Parris Lampropoulos

This bit of advice made an A-lister’s career

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During a recent interview, A-list copywriter Parris Lampropolous shared a story from early in his career.

Back then, Parris was writing his first magalog.

A magalog, as you might know, is a format for sales copy that mimics a magazine. It was a popular way to sell newsletter subscriptions back in the 90s and 2000s, before the Internet started to have its finest hour.

A typical magalog had a main “message from the editor” that ran the length of the “magazine.” It also had a dozen sidebar articles on individual topics.

How to write all this shit? It seems like a huge amount of work, and it’s hard to know where to even start. And that’s how it seemed to Parris back when he had to write his first magalog.

So Parris asked his mentor, Clayton Makepeace, for advice. And Clayton told Parris writing a magalog was simple:

You start by writing a bunch of fascinations, aka bullets, based on the content you are selling.

Some of these fascinations will have weak payoffs. In other words, there’s a good chance the reader will be disappointed when he finds out the “secret.”

So those weak fascinations stay “blind” fascinations, and just go into the sales pitch that is the message from the editor.

But some fascinations will have great payoffs, real forehead-slapping stuff. Those fascinations become sidebar articles, and reveal the secret.

And Clayton also told Parris the following:

The first few pages of the magalog are all good content… then it shifts to being 50/50 sales and content… and by the end it’s all sales pitch.

That’s all it takes to write a magalog.

So that’s what Parris started to do, with great success. He went on to have magalog controls at major publishers like Boardroom… and some of those magalogs earned him $1M+ in royalties. In the interview, Parris said this bit of advice on how to write a magalog made his career.

“Great for Parris,” you might say. “But how am I supposed to use this info with today’s copy formats?”

I’m glad you ask. Because it seems to me the magalog advice maps neatly to writing emails to promote an information product.

​​Start with fascinations… write an email for each fascination… reveal the rare good payoff… keep the fascination with a weak payoff blind.

And if you run a campaign that’s got a deadline (and why wouldn’t you), you can even follow the magalog structure of keeping the first part of the sequence all good content… then 50/50 content and selling… and finally all teasing and pitch.

But that’s not all. You might be able to use this magalog advice for other copy formats too.

For example, tomorrow I’ll share how you can use it in a sales medium you’ve probably never heard about… the rare and elusive kindlealog.

If you’d like to read that article, you might like to sign up for my email list. It’s where my articles appear first, and with no fascinations kept blind, even the most underwhelming stuff. Click here if you’d like to sign up.

The breakthrough from the first time Parris Lampropoulos met Clayton Makepeace

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Parris Lampropoulos once told a story about the first time he got to hang out with one of his mentors, Clayton Makepeace.

At this time, Clayton was one of the most successful freelance copywriters in the world. He had a list of controls longer than a giraffe’s tail. And he was pulling in over $1M a year, back when that was Hollywood money.

In part, Clayton did it by having a stable of talented junior copywriters, including Parris, working under him.

So at one point, Clayton invited the copywriters working for him out to Lake Tahoe. And it was a sight to see.

Clayton was staying there at the presidential suite at a ritzy hotel… getting pampered with massages and facials… eating out at the fanciest restaurants… and picking up the tab for his guests.

Generous.

And for Parris, a breakthrough.

Because at that time, Parris had already been a freelance copywriter for several years. He said he knew intellectually that a freelance copywriter could make Clayton-levels of money… but he still didn’t feel it deep inside.

He needed to see it with his own eyes, in order to make it a reality in his own life. Which is exactly what happened — in the months and years following that first in-person meeting with Clayton in Tahoe.

I bring this up because:

1) It might be useful to you if you are also hoping to reach Hollywood levels of success, and because

2) On a psychological level, your prospect is the same as Parris was back then.

Your prospect might know intellectually what you’re trying to convince him of… but odds are, he still doesn’t feel it deep down.

That’s why the most common writing advice is to show and not tell. And that’s why the most common copywriting advice is to use stories and demonstration. Because these are the most powerful tools you have to drive home a point — even one your prospect has heard a million times — and finally make it real.

