Steve Martin

A dirty rotten scoundrel’s secret to making a living online

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I recently watched a dirty little movie called Dirty Rotten Scoundrels.

Dirty Rotten Scoundrels is set on the French riviera. It stars Michael Caine as Lawrence, a dapper English scammer who charms rich and corrupt women for large sums of money… and Steve Martin as Freddie, a classless American jackass who milks the pity of any woman for tiny bits of money.

It’s been a few days since I saw the movie. The following monologue by Caine’s dapper scammer is what’s stuck in my mind:

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Freddie, as a younger man, I was a sculptor, and a painter, and a musician.

There was just one problem. I wasn’t very good. As a matter of fact, I was dreadful.

I finally came to the frustrating conclusion that I had taste and style, but not talent.

Fortunately, I discovered that taste and style are commodities that people desire.

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Like I said, this stuck with me. Maybe it will stick with you too.

You don’t have to scam anybody — that’s not what this is about.

But what Caine says about taste and style is true. They are commodities that people will pay for.

The amazing thing is that whatever your taste and style — ahem, obscure and campy 80s comedies — there are people out there who will appreciate it. And thanks to the miracle of the Internet, it’s easy and affordable to find such people.

I rely heavily on this, simply curating ideas, articles, movie scenes that I find interesting or funny or outrageous.

You can do the same. You can use your own taste and style, and simply share ideas that somehow impressed you or stuck with you.

That’s all you need to do, and you can be successful.

But if you want to do something a little bit extra with those ideas that impressed you or stuck with you, you can apply what I call the Most Valuable Email trick.

The result will be something that goes beyond what most other people will ever do.

In case you’re curious:

https://bejakovic.com/mve/

The first commandment of A-list copywriters

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Steve Martin has a standup comedy bit about clueless guys in bars.

“The way I meet girls,” Steve starts, “is by looking cool. The important thing is to have a great opening line.”

So he takes a sip of water, grits his teeth to take the sting out, and walk over to an imaginary girl. After a cocky pause and a twitch of his brow, he unleashes the killer line:

“Yeah… I make a lot of money.”

This is how it is in marketing, too. Most advertisers think they’re being suave, and instead put out ads full of hyperbole and empty claims. When prospects see these ads, they do what most girls would do with Steve Martin above. A roll of the eyes. Instant dismissal.

But don’t take my word for it. This was the opinion of one Gary Bencivenga, an A-lister whose star shines brightest on the copywriters Walk of Fame.

According to Gary, the two most powerful words in advertising are neither “FREE” nor “NEW.” Instead, the two most powerful words are, “Yeah, sure.” That’s why Gary’s number one commandment was to put proof above all other elements in his ads.

But you probably know all this. So I won’t go on more about proof or Gary Bencivenga. Instead, let me make a confession.

For the past several months, I’ve been working on a book about something I call “insight marketing.”

My original plan was to write this book in 28 days. Well, that didn’t happen.

I’m making progress on the book (about halfway done) but it’s taking way more research and thinking than I planned originally.

So while I continue to write this book about insight, I decided to put out more tiny Kindle books on topics I already know a lot about.

And that’s where all of that Steve Martin/Gary Bencivenga stuff above hooks in. It’s the beginning of the first chapter of my upcoming book.

How upcoming? 28 days, of course. If you want to know when it’s out, you can sign up for my daily email newsletter, in which I write about persuasion and marketing, much like you read above.

Story-deaf jerks

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I saw an ad today for a trendy copywriting course.

For the low price of $37, it teaches you “critical plot techniques” and “the secret to creating a protagonist.” In other words, this is a course on storytelling.

I’m sure this course is selling. But I wouldn’t buy it, and I wouldn’t recommend it to anyone else.

Don’t get me wrong. There are people who are excellent storytellers. And there are people who are completely story-deaf. They are the storytelling equivalent of Steve Martin in The Jerk — a white man clapping his hands and stomping his feet in the most off-rhythm, hopeless way possible… while his black family sits on the porch and sings Pick a Bale of Cotton.

But the vast majority of people are not at either of these extremes.

Most people are not, and will never be, Dave Chappelle-level storytellers. But most people can tell a story just fine. It’s an innate human skill, much like blinking your eyes. No need for a course that teaches “7+ story integration strategies” or “How to create a theme for your story.”

Want a storytelling tip worth paying for? Here’s one I got from my ex copywriting coach, a successful and well-paid copywriter:

In many places where you think you need a story, you actually don’t. All you really need is a scene, a snapshot.

Like in the Jerk reference I made above. I could have told you the whole story up to that scene, and included half the movie that follows. But the snapshot was enough.

And when a snapshot is not enough, then two connected snapshots, or three, might do the trick.

Start to think of storytelling in this cinematic way. Soon you won’t need a course on storytelling… any more than you need a course on snapping your fingers to the beat.

Before I go:

I write a daily email newsletter with messages like the one you’ve just read. If you’re interested in copywriting, marketing, or persuasion, you might find it valuable. Or you might not. But if you want to give it a try, here’s where to sign up.