A devious and cynical way to open up new markets

“A woman’s arm! Poets have sung of it, great artists have painted its beauty. It should be the daintiest, sweetest thing in the world. And yet, unfortunately, it isn’t always.”

After James Webb Young wrote those lines in 1919, women in his social circle stopped talking to him.

Even his female copywriter colleagues gave him dirty looks.

Young was working for the J. Walter Thompson advertising agency. His task was to promote the first-ever antiperspirant, Odorono.

Young’s first crack at this account was a fairly standard ad. It attacked the popular belief that an antiperspirant is dangerous stuff.

Sales limped upwards, and then flattened.

A subsequent door-to-door survey revealed that women knew about Odorono. But only one third used it. Two thirds believed they didn’t need it.

So Young wrote another ad. The headline read, “Within The Curve of a Woman’s Arm.”

It was this ad that got him those dirty looks.

It also made Young’s career… it doubled sales of Odororno (which eventually became a million-dollar company, back in 1920s money)… and it made millions of women newly self-conscious.

The point of all this is the power of tying in what you’re selling to people’s insecurities.

Genuine insecurities.

Because today it’s enough to say, “Bad BO?”

But back in 1920, you couldn’t do that. Women smell-tested themselves. They smelled fine.

That’s why Young had to create a problem. He took the idea of perspiration… and he tied it to being undesirable — and clueless about it.

Devious? Yes.

Cynical? Absolutely.

Profitable? Like a mother.

And something to keep in mind, if you too are in the business of opening new markets.

(By the way, in case you think this is another example of horrible double standards for women… Men got their own deodorant, starting in 1935. Before then, man-musk was considered a good thing. So how did advertisers sell the American man on demusking himself? They did the same damn thing. They tied it to the possibility of stinking up the office… and the emasculation of being fired.)

One final point:

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“Reach the maximum limits of your full potential market”

“This is exactly how I ended up having to get stitches for the first and only time in my life.”

This spring, I had to sell a knife-sharpening gizmo. It was faster, cheaper, and easier to use than a whetstone.

But who cares?

There’s tiny demand for knife-sharpening gizmos of any kind, and it’s unlikely that many people will be swayed by a feature comparison.

What I needed to do was to expand the universe… to take it out of the small space of people who are looking for a better (or any) knife sharpener… and into the much bigger world of people who use kitchen knives but never give a thought to sharpening them.

So what to do?

I ended up telling a story involving a dull chef’s knife, a green bell pepper, and a cut that required four stitches. I created a problem in the reader’s mind where there wasn’t one.

“Dull knife? Yeah, I really don’t care.”

“Sliced-open finger? Geez, what can I do to make sure this won’t happen to me?”

In general, you don’t want to sell to people who are indifferent to the problem you claim to solve.

The only reason you ever would want to do this… is because you are very greedy. Because in most markets, the segment of indifferent prospects dwarfs the knife-sharpener connoisseurs. As Gene Schwartz wrote in Breakthrough Advertising:

“What do you have left [after you can’t talk about your product]? Your market, of course! And the distinct possibility that by broadening your appeal beyond price, product function or specific desire, you can reach the maximum limits of your full potential market; consolidate splinter appeals; and increase the sales of your product at a fantastic rate.”

That’s all on the topic of indifference for today…

Except, I want to ask if you consider yourself a marketing high-flier?

Because a lot of marketing high-fliers are joining my email newsletter these days. If you want to find out why, click here and try it for yourself.

Lost in translation

“You can no longer function as a man.”

“When I came in to open up one morning, there you were, with your head half in the toilet. Your hair was in the toilet water. Disgusting.”

“You’re weak, you’re out of control, and you’ve become an embarrassment to yourself and everybody else.”

These are some of the great lines from a drug intervention scene in The Sopranos. Soon after that last line, a fight breaks out, and the interventionists end up kicking the drug addict in the ribs while he’s on the ground.

Of course, that’s not how an intervention is supposed to go.

The theory is that, when one person tries to persuade you, there’s always a translation problem. In other words, your brain is always asking:

“What is this goon really trying to say, and why is he saying it to me?”

That’s why interventions are supposed to work. Multiple people, shouting the same message, make it more likely that the message will get through.

But what if you don’t have the luxury of marshaling multiple people to kick your prospect in the ribs?