And then, you can make your pitch. For example:

I have an email un-newsletter, where I talk about not new, but still valuable, fundamentals of persuasion and marketing. If you’d like to subscribe, here’s where to go.

How to get among the top 10% of all copywriters in one year

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According to copywriter Victor Schwab, the three most expensive words in advertising are:

“My wife says.”

That might sound like an outdated notion. And no wonder.

Schwab wrote that observation in a book called How to Write a Good Advertisement, back in 1942. That was an eternity ago.

But Schwab’s book is still worth reading. And re-reading. In fact, I read it once last year and once more this year. And I will re-read it next year too.

That’s because I once heard A-list copywriter Parris Lampropoulos say to do it. Parris said that if you want to get among the top 10% of copywriters, the process is straightforward:

Just read his recommended list of 13 books 3 times each.

The first time, read them like beach reading. The second time. underline. The third time, copy out your notes by hand.

And Parris said that, if you want to, you can do this all in just one year. (I’m a slow reader so it’s taking longer.)

Anyways, Parris only shared his book list and the process above with his small group of copy cubs… and later, with people who heard him speak in one way or another.

I fell into the second group. So I never wrote about this list before because I figured it was one of Parris’s trade secrets.

And it was, until a few months ago. Because in a public interview that Parris gave then to The Copywriter Club people, he explained everything I just told you. And ever since, his list is up on the Copywriter Club website.

So do you have a year to spare? And would you like to improve your copywriting to the top 10% level? If so, here’s where to start:

https://thecopywriterclub.com/parris-book-list/

How to fake exciting discovery stories

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Tony Robbins once shared a stage with a knight’s suit of armor.

At one point during his talk, Tony got close to the knight. Terrible static appeared on his mic. When he walked away, the static stopped.

The next time Tony got close to the knight, terrible static shot up again. He stepped away. The static stopped.

The third time it was about to happen, people in the audience started shouting. “Don’t get close to the knight!”

It turned out later than an ambulance in the neighborhood was somehow messing with Tony’s sound equipment. Once the ambulance left, the sound problems disappeared. It wasn’t the knight at all.

The human brain needs causation like a hot dog needs mustard. “Terrible sound! What’s behind it? It must be the knight!”

This works really well much of the time.

Sometimes it goes wrong, like in the Tony Robbins story above.

And in rare cases of clever persuasion… it can be used to lead people by the nose. For example:

During a webinar last year, Parris Lampropoulos analyzed a sales letter. It was written by his most successful copy cub.

The lead starts off with a true story of a 104-year-old scientist who won the Nobel Prize for her discoveries related to brain stuff.

The gist was this old lady saying, “I feel sharper now than when I was 20!”

The sales letter goes on to talk about the woman’s discoveries… and how the supplement for sale ties into her amazing research.

Now rewind.

Did you catch that?

It’s the same trick as with the knight above, at least for my hypergullible brain.

Because when I read this sales letter, my brain concluded, “Oh, she feels sharper because of her brain stuff discoveries. And this supplement is a way for me to tap into that, and get back what little I had when I was 20.”

But the sales letter doesn’t say that anywhere. The quaint old lady could have been feeling great because of her genetics… or because of her daily regimen of drinking beet juice. We just don’t know.

What we do know is that, when you’re writing copy, it’s best to have a genuine breakthrough coupled with an exciting discovery story.

But if you don’t have that… you can cheat. Just roll your breakthrough onto the stage… and then bring out an exciting story that’s not really about this discovery. Put them next to each other. Your prospect’s brain will do the rest.

Now rewind.

Did you catch that?

This whole article was a way of eliminating people who aren’t interested in persuasion or copywriting. Since you made it to the bottom, maybe this stuff interests you. In that case, you might like to sign up for my email newsletter.

How to create a selling style people love to read

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Let’s talk about the infamous Arthur P. Johnson.

I say “infamous” because the man was as unlikely as anyone ever to become a successful sales copywriter.

