to go around, these higher-caste females are not willing to share any food with the low-born single mom.

So she is forced to roam deep into the jungle to feed her family. That’s why she’s now dangling above the murky water, so she can harvest some water lily seeds.

And then the scene shifts. It suddenly shows a monitor lizard.

The lizard is huge. It’s seven feet long, three or four times the size of the tiny monkey mom.

The lizard is ugly. It’s thick and black and scaly, with a long flame-like tongue flickering in and out of its mouth.

And worst of all, the lizard is treacherous. At first it’s lurking at the edge of the water. But then it slips in silently, and swims under the surface to where the water lilies are.

So why are dragons always made out to be the bad guys?

Because our race and their race have been at war since time immemorial. Because this feeling is baked into us. Because it’s bare-metal.

Bare-metal is my term for the fact that if you keep asking why long enough, you eventually always get to the answer, just because. Because it’s how we humans are. Because it’s right, whether or not it’s historically fair to the dragons, whether or not it makes sense in today’s world.

If you want to influence people, then write about bare-metal topics.

It’s not just slimy, treacherous serpents.

I gave you a few other bare-metal topics above, in that monkey scene setup. But there are many more.

I rewatched Monkey Kingdom last night. And because I’ve become obsessive through writing this newsletter, I took notes every minute or two.

I found 40+ bare metal topics in Monkey Kingdom. They are brilliantly illustrated because it’s monkeys. Monkeys are close enough to us to be relevant, but different enough to illustrate each bare-metal topic distinctly.

So my advice to you is, watch Monkey Kingdom. And take notes.

If I ever create my mythical AIDA School, this movie will be a part of the first-semester curriculum.

And now for something completely different:

Specifically, my Most Valuable Email course.

That course is connected in some way to today’s email, though only lightly.

That don’t change the fact that, as the name of it says, this course is about a type of email that has been most valuable for me.

If you also write about marketing or persuasion or copywriting, this type of email might be just as valuable for you.

To find out more about it — and about love, death, and politics — go here:

https://bejakovic.com/mve/

The most shocking, daring, even Robin Hood-like exploit ever to happen on board a Boeing 727

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Today is Nov 24, 2022, which marks the 51st anniversary of NORJAK.

NORJAK was the most shocking, daring, even Robin Hood-like exploit ever to happen on board a Boeing 727.

On Nov 24 1971, Northwest Orient Airlines Flight 305 took off from Portland to Seattle. A short time after takeoff, a passenger calling himself Dan Cooper called over the stewardess and handed her a note.

“I HAVE A BONB,” the note read.

“A bonb sir?” said the stewardess. “What exactly is a ‘bonb’?”

“A bomb,” whispered Cooper, “I have a bomb!” And he opened a bag that was lying on his lap to show a mess of wires, clocks, batteries, and what appeared to be red sticks of dynamite.

To make short tale:

Flight 305 landed in Seattle. Cooper allowed the 36 passengers to get off. But he kept the crew on the plane. ​​He demanded $200k in 20-dollar bills — about $1.2 mil in today’s money — along with four parachutes.

And he got ’em.

Cooper then demanded the plane be refueled, and had it fly for Mexico City, at altitudes of less than 10,000 feet, at speeds of less than 200 knots.

And then, somewhere over Ariel, Washington, Cooper lowered the rear stairs of the Boeing 727.

He took off his tie, put on a pair of wraparound sunglasses, strapped on his parachute — and jumped.

In the weeks and months that followed, the FBI conducted one of the longest and most exhaustive investigations in its history.

Agents interviewed over 800 suspects.

Other agents calculated wind speeds and flight paths and then still other agents combed probably areas for traces of Cooper.

But it all led to absolutely nothing. The hundreds of FBI agents and millions of dollars in government resources couldn’t find a single trace of Cooper.

And that’s how it stood for years — until February 10, 1980.

​​That day, the most unlikely thing happened. A few of Cooper’s 20-dollar bills surfaced, but in a place that nobody had expected.

Let me pause my story here because I really just wanted to set up a question I got.

The question came from a reader named Alex, who signed up for my Age of Insight training.

​​I’ve been following up with everybody who signed up to ask why they signed up and what they are hoping to learn. One of Alex’s wanna-learn topics was:

“How to give readers new insights into what they already know. So, for example, perhaps everyone knows a good subject line needs the curiosity element. But how can I retell this in a way that is different and insightful?”

My email today is one possible answer to Alex’s specific question about curiosity in subject lines.

As for Alex’s more general question — how do you take worn and familiar points, and make them sound insightful and new — well, there is another, very powerful strategy for that. I won’t talk about that today. But maybe I will tomorrow. In any case, if you’d like to read more of what I write, then click here and sign up for my email newsletter.

Once upon a time

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It was a dark and stormy morning, and the anti-hero of our story, Bond Jebakovic, was sitting in a dimly-lit coffee shop — one of the few dimly-lit coffee shops in this otherwise-sunny Catalan town, for Barcelona is where our story takes place — sipping a latte, his bloodshot eyes glued to the door.

Bond was on a top-secret mission, and he was desperate for intel.

Suddenly, a woman walked in.

​​She was wearing a raincoat and sunglasses, though, as mentioned, it was a dark and stormy morning, and sunglasses were really not required. ​​Maybe it was for effect? Or maybe she had something to hide?

The woman looked around. The coffee shop was empty except for Bond, who was sitting on an uncomfortable bench in the corner.

The stranger walked to the counter and ordered. “Double espresso,” she said, “and one of those little pistachio cookies.”

While the barista busied himself with the order, the woman ambled around the coffee shop. ​​She approached and examined the large monstera plant in the corner. She walked to the large window and looked out to the gray street outside. Finally, she took a few steps towards Bond. ​​Without a sound, she dropped an envelope on the bench next to him.

​​Bond grabbed the envelope. ​On the face of it was a typewrittten title: Monday Morning Memo. Bond tore it open and started to read:

From: Research Dept. Head Roy H. Williams
21 Nov 2022, 7:11AM CET

Bond —

I was most pleased to hear you are still alive. Unfortunately, we can’t allow you any rest. You must deliver the following message immediately to AK. it’s a matter of life and death.

Start of Message:

Most stories should be told as fiction, even when they are true. When confronted with facts we are always on our guard. But the words, “Once Upon a Time” dispel doubt, open the imagination, and create a willing suspension of disbelief.

Case study from Agent William Lederer:

“I was a journalist and none of my books had sold very well, so I showed Jim the manuscript for my newest book. He told me to go back and fictionalize the name of the country, the characters, everything. Jim said to me, ‘The public is more willing to believe fiction than non-fiction.’”

Outcome:

* The resulting book, The Ugly American, stayed on the New York Times list for 78 weeks

* It was directly responsible for the creation of the Peace Corps

* Then-President John F. Kennedy bought a copy of the book for every member of Congress

* Historians speculate The Ugly American did more to change American Foreign Policy than any document since the Declaration of Independence

Bond rushed out of the coffee shop and started running down the street. AK’s apartment was just a block away, but as headquarters wrote, it was a matter of life and death.

Would AK be at home? Would Bond deliver the message in time? And what about those little pistachio cookies — were they any good?

All that, and more, on tomorrow’s installment of Bond Jebakovic Action Adventures. For a free trial subscription to this pulp daily email newsletter, click here and fill out the free trial subscription form.