“Email Marketing: A Lecture by Rowan Atkinson”

Here’s a quick checklist of elements that make for engaging, effective, and influential emails:

1. Conflict, outrage. We seem to take a constant delight in seeing or participating in a fight. The more real it is, the more engaging it is. The more status the fight participants have, the more engaging it is.

2. Surprising connections between unrelated things, or surprising distinctions in things that seemed simple and unified.

3. Metaphors, analogies, and “transubstantiation.”

4. Angst. All good copy is rooted in angst. As Dan Kennedy likes to say, “The sky is either falling or is about to fall.”

5. Imitation and parody.

6. An engaging character. As Matt Furey didn’t but should have said, “For the email marketer, nothing transcends character.” The email of personality, rather than the email of “value.” Email is not about sharing valuable information. It’s about writing about normal things in a valuable and interesting way. It’s about accuracy of human observation and precision of the observation.

7. All right, enough of this. Let me come clean:

Everything I’ve just told you actually comes from a video titled “Visual Comedy: A Lecture by Rowan Atkinson.”

Atkinson you might best know as the clumsy priest from Four Weddings and a Funeral.

I watched Atkinson’s Visual Comedy guide a few days ago, expecting to be entertained. And I was that. But I found the video surprisingly full of deep analysis of what actually makes for visual comedy. It was like a prehistoric episode of the Every Frame a Painting series, if you’ve ever seen that.

And not only was this video insightful.

I realized that much, or maybe all, of what makes for good visual comedy can be ported very easily to email marketing.

For example, point #1 above is really about slapstick. As the Visual Comedy video says, “We seem to take a constant delight in seeing people hurt and humiliated. The more real it is, the funnier it is. The more dignified the victim, the funnier it is.”

And that Matt Furey non-quote in point #6?

​​It actually comes from Charlie Chaplin. “For the comedian, nothing transcends character.”

If you like, I’ve linked the entire Rowan Atkinson video below. You can watch it and try to figure out which techniques of visual comedy I mapped to each of my email marketing points above.

Of course, there’s more in this video than just what I’ve written above. The list of connections between visual comedy and email marketing is long and distinguished, and doesn’t just stop at 6″.

As just one example:

Maybe the most valuable part of this video is the detailed discussion of what exactly makes for an engaging character in visual comedy. I found almost all of this applied to email marketing directly, without the need for even the smallest bit of translation. Now that I think about it, maybe it’s a lesson I should apply myself.

So to wrap up:

​If you’re a goofy and thoughtless person who enjoys laughing when somebody slips on a banana peel…

​Or if you’re a deep and serious thinker who is interested in uncovering the hidden structure of things most people take for granted…

​Then I believe you will get value out of this video. Or maybe you’ll just get some pointed human observation. You can find it below. Before you click to watch it, you might want to sign up for my daily email newsletter, and get more insightful things like the essay you’ve just read.

I’ve thought this email over a lot, I wanted to get it just right

Picture the scene:

A man, wearing a pastel flower-print shirt and unmatching shorts, runs down the street after a stylishly dressed woman.

HIM: Um, look.

She turns around.

HIM: Sorry. I just… um, well this is a really stupid question, particularly in view of our recent shopping excursion [they had just been shopping together for the woman’s wedding gown]… but ah… I just wondered… if by any chance, um… ah… well obviously not, because I’m just some git who’s only slept with nine people… but I just wondered… I really feel… um… in short, to recap in a slightly clearer version… in the words of David Cassidy, in fact, while he was still with The Partridge Family… I THINK I LOVE YOU. And I just wondered if by any chance you wouldn’t like to… um… ah… um… no… no… no, of course, not. I’m an idiot. He’s not. Excellent, excellent. Fantastic. Lovely to see you. Sorry to disturb. Better get on.

The man turns to leave.

HER: That was very romantic.

The man turns to face her again and winces.

HIM: Well, I thought it over a lot. I wanted to get it just right.

That’s a scene from the 1994 movie Four Weddings and a Funeral. The man in the scene is played by Hugh Grant, in his typical 90s role as a boyishly charming uber-Englishman.

I bring this scene up because over the last few days, I’ve been talking about denial. When people are faced with a situation… or realization… or personal characteristic that they find unacceptable… and so they take various evasive maneuvers.

Such as for example, making a joke out of it.

That’s what’s happening in the last line of that scene above. Hugh has just put his heart on the line, he’s been tacitly rejected, and he’s made a donkey out of himself.

​​What better way to put it all behind than with a bit of irony?

Vilaynur Ramachandran, the neuroscientist whose book got me thinking about denial in the first place, says that denial explains why so much of humor deals with sensitive topics like sex and death.

​​And I guess it explains 90% of the life work of Woody Allen.

So the conclusion is, when you hear people making a joke out of something… well, um… ah… to put it more concretely, in the words of Eric Idle in fact, while he was still with Monty Python… WHEN YOU PURSE YOUR LIPS AND WHISTLE, IT MEANS YOU’RE CHEWING ON — but of course. How silly of me. Sorry, terrible. You must already know what I’m getting at. And you wouldn’t perhaps want to… but of course not. No. Excellent. Excellent. Lovely to see you. Better get on.