How to flip the trickiest question that copywriting clients ask

“I have a little rule about killing people. Well, actually I have two rules. One, I do not date musicians, And two, I do not kill people, ok?”
Playboy Playmate Jordan Tate, Under Siege (1992)

I’m currently talking to a very successful direct response copywriter. I’m considering hiring him as a coach to help me get to that top level myself.

He had me answer some questions in preparation for an intro call, including:

“Why should I work with you? What sets you apart from other copywriters?”

How the turn tables. Because this tricky question is something that copywriting clients used to ask me as well.

In my less experienced days, I would have tried my darndest to answer in a persuasive way.

“I’m smart…”

“I work hard…”

“I’m good at writing copy…”

That’s what I would have said once upon a time. But not any more.

Now I don’t say much at all.

​​It’s not any kind of a tactic. I’ve just come to realize that I really don’t know why (or even if) I would be a good fit for somebody I hardly know.

But shouldn’t I try to answer anyhow?​​

My experience is that by trying to answer, I just end up sharing a lot of pointless information that the other person doesn’t care about — but that puts doubts and objections into their mind.

It’s kind of like the Playboy Playmate in the Steven Seagal classic Under Siege. She says she won’t date musicians, while Steven is off fighting a bunch of Uzi-wielding terrorists. Nobody cares, muffin.

Speaking of Steven Seagal, though…

He offers a good model of how to actually respond to this tricky type of screening question.

Simply use the other person’s energy and aikido-flip it.

So for example, when the copywriting coach above asked me why he should work with me, I told him:

“I honestly don’t know. I’d say I’m dedicated and coachable, but that’s probably everyone you talk to. That’s why I’d like to first find out who does well with your coaching? And who doesn’t? And who do you like to work with?”

This same kind of principled approach can help you with prospective copywriting clients as well.

Anyways, enough Under Siege for today.

If you are a copywriter, then you might want to know that the CopyHour enrollment window is currently open. This is your opportunity to learn Steven Seagal-like skills, just wielding persuasion instead of a knife. Check it out:

http://copyhour.com/

Why practice does not make perfect

I just read that a guy named Justin Blackman forced himself to write 100 headlines a day for 100 days.

Result?

Writing got easier by the end, and he feels he got better at the headlines.

I’m sure the first is true. The second might well be true.

But it also reminded me of something I’d heard from Parris Lampropoulos, one of the most successful copywriters working over the past few decades (he’s been paid a million dollars in royalties for a single sales letter — multiple times over).

“Practice doesn’t make perfect,” says Parris. “Practice makes permanent.”

If you’re moving in the wrong direction, then more practice just means you will be building up bad habits that will be harder to break down the line.

It will help you build confidence, yes.

But then one day, when you find yourself in a smokey roadside bar and two dangerous-looking biker-types start harassing your girlfriend, you’ll walk over, shake your shoulders loose, crack your neck, and say, “Guys, you don’t wanna do this. Because I’ve seen Steven Seagal handle this exact situation, and I’ve practiced his move 100 times a day for 100 days.”

So how do you avoid building up bad copywriting habits?

Well, the same way you avoid winding up in the gutter with a broken jaw. One option is you find people who have proven themselves in the skill you want to learn (think Daniel Cormier, and not Steven Seagal), and you do exactly what they tell you to do.

Another option is you pick fights on the street, but with people you feel you can handle. Sure, you might get a black eye or a bloody nose now and then, but if you adjust and learn from the beatings you get, you will slowly progress and build habits that work.

Or, of course, you can choose to do both. Which is what I’ve done and continue to do. Because practice is important. But deliberate, meaningful practice, and not just Steven Seagal’s patented trachea grab.

Anyways, if you need some of that copy jiujitsu to flip your customers upside down so change starts falling out of their pockets, get in touch with me and we can talk.