What if you only get one kick? How do you convince somebody who’s perfectly ok as is… that he’s got a problem and it’s time to get help?

I’ve got some ideas about this. In fact, I’ve shared them in previous editions of my daily newsletter. Ideas such as:

A) Showing your prospect how his indifference is not really his choice.

B) Using open-ended questions to get your prospect to paint a vision of his own horrible future for himself.

C) Working backwards from an outcome your prospect wants to avoid (that HE wants – not that you think he should want), and showing him why he’s currently headed there.

But I’m a sucker for lost causes, and that includes convincing people who don’t want to be convinced. And I’m always looking for more ways to get around the translation problem.

If this is something that interests you… and you want a report on what I find… you can sign up for my daily email newsletter by clicking here.

The first millennial saint and the miracle of concreteness

Carlo Acutis, born 1991, died 2006, was beatified today by the Catholic Church.

The next step is for Acutis to be made a saint — the first millennial saint, if God and Church will it.

So what’s the story?

Acutis lived a pretty holy life before dying of leukemia at age 15. He worked to help the poor… he defended the rights of the disabled… he documented Eucharistic miracles and used his programming skill to make a website that catalogued them.

But that’s not what got him beatified. Instead, it took a literal miracle.

As you might know, when the pharisees came to Jesus to ask for a sign of his divinity… Jesus scorned them and sent them away.

But the Catholic Church doesn’t operate like that.

The Catholic Church requires you to perform a documented miracle in order to be beatified… and two if you want to become a saint. (Acutis supposedly helped a Brazilian boy get healed of a pancreatic defect.)

Don’t get me wrong. I’m not here to harp on the Catholic Church or to nitpick whether they’re consistent with the words of Jesus.

I simply want to point out that if, like the Catholic Church, you want to appeal to everyone (and the Catholic Church does, it’s right there in the name)…

Then you can’t be as dismissive as Jesus was when people ask you for a sign.

Because the multitudes need miracles… they need signs… or if you want to put it into persuasion and influence terms, they need concreteness.

Listing logical reasons and abstract arguments… that’s hard to people to get a grasp on. But giving demonstrations, showing case studies, or just citing specifics… well, that can be miraculously persuasive.

Perhaps you find all this blasphemous. Perhaps you feel that not every decent human act needs to be a lesson about persuasion and manipulation. In that case, you definitely won’t be interested in my daily email newsletter.

On the other hand, if you were not offended by the discussion above and you want to get on that newsletter… then click here.

 

The ABT’s of writing persuasive stories

“I was sitting in a park today when I spotted a leggy girl in a blue dress, walking with a certain sashay. And so I ran after her. I stopped her, ready to give her a compliment. But once I was there, face to face, I was no longer sure she was a girl. I wasn’t even sure she was a she. She was taller than I was, and stronger in the shoulder and jaw department. When she started to speak, my suspicions deepened. Therefore, I started looking for ways to gracefully exit from this situation — not so easy to do, because my new blue-dress acquaintance seemed pleased with me and ready to talk.”

I did eventually get out of there and get to the apartment I’m staying in, where I started to read about copywriting. Specifically, I started to read about a way of structuring your stories so they keep readers reading. It’s a simple technique called ABT:

AND – that’s your setup of the story

BUT – that’s where the conflict or complication happens

THEREFORE – that’s the outcome or resolution

If you’re a diligent duck, you can go back and see how I ham-fisted those conjunctions into my park story above. Or just take a look at this next short story:

“An immigrant from a developing country arrives to the US, learns basic English, AND decides to become a professional copywriter. BUT his initial results are underwhelming and he doubts whether he can succeed. THEREFORE he develops his own unique copywriting system, which causes his sales jump 10x, making him the most successful copywriter at a major direct marketing publisher.”

Like my blue-dress adventure above, this immigrant story is true. It is the story of Evaldo Albuquerque, who over the past few years has been the most sellful copywriter at Agora Financial.

I read about the ABT technique in Evaldo’s short book, The 16 Word Sales Letter, in which he lays out his unique copywriting system.

​​I haven’t finished the book yet, so I won’t give you my opinion. ​​But Bill Bonner, the founder of Agora, says, “This is the book I’ve been waiting for.” And Mark Ford, a master copywriter who helped grow Agora to the size it is today, says, “I’m going to recommend this as a must-read to all my copywriting proteges.”

