Extremes

The beginning and the end of copywriting

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Today being January 1st, I find it an excellent opportunity to wish you a happy New Year and to point out the surprising significance of January.

As I learned when I was still young and very stupid, January is named after the Roman god Janus, the two-faced deity of doors, gates, and more broadly, beginnings and endings.

I say I was still very stupid when I first learned this, because my reaction was, “A god of doors? How lame. What’s next? A god of faucets?”

It was only later, after I read a book or two, that I found out just how fundamental the idea of a door — an entry point, an exit point — really is to the human mind.

Because all human perception, down at the most basic neurological level, is based on difference, contrast.

Right now, bunches of your neurons are frantically working to determine where they can draw a line, and call everything before it one thing, everything after it another, and convince you these are somehow meaningfully separate, and discard the many other details that don’t fit into that picture of the world.

Without this Januarial work of drawing lines and creating doors to come up with discrete concepts, we couldn’t really have any higher-level thinking.

That’s why it makes sense that January, the month of doors, comes before, say March, named after the Roman god of war, Mars.

“That’s truly fascinating,” I hear you saying. “I had no idea of the depth of your classical learning or your smattering of popsci neuroscience. But what does this have to do with marketing or making money or really anything else I might actually care about on January 1st?”

Everything. It has everything to do with it.

This basic observation, of the outsized importance of beginnings and endings, repeats itself at every level of the sales job.

At the level of entire sales campaigns, where the opening of the campaign and the closing of the campaign bring in almost all the sales…

At the level of individual sales letters, where the headline and lead on the one end, and the offer and close at the other end, represent 80%-95% of the effectiveness or sales pull of that letter…

At the level of individual sales claims or promises, such as the following:

“The simple 12-word-sentence that will make you the #1 candidate more often than you would ever believe.”

That’s a bullet written by A-list copywriter Gary Bencivenga, considered by many to be the greatest of the greats because he won so often against other A-list copywriters.

You might think Gary’s bullet is just a simple, direct response promise. But there’s a surprising amount of subtle psychology that goes into this bullet, with a particular emphasis on what Gary chooses to put first in this bullet, and what to put last.

I won’t explain that subtle psychology here, but I will tell you the following:

Wouldn’t it be nice to start this New Year acquiring a new skill, a truly valuable skill, a skill that few others possess?

Wouldn’t it be nice to acquire one of the greatest skills you can have as a copywriter, whether you write for clients or for your own business?

Wouldn’t it be nice to acquire a skill that ultimately all effective copy comes from?

You probably know what I’m talking about.

But if you’d like to make 100% sure, or if you’d actually like to use this January 1st to get yourself this skill and the associated bump in fortune that this skill can bring, then take a look here:

https://bejakovic.com/cr/

The most radical division it is possible to make in the marketing world today

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There is one fact which, whether for good or ill, is of utmost importance in the lives of all marketers in the present moment.

There is no doubt this fact forms the most radical division it is possible to make in the marketing world today. It splits marketers into two classes of creatures: winners and losers.

I will tell you this fact. Or rather, I will illustrate it.

Yesterday, YouTube served me up a video. The video was blurry and showed a three-piece rock band. They were at some sort of daytime festival. They stood on a tiny stage with flower pots in the front and an American flag pinned to the back wall.

The band members were middle-aged. They all wore matching outfits — black dress pants and shimmering gold sport coats. They started to play a ZZ Top cover and—

The drummer. Something was clearly wrong with him.

He was grimacing. He was flailing his head. He was wrapping his arms around his head before striking the drums. He was doing the robot. He was drumming with one hand. He was doing a kind of imbecile tiny drumming.

If Chris Farley had learned to play the drums before he died of a speedball overdose, this is what it would have looked like.

This video has 51 million views on YouTube right now.

​​​A tiny stage with flowerpots in the front. Shimmering gold sport coats. A ZZ Top cover.

51 million views.

So here’s the fact of utmost importance:

If you prefer not to exaggerate, you must remain silent.

Such is the formidable fact of our times, described without any concealment of the brutality of its features.

It is, furthermore, entirely new in the history of our modern civilization. Never, in the course of its development, has anything similar happened. Never have there been other periods of history in which exaggeration has come to govern more directly than in our own.

I know well that many of my readers do not think as I do. This is most natural.

Many of those dissentient readers have never given five minutes’ thought to this complex matter. And yet they believe that they have a right to an opinion on the issue. It merely confirms the theorem.

These readers feel themselves complete and intellectually perfect. They have hermetically closed off their minds to new ideas and decided to settle down definitely amid old mental furniture.

