Eric Betuel

12 sticky disciples to get your message out into the world

by

If I ever launch my AIDA University, a 4-year, overpriced curriculum teaching people how to persuade, the mandatory reading for the first semester will include the book Made To Stick.

In that book, authors Chip and Dan Heath tell you how to create a message that sticks.

Basically, they say that you should turn your message into a simple, unusual, concrete, and emotional story.

Which is all good and fine but— are simple, dramatic stories really the only kinds of sticky messages?

Clearly no. I imagine that, in the interest of making their own message sticky, that is, simple and concrete, the Heath brothers decided to stick to teaching just one sticky format.

But I’ve been keeping track of different kinds of sticky messages. Today, I’d like to share them with you.

If you have an idea you want to go out into the world, then here are 12 ways, 12 little disciples, that can preach your message from the housetops:

1. Story, particularly drama

Well ok, yes, this is familiar enough, and it’s what Chip and Dan Heath talk about as well. (Bear with me. I have different ones after this one.)

2. High stakes

Classic example: Stansberry’s “The End of America” video sales letter, which was one of the two or three biggest direct response campaigns of all time, bringing in hundreds of millions of dollars through a single VSL.

3. Visuals

Here’s one that made Rich Schefren’s Internet Business Manifesto stick:

Rich Schefren's Internet Manifesto | Tyrone Shum | Flickr

4. Exercises

The first thing that comes to my mind is the following old chestnut, used as a sticky message to illustrate lateral thinking or the absence of it:

Say we have a pen and a piece of paper with 9 evenly spaced dots (as shown). How do we draw 4 straight lines through the 9 dots, without ever lifting our

5. Quizzes

Is your “fat loss type” an I, G, C, or T? What’s your Myers-Briggs? Are you a Pisces or a killer whale? Take our quiz to find out what this says about you as a marketer.

6. Metonyms

A metonym, as I learned once but keep forgetting, is “a figure of speech in which one word or phrase is substituted for another with which it is closely associated, as in the use of Washington for the United States government.”

A great pop culture example of using a metonym to get the point across and to persuade the other side comes from the movie Ford v. Ferrari.

In that movie, Matt Damon, playing car designer Carroll Shelby, is explaining to Henry Ford III why Ford’s sports driving team sucks.

Damon points to a little red folder that one of Ford’s underlings is currently thumbing through (the folder is the metonym, albeit nonverbal) and says:

“As I sat out there in your lovely waiting room, I watched that little red folder, right there, go through four pairs of hands before it got to you. Course that doesn’t include the 22 or so other Ford employees who probably poked at it before it made its way up to the 19th floor. All due respect, sir, you can’t win a race by committee.”

7. Parallel case studies

… which are a subset of dramatic stories, but which occur often enough and are successful often enough compared to regular stories, that they warrant including.

A famous example is the Wall Street Journal “Two Young Men” sales letter, though wise marketers (eg. Andre Chaperon) have been using the same format online as well.

8. Authority (scientific research)

Scientists from MIT report that this kind of message is very sticky, in fact 38% stickier than the average.

9. Demonstration

“It slices, it dices, it makes julienne fries.” Good if you get to see the demonstration on TV… better yet if you see it live… best if you can actually experience it directly on yourself.

10. Outrage/saying the “wrong” thing/playing against type

This is what a huge chunk of classic direct response headline complexes are about. Think “Lies Lies Lies” by Gary Bencivenga… “What THEY Don’t Want You To Know” by Eric Betuel… or “Why Haven’t TV Owners Been Told These Facts” by Gene Schwartz.

11. Rhyme, alliteration, or co-opting phrases that already exist in the mind

This is a broad category but it all comes down to wordplay of one sort or another that our brains seem to enjoy:

– “If the glove don’t fit, you must acquit”

– The “Big Black Book” series of big Boardroom blockbusters

– “The Plague of the Black Debt,” which along with the End of America above, is another of the two or three biggest direct response campaigns of all time

12. Metaphor or analogy

An analogy is like a listicle, in that it organizes under one umbrella a number of related points, some of which are strong, and others, which can be disguised and hidden among the stronger ones.

If you have other good categories of sticky messages, write in and let me know. I am putting together a new book in which this kind of stuff will feature. I will appreciate your help, and maybe what you send me will wind up in the book.