Johnson graduated from Swarthmore College with highest honors. He then went to Oxford University for a graduate degree. He had ambitions of becoming a poet, and a backup plan of becoming an academic.

Yet, through a chance runin at a bar with a former classmate, Johnson gradually got sucked into the world of direct response. He first worked at the Franklin Mint, writing copy for collectibles (a good education — how do you sell something with no obvious benefits?).

He next worked in product development at another collectibles company. Finally, even though he did not want to write copy any more, he stumbled into freelance copywriting. And that’s when things really took off.

Johnson wrote controls for a number of major publishers, including Boardroom and Agora. He made himself a fortune in the process.

He was so successful he made it onto Brian Kurtz’s Mount Rushmore of greatest copywriters, along with Parris Lampropoulos, David Deutsch, and Eric Betuel.

And here’s the lesson. When Arthur P. Johnson was asked what he attributes his success to, he said the following:

“I think that I’m able to sell products in a more entertaining way than a lot of other people are. I think that being entertaining while you are selling is a big key to success in a very crowded marketplace these days, because you really have to buy people’s attention.”

Johnson did most of his work in the 90s and 2000s. But this lesson, about having to be entertaining to sell, is even more true today than it was back then.

I’m proof of this.

Not with these emails, where I rarely sell anything.

But starting earlier this year, I’ve helped move hundreds of thousands of dollars worth of ecommerce products.

​​I’ve done it by writing emails, much like this one, that tell some kind of story or share a joke or just a funny picture. And those emails most often link to advertorials I also wrote… which contain more of the same — stories, fake personal confessions, and light humor (so I think).

The thing is, I’m not particularly entertaining in real life, or when writing things other than copy. In other words, all this entertainment stuff can be learned by rote.

So how do you learn it?

Two ways:

First, start paying attention to the books, shows, emails, and movies you yourself find entertaining.

Second, read or re-read Commandment IX of my 10 Commandments of A-List Copywriters.

No, this chapter is not a how-to for writing entertaining copy. But it will give you some successful examples of such copy that are running right now.

Plus it will even give you some advice on who and what to study if you want to get better at entertaining in your copy.

And once you start to entertain in your copy, expect people to comment on how interesting your writing is. Expect to have them say how they look forward to hearing from you. And most of all, expect to have them buy — as long as you’ve got anything to sell.

Speaking of which, I happen to have something to sell tonight. In case you don’t yet have my 10 Commandments book, here’s the link:

https://bejakovic.com/10commandments

All that clients really want

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During a bus ride today between two Balkan superpowers, I was surprised to see the bus driver roll down his window, take out a pack of Marlboro’s, and light one. He smoked his cigarette and then tossed the butt out the window.

When a car on the road wasn’t driving fast enough, the bus driver started tailgating. He cursed and talked to himself at full volume. Once he could pass, he honked at the other car for five seconds to show his disgust.

But neither of those made me nervous. What did make me nervous was when the driver took out his phone and started texting at 60 mph. Every so often, he looked up to course correct as the bus listed on the highway to the left or the right.

And yet, nothing bad happened. No crash. No run-over animals or people. We even made it pretty much on time, after you factor in the extra half hour at the border for everyone to get corona throat-swabbed.

If I ever have to make the same trip again… I guess I might go with the same company. After all, they got me to my destination, and they got me there on time.

Maybe you see where this is going.

A couple days ago, I saw a question online about the “ideal copywriter.” If copywriting clients could create their ideal copywriting provider… how would that look?

This brought to mind something I heard A-list copywriter Parris Lampropoulos say. According to Parris, clients only want three things from a copywriter:

1. He should get results
2. He should deliver copy on time
3. He should be pleasant to work with

If you have all three of these, you’re golden. But two of the three is good enough, says Parris. You just gotta be “damn strong” in those other two.

“Sure,” your client might say, “he did come into our office cursing and smoking. He did insult the secretary and put out his cigarette on our carpet. But he also actually got us the copy in time… and it made us good money. I guess we will hire him again.”

Now if you don’t deliver your copy on time, I’m afraid I can’t help you.