​​How to reach such people — except through exaggeration?

The only question that remains is how to best adapt to the present moment. How to exaggerate in the most effective way possible.

I may be mistaken, but the present writer, when he puts is fingers to the keyboard to treat a subject which he has studied deeply, believes this most effective way is called Copy Riddles.

Copy Riddles brings together the greatest collection of copywriting talent ever assembled inside one program. These master persuaders are ready to reveal their secrets to you, to prepare you for the present reality, and to take you outside of yourself for a moment.

​​To start your transmigration:

https://bejakovic.com/cr/

5 (+ five) easy ecommerce pieces

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See if you can spot the one green “5” in the picture below:

Wasn’t hard, was it?

But if I asked you how many 5’s there are in the above picture, that wouldn’t be as easy. In fact it might be a pain in the ass, and you might give up rather than count.

Counting doesn’t come natural to us. Our eyes and brain have to work at it.

Not so with contrast.

We’re kind of like that T-Rex in the original Jurassic Park. “Don’t move… it can’t see us if we don’t move.” In other words, create enough contrast, and your prospect immediately sees the message you want him to see.

Of course, marketers have long known about this. And they have long used it to make more sales. As Rich Schefren likes to say, different is better than better.

Anyways, that was my little intro to try to sell you on watching the video below. It’s a recording of a presentation Stefan Georgi gave a few weeks ago. And it’s all about split tests he always recommends performing in ecommerce funnels.

I’ve done a lot of work on the direct response side of ecommerce. And I knew some of Stefan’s split tests. But most were new to me.

And while it’s not guaranteed that any of these split tests will win for any specific funnel, all of them sound reasonable. Because all of them are based on fundamentals.

Stuff like contrast… or reason why… or guiding your prospect’s attention… or cutting down his confusion.

So if you’d like to see all of Stefan’s split tests, along with his breakneck explanations for what exactly to test and why, you can find it at the YouTube video below.

But be careful. Because the first two-thirds of Stefan’s presentation are all about these split tests. But then Stefan shifts gear.

​​And he gives a soft pitch for the Copy Accelerator live event that’s happening in Scottsdale at the end of this month.

I say be careful because you can get sucked into Stefan’s pitch. For example, it happened to me.

After watching Stefan’s presentation yesterday and hearing his pitch, I found myself excited abuot going to the Copy Accelerator event. Even though I’d have to fly halfway around the world to do it (what a contrast and a pain)… and even though I’d have to laboriously count out a bunch of simoleons for plane tickets, hotel rooms, and for the event admission itself.

We will see how that ends up. ​​

In the meantime, if you’re already planning on going to Stefan’s event, let me know. So far, I’ve only met 2 people in real life who read my email newsletter. I’d like to maybe bring that up to 3, and meeting you there might sway me to go.

(Whaat? You’re not signed up to my email newsletter? You can fix that here.)

And if you’re not going to Copy Accelerator (yet), or if you just want to see Stefan’s ecommerce optimizations, here’s the money-making video:

The best copywriting tactic ever

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Why does a giraffe have the longest neck?

The canned answer is because it’s useful. It allows the giraffe to browse books on the top bookshelf.

The real answer is that giraffes love extremes. That’s according to V. S. Ramachandran, a neuroscientist and psychologist at UCSD.

Ramachandran says giraffes, and all other animals, have to know who’s a sexual target and who’s not. Otherwise, they might waste their prime dating years humping couches or human legs or other animals species. (Clearly, something went wrong with dogs.)

So how does a giraffe find love?

The simplest and easiest way it can. It looks for shortcuts.

“Long neck? Gotta be another giraffe! Time to get the cologne.”

But here’s where it gets tricky and interesting:

If a long neck is a mental shortcut for a giraffe to pick out another giraffe… then a longer neck is an even shorter cut.

The conclusion is giraffes’ necks get longer and longer. The longer your neck, the more likely you are to get some giraffe action and pass on your long neck genes. In the end, the longest neck wins.

As I said, giraffes love extremes. Almost as much as humans love extremes.

Because the human brain is like a giraffe’s. We also like shortcuts. And we want to follow these shortcuts to the end. Which leads me to the best copywriting tactic ever:

Go to extremes, whenever you can get away with it.

The most successful direct response copy is filled with the most dramatic stories… the scariest warnings… and with superlatives like fastest, easiest, and best.

The world is complicated. Too many choices. Too much information. That’s why we seek out extremes, to make our lives easier. And that’s something you can use to make your copy not better, but best.

Speaking of which, here’s the safest offer you will ever hear:

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