And that’s that. But maybe you don’t know where to find Evaldo’s book so you can see if it’s for you. Therefore, here’s the link:

https://bejakovic.com/evaldo

A VSL lead idea from the Harmon Brothers Agora ad

I watched the Harmon Brothers Agora video today.

​​You might know what I’m talking about. It’s a humorous, viral-style video by the same people who made the one for Purple Mattress — except this one is selling an Agora stock-picking service.

This video is deadpan because it moves so quickly. I counted 17 jokes — visual, verbal, and physical – in the first 60 seconds alone. That’s a joke every 3.5 seconds, and I might have missed some.

When I first saw this video, I thought it was mostly a ripoff of Will Farrell movies. But I now realize it’s actually inspired by The Simpsons, which had the same rapidfire sequence of jokes.

​​Each joke might not be spectacular in itself. But the jokes are staggered in such quick fashion and edited so tightly that your brain starts to play along.

Unfortunately, the type of humor in the Harmon Brothers video is hard to replicate in writing. Instead, this might be a good way to write a lead, particularly for a VSL in gotta-wow-em markets like bizopp or weight loss. Here’s the recipe:

Take everything you want to say, all your promises, open loops, proof, objections and rebuttals, and write an obnoxiously long lead. Don’t be shy. Then boil it down through merciless editing by at least 10%, preferably much, much more.

The resulting copy will have so much momentum, that even if none of your individual claims or promises is all that unique or impressive or believable, you will simply blitz your reader’s brain into sticking with you through the first few minutes. And that, as they say is, 50% of the battle.

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Making missed opportunities hurt

I’m at the seaside for a few days. Last night, after the fortieth glass of aperol, the decision was made to go for an “early-morning swim” today.

Today however, thanks to that same aperol, morning came later than usual. And then there was breakfast and some packing and a bit of standing around on the balcony. The early-morning swim plans turned into mid-day swim plans.

And then it started to rain. There would be no swimming after all.

Typical. At least in my life. Because in my experience, you can screw up in two ways:

You can take action and do something dumb… or you can not take action and miss an opportunity.

I’ve noticed in my own life that I’m much more likely to not take action, just like this morning, than to get overeager and get into trouble.

And I guess I am not the only one.

I read in Daniel Kahmenan’s Thinking Fast and Slow that we humans have a reliable bias in this direction.

It’s not just laziness.

But somewhere deep down in our monkey and lizard brains, we believe we will regret a mistake much more if we actively did something to bring it about… rather than if we just sat by, staring out the window, watching the clouds gather.

If Kahneman is right — and why wouldn’t he be, the guy’s got a Nobel Prize after all — then it’s another notch in favor of writing over-the-top, emotionally supercharged, manipulative sales copy.

Because sales copy, in spite of what many people will tell you, is not just like an ordinary conversation. You can’t just present a sober, reasoned argument and have people jumping out of bed.

Instead, you’ve got to create such desperation and fury in your prospect’s mind not only to overcome his natural laziness… but to overcome his fear of trudging all the way down to the beach, and then getting drenched in ice-cold rain. That’s gonna take some hyperbole. It’s gonna take some drama.

Finally, here’s a vision I want to paint in your mind:

I have an email newsletter. Each day I write a short email about copywriting and marketing lessons I’m learning.

If you like, you can sign up for the newsletter here. Or you can just wait. The opportunity will still be there tomorrow. And the day after. And the day after that.

From good-looking and talented to star in one easy step

In 1969, Robert Redford was a good-looking, talented, accomplished actor. But he was not an A-list celebrity. “Throw a stick at Malibu,” said a Hollywood insider, “and you’ll hit six of him.”

And yet, after a single movie (Butch Cassidy and the Sundance Kid), Redford became the biggest star in Hollywood — not just for 1969, but for the entire coming decade.

In 2009 (or thereabouts), Rich Schefren was a successful and respected online entrepreneur and business coach. But he was not the no. 1 name in the Internet marketing space. He was certainly not getting mainstream attention.

And yet, after writing a single 40-page report (The Internet Business Manifesto), Schefren became a star in his field. Millions of downloads of his report followed, along with hundreds of new clients, and even the attention of big brands like Verizon.

