The core idea in this email is not new but that’s exactly the point

As I sit down to write you this email, an old pop song, the Smiths’ How Soon is Now, is playing loudly in my head.

That’s because earlier this morning, I read about a new AI project, called Stable Attribution.

The point of Stable Attribution is to try to figure out which human-created images were used to train which AI-generated images.

The motivation, according to the Stable Attribution site, is that artists deserve to “be assigned credit when their works are used, and to be compensated for their work.”

That’s a waste of time, if you ask me, and a focus on totally the wrong thing.

A few days ago, a friend sent me an article about guitarist Johnny Marr.

Marr took a few different songs and sounds — most notably Bo Didley and a rap song called You’ve Gotta Believe – and co-opted them. The result was How Soon is Now, which became the most unique and enduring of Smiths’ songs.

Michael Jackson once ran into Darryl Hall in a recording studio. Jackson admitted that, years earlier, he had swiped the famous bass line for Billie Jean from Hall & Oates’s I Can’t Go For That.

Hall shrugged. He told Jackson that he himself had lifted that bass line from another song, and that it was “something we all do.”

Artists and songwriters co-opt and plagiarize all the time. It’s only in exceptional cases that we find out about it.

But this isn’t a newsletter about drawings or pop songs. It’s a newsletter about business, and marketing, and copywriting.

So let me tell you I once heard A-list copywriter Parris Lampropoulos on the David Garfinkel podcast.

Parris pointed out how a subhead from one of his million-dollar sales letters was the headline of an earlier control sales letter he didn’t write. That earlier headline worked, and Parris knew that. So he co-opted it, or if you like, plagiarized.

Marketer Dan Kennedy once talked about Bill Phillips, the body builder and fitness coach who built an info product empire.

Dan said Phillips is a pack rat who can pull out fitness ads and promos going back a hundred years. Knowing the history of his industry — and co-opting or plagiarizing it regularly — was a big part of the success Phillips had.

Even the core idea of my email today, of plagiarizing for long-term business success, isn’t new. I got it from James Altucher, who got it from Steven Pressfield. Who knows where Pressfield first heard it.

Fortunately, there is no Stable Attribution for human work. Nor should there be.

So my advice for you is to go back. Study what came before you, and what worked. Integrate it into your own work.

Give attribution if you like, or don’t.

Either way, it’s sure to make you more creative, and more successful at what you do.

And if your work happens to be copywriting, selling, or more broadly persuasive communication, then take a look at my Copy Riddles program.

Copy Riddles will show you the work of some of the most successful copywriters in history, Parris Lampropoulos above among them. But not only that.

Copy Riddles will get you practicing the same, so you can co-opt the skills of these effective communicators and make them your own.

Maybe you’re curious about how that might work. If so, you can read more about Copy Riddles, and buy the program if you like, at the link below:

https://bejakovic.com/cr/

You should always judge a book by its cover

Former Smiths frontman Morrissey has a very polarizing public persona.

Unsurprisingly, he also has immensely devoted fans who have followed him for 30 years plus.

I read a Billboard Magazine interview with Morrissey today. It struck me how this interview is full to the gills of things anyone can copy to have a more dramatic public persona — and therefore a more devoted following.

Here are a few Morrissey lessons:

1. Agree and amplify

What’s the best way to respond when somebody accuses of you of something ugly? Agree and amplify the nasty fact, with humor and without bitterness or trying too hard.

BILLBOARD: “Feb. 20 marked the 30th anniversary of the release of the first Smiths album. How did you mark the occasion?”

MORRISSEY: “Is it only 30 years? It feels like 60.”

2. Use visual, colorful language

People’s brains work in pictures. So use visual language to make a point, and mix in surprising expressions and metaphors. (The good news is that this doesn’t have to be spontaneous. You can collect striking phrases, plan them ahead of time, and pull them out as needed.)

BILLBOARD: “It’s been reported that you’re now working on a novel. Is that true? If so, what are you writing about?”

MORRISSEY: “I can’t christen the baby until I at least see its head. It’s bad form, somehow.”

3. Surprise by inverting

Surprise shocks people into paying attention, and into remembering you. One way to surprise is simply to defy expectations. For example, when people expect you to be serious, be lighthearted. Focus on the trivial and irrelevant instead of the heavy and serious.

BILLBOARD: “In 2013, you endured a series of unfortunate maladies that forced you to cancel many tour dates. Are you still ill?”

MORRISSEY: “Well, I’m expected to see Easter. It was a bad year. I was in hospitals so frequently that the doctors were sick to death of me, and there’s nothing more ageing than lying in a hospital bed, trying to recover from hospital food. If your illness doesn’t kill you then the hospital food sees you off. That’s what it’s there for. Anyway, it was my time to go to pieces. Much overdue.”

4. Surprise by genuineness and sincerity

If you make a career of being tricky and irreverent, that becomes your norm. You can then surprise people further by taking a serious, no-nonsense stance on an issue — particularly one you find meaningful.

BILLBOARD: “You likened eating animals to pedophilia, a comparison some may find … extreme. Care to defend your point of view?”

MORRISSEY: “I don’t need to defend my own point of view. When you eat an animal you subject it to spiritual and physical rape, you eats its breasts … its rump … you cut off its genitals … whichever way you care to look at it, eating animals is violence at its most extreme.”

5. Have high standards

If something doesn’t meet your standards, you can simply ignore it. Another option is to dismiss it or mock it.

BILLBOARD: “Prince recently revealed that he’s an exceptional ping-pong player. What surprising, secret talent do you have?”

MORRISSEY: “I’m an exceptional ping-pong player.”

6. … And go back to surprising by inverting

Inverting the expected into the unexpected is a deep well you can go back to over and over.

BILLBOARD: “Lastly, what’s one piece of advice you wish someone had given you in 1984?”

MORRISSEY: “You should always judge a book by its cover.”