But if all you’re missing is knowledge of how to get results with your copy, then my daily email newsletter might be what you need. It’s all about lessons in copywriting and persuasion, coming from legendary pros like Parris, filtered through my own experience. If you’d like to try it out, click here to sign up.

Today’s magic announcement

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“Any sufficiently advanced technology is indistinguishable from magic.”
— Arthur C. Clarke

Maybe you heard today’s news:

This year’s Nobel Prize for chemistry is going to UC Berkeley professor Jennifer Doudna for her 2011 discovery of the CRISPR/Cas9 mechanism.

From what I understand, CRISPR is a set of “genetic scissors” that allow you to turn an elephant into a mouse, and a mouse into a louse. In other words, it’s pure magic.

I don’t doubt CRISPR works or that it might one day cure HIV, Huntington’s disease, or sickle cell anemia. But the fact is, I have no idea how it works. On a deep level, I never will. And yet, I’m incredibly excited to read about it, and marvel at the sorcery that is possible today.

My point in bringing this up is something I heard copywriter Parris Lampropoulos say once:

We all believe in magic in one form or another.

Maybe it’s your brand of religion… maybe it’s 34th-century science like CRISPR… maybe it’s karma or vibrations or Wicca or whatever.

But one way or another, human beings want magic in their lives.

They don’t want mundane solutions that improve things a reasonable amount. They want magic — a button to push or a wand to wave or a pill to swallow — which will achieve the impossible, and thrill them in the process.

You might think that’s a tall order. But it’s a good target to shoot for, if you’re in the business of selling people what they want.

Speaking of which:

If you’re looking to be thrilled and surprised, every day, then you might like my email newsletter. To make it magically appear in your inbox, simply click here and fill out the form which pops up out of nowhere.

No need to confess all your sins or virtues in a sales letter

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When I was a kid I got convinced that if I swallow a piece of chewing gum, it will get stuck in my appendix where it will fester until it causes an explosion that kills me.

For years, I was careful to chew gum only in the front of my mouth, to minimize risk. And then one day I accidentally swallowed a piece of gum. After hours of tense waiting — no explosion.

My point is that it’s easy to convince yourself that there are some things that you simply must or must not do — without any basis in reality.

Let me give you a copywriting example.

​​Last week I delivered a VSL to a client. He just got back to me to say he thinks it’s great. But he had a question. The course the VSL is selling contains more techniques than the single technique the VSL focuses on. Shouldn’t we change this?

It’s a valid question. In fact, earlier in my copywriting career, I would have believed it’s one of those “musts”: “If it’s in the product, I must talk about it in the sales copy.”

The thing is, in this specific case (a real estate investing product), people don’t really want a complicated, full-blown system. They want an opportunity — some concrete, sexy thing that sounds easy to implement, and that feels like a secret to help them get around the usual ways of doing things.

Which leads me to a bit of wisdom I heard from A-list copywriter Parris Lampropoulos:

“Does it hurt my case, help my case, or is it neutral?”

That’s what Parris asks about every line, fact, and argument in his sales letters. If something hurts his case, or is neutral, it gets kicked out. Because there’s no need to confess all your sins or all your virtues in a sales letter. Nobody asked — and there will be no explosion if you don’t do it.

Nobody asked me to create a daily email newsletter, either. But I did. I write about copywriting and marketing. If you’d like to see what this newsletter is like, you can sign up here.

Sweet inconsistency in copywriting education

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“The most important thing — you can know every copywriting technique in the book, you can read every book — the most important thing is to understand your audience.”
– Parris Lampropoulos

At the start of this year, I got a job to rewrite a VSL for an upsell of a successful offer.

A bit of background:

The offer was in the real estate investing space. It basically showed newbie investors how to get their leads for free using a secret resource.

​​Once people bought the frontend offer, they were shown the upsell. The upsell was about how to hire virtual assistants to automate much of the work involved in the frontend offer… so you can make more money in less time.

The question was how to position this upsell VSL.

My copywriting coach at the time said something like, “This training is the quickest way to become a millionaire real estate investor.”