My point is that a single piece of work can make you a breakout success. It can transform you from somebody who is skilled, prepared, and talented… into a star in your industry.

Unfortunately, I don’t have a recipe for you to become an A-list Hollywood celebrity.

I do have a good idea of how Rich achieved such big success with his Internet Business Manifesto. He’s been open with his strategies, and if you start following him online and going through all the content he’s publishing (a good use of your time), you’ll get the idea too.

However, if for some reason you don’t have time… or you hate the idea of following Rich Schefren… you’ll find the gist of Rich’s strategy in Commandment 7 of my upcoming book on valuable ideas handed down by A-list copywriters.

(Rich, by the way, is not an A-list copywriter. He’s just a very successful marketer, and somebody I’m using to illustrate a copywriting technique, which works just as well in the Internet Business Manifesto as it does in a cold traffic sales letter.)

Anyways, I’m making good progress with this little book, and it should be out by the end of this month. If you want to get notified when my book comes out, you can sign up for my daily email newsletter.

What boomers and Tik Tokers crave the most

A while back, I was listening to a coaching call by top-level copywriter Dan Ferrari. And one of the guys on the call — it might have been copywriter Mike Abramov, I’m not sure — was writing a sales promo for some Agora health affiliate.

You might know how these Agora health promos look: a miracle discovery in the jungles of a remote Pacific island… an FDA conspiracy to suppress a powerful natural cure… long-lost scientific gold uncovered again by accident.

Anyways, the Agora copywriter in question said the following insightful thing:

“People are just really bored, and the one email each day with the curiosity-teasing clickbait is the highlight of their day.”

This ties into something Kevin Rogers of Copy Chief wrote in an email several months. Kevin was talking about the shift from selling to entertaining, and how this is indispensable today as direct response markets shift from the boomer generation to whatever generation comes after the boomers (gen X?).

Kevin says, it’s just as important for a copywriter today to study Quentin Tarantino as to study Claude Hopkins.

I agree. And more people becoming aware of it. But as the Agora copywriter above commented, this is not just if you’re selling to millennials or gen X or whatever Tik Tok-enabled crowd today.

In today’s market, whatever and whoever you sell to, odds are, your prospects are bored. And the sales copy you send them — emails, FB ads, advertorials, long-form sales letters — should be the entertaining highlight of their dreary days. Entertain first, and you might have a chance to sell, too.

And if you yourself need an occasional cure from being bored, I write a daily email newsletter than can help with that. Or it might not. But if you want to give it a try, and see if amuses you to read, you can sign up for a test here.

Story-deaf jerks

I saw an ad today for a trendy copywriting course.

For the low price of $37, it teaches you “critical plot techniques” and “the secret to creating a protagonist.” In other words, this is a course on storytelling.

I’m sure this course is selling. But I wouldn’t buy it, and I wouldn’t recommend it to anyone else.

Don’t get me wrong. There are people who are excellent storytellers. And there are people who are completely story-deaf. They are the storytelling equivalent of Steve Martin in The Jerk — a white man clapping his hands and stomping his feet in the most off-rhythm, hopeless way possible… while his black family sits on the porch and sings Pick a Bale of Cotton.

But the vast majority of people are not at either of these extremes.

Most people are not, and will never be, Dave Chappelle-level storytellers. But most people can tell a story just fine. It’s an innate human skill, much like blinking your eyes. No need for a course that teaches “7+ story integration strategies” or “How to create a theme for your story.”

Want a storytelling tip worth paying for? Here’s one I got from my ex copywriting coach, a successful and well-paid copywriter:

In many places where you think you need a story, you actually don’t. All you really need is a scene, a snapshot.

Like in the Jerk reference I made above. I could have told you the whole story up to that scene, and included half the movie that follows. But the snapshot was enough.

And when a snapshot is not enough, then two connected snapshots, or three, might do the trick.

Start to think of storytelling in this cinematic way. Soon you won’t need a course on storytelling… any more than you need a course on snapping your fingers to the beat.

Before I go:

I write a daily email newsletter with messages like the one you’ve just read. If you’re interested in copywriting, marketing, or persuasion, you might find it valuable. Or you might not. But if you want to give it a try, here’s where to sign up.