That might be true. But my feeling was, for this audience, it was not believable. Most of these people had never even completed their first deal. Lots of them were retirees, or people who just wanted to quit their crap jobs and spend more time at home.

If these folks heard “You can be a millionaire,” my gut feeling was they would say, “No, that’s not me.”

And so I wrote that VSL around the promise of, “Get your first deal faster by doing less.” And that positioning turned out to be a winner. It beat out the control by 50%.

Here’s why I bring up this story from my client annals:

Copywriting wisdom is full of sweet inconsistency. Many top copywriters will tell you to make the biggest promise you can — and they will show you million-dollar ads to back up their case. Here’s a famous one from John Carlton:

“Amazing Secret Discovered By One-Legged Golfer Adds 50 Yards To Your Drives, Eliminates Hooks And Slices… And Can Slash Up To 10 Strokes From Your Game Almost Overnight”

But then you have other top copywriters, who will tell you the opposite — to make modest but believable promises. They will also show you successful ads to back up their case. Here’s one from Gary Bencivenga:

“Get Rich Slowly”

So who’s right? The “biggers” or the “modests”?

Neither, of course. Instead, it’s Parris who’s right.

As he says in the quote above, you’ve got to know your audience. Some audiences will believe any promise, so the larger it is, the better for you. Other audiences won’t. So make the biggest promise you can — as long as you’re sure your audience will find it believable.

Want to get better at copywriting slowly? I have a daily email newsletter where I share more information like this. You can sign up here.

Sorry to see you go

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Here’s a Days-Of-Thunder-sized personal confession:

I cant “read” marketing.

I find it too boring. As soon as I suspect an email or a web page or an article is trying to sell me something, a switch gets flipped in my head, my eyes get watery, and I start to gloss over the text in hope of escape.

This is definitely a problem, since I make my living writing sales copy, the exact kind of stuff I can’t stomach reading.

So I’ve found ways of working around this.

For example, one of the main benefits I get from hand-copying ads is that it simply forces me to carefully read those ads.

For a while, I was also having success by seeking out trends for a “3-minute DR news” feature for my email newsletter. That helped me actually pay attention to other marketers’ ads, even if I had no interest in what they were selling or preaching.

As part of this, I subscribed to dozens of email newsletters. But over time, I unsubscribed from almost all of them.

I did the same just now with copywriter Abbey Woodcock’s newsletter.

All I know about Abbey is that 1) she was one of Parris Lampropoulos’s copy cubs, so she’s gotta know about copywriting and 2) she has some kind of program helping newbie freelancers get started.

Unfortunately, from what I’ve seen in Abbey’s emails, she doesn’t talk too much about 1. But she talks aplenty about 2.

So I unsubscribed. But then, I saw an interesting thing on Abbey’s unsubscribe page.

It’s something I haven’t seen anybody else do. Here’s what happens:

When you click unsubscribe in Abbey’s email, you get taken to her site to confirm. “Yes, I really do want to unsubscribe.” Once you click that, you are taken to one final page.

“Sorry to see you go,” the page says.

And then directly below, it goes on: “Here are some other resources that might be a better fit,” followed by two affiliate links (Copy Chief and something called Effic Planning System).

I thought this was great because 1) it could be genuinely helpful to somebody who wasn’t a fit for Abbey’s stuff and 2) it could make some money for Abbey from an otherwise useless ex-lead.

This illustrates a principle I first heard Ben Settle talk about. (I guess he learned it from Dan Kennedy.)

That principle is to always seek out unused capacity.

Abbey’s unsubscribe page is just one small and clear example of this.

But if you have any kind of business — yes, even as a newbie freelancer — you might have unused capacity that you could profitably exploit.

Take for example these blog posts. For most of the time I’ve been writing them, I simply ended each post without including any kind of call to action.

Unused capacity.

So I started including a CTA each and every time. Something simple. Along the lines of,

I’ve got an email newsletter about marketing and persuasion. If you like what you just read, you might like that too. In case you want to give it a try, click here to subscribe.