Meanwhile, if you haven’t done so yet, you might enjoy my most recent book,

“10 Commandments of Con Men, Pickup Artists, Magicians, Door-to-Door Salesmen, Hypnotists, Copywriters, Professional Negotiators, Political Propagandists, Stand Up Comedians, and Oscar-Winning Screenwriters”

In that book, you can find lots of simple, unusual, concrete, and emotional stories.

But you can also find demonstrations (check out the very first sentence of the intro)… outrage (that’s the whole point of featuring con men and pickup artists in the title)… co-opting phrases that already exist in the mind (“10 Commandments”)… authority… quizzes… high stakes… and even visuals, at least such as can be done with words (specifically, the opening of Commandment V).

For all that, and more:
​
https://bejakovic.com/new10commandments

How to create a selling style people love to read

by

Let’s talk about the infamous Arthur P. Johnson.

I say “infamous” because the man was as unlikely as anyone ever to become a successful sales copywriter.

Johnson graduated from Swarthmore College with highest honors. He then went to Oxford University for a graduate degree. He had ambitions of becoming a poet, and a backup plan of becoming an academic.

Yet, through a chance runin at a bar with a former classmate, Johnson gradually got sucked into the world of direct response. He first worked at the Franklin Mint, writing copy for collectibles (a good education — how do you sell something with no obvious benefits?).

He next worked in product development at another collectibles company. Finally, even though he did not want to write copy any more, he stumbled into freelance copywriting. And that’s when things really took off.

Johnson wrote controls for a number of major publishers, including Boardroom and Agora. He made himself a fortune in the process.

He was so successful he made it onto Brian Kurtz’s Mount Rushmore of greatest copywriters, along with Parris Lampropoulos, David Deutsch, and Eric Betuel.

And here’s the lesson. When Arthur P. Johnson was asked what he attributes his success to, he said the following:

“I think that I’m able to sell products in a more entertaining way than a lot of other people are. I think that being entertaining while you are selling is a big key to success in a very crowded marketplace these days, because you really have to buy people’s attention.”

Johnson did most of his work in the 90s and 2000s. But this lesson, about having to be entertaining to sell, is even more true today than it was back then.

I’m proof of this.

Not with these emails, where I rarely sell anything.

But starting earlier this year, I’ve helped move hundreds of thousands of dollars worth of ecommerce products.

​​I’ve done it by writing emails, much like this one, that tell some kind of story or share a joke or just a funny picture. And those emails most often link to advertorials I also wrote… which contain more of the same — stories, fake personal confessions, and light humor (so I think).

The thing is, I’m not particularly entertaining in real life, or when writing things other than copy. In other words, all this entertainment stuff can be learned by rote.

So how do you learn it?

Two ways:

First, start paying attention to the books, shows, emails, and movies you yourself find entertaining.

Second, read or re-read Commandment IX of my 10 Commandments of A-List Copywriters.

No, this chapter is not a how-to for writing entertaining copy. But it will give you some successful examples of such copy that are running right now.

Plus it will even give you some advice on who and what to study if you want to get better at entertaining in your copy.

And once you start to entertain in your copy, expect people to comment on how interesting your writing is. Expect to have them say how they look forward to hearing from you. And most of all, expect to have them buy — as long as you’ve got anything to sell.

Speaking of which, I happen to have something to sell tonight. In case you don’t yet have my 10 Commandments book, here’s the link:

https://bejakovic.com/10commandments

Half a mil (and then some) for a single copywriting project

by

In 1997, while the stock market was in the middle of a nice bull run, direct response publisher Boardroom ran a promo. It was written by an A-list copywriter, Eric Betuel. It promised readers information on how to protect themselves and profit from “big money shocks.”

A year later, the mood had started to change. The market was overheating and all that dot-com money was going crazy. So Boardroom ran the same promo with another cover, talking about how to protect yourself and profit from the “coming worldwide money panic.”

Then in the spring of 2000, Nasdaq hit its peak and then quickly dropped 20%. Boardroom ran the same promo again. The new cover talked about the “coming stock market panic.”

Over the course of 5 years, this Boardroom promo mailed over 12 million times. Going at 5 cents per mailing, that means Betuel earned over $600,000 for this piece of copy. Not bad for a one-time project, along with a few new headlines about the unseen dangers lurking beyond the horizon.

Another A-list copywriter, Gary Bencivenga, once said there are two parts to copywriting: 1) opening the sale, and 2) closing the sale.

If history is any guide, opening the sale is the more fickle part of this equation. You might have to toss lots of different bait in the water. Much of it might not get a bite. But once that marlin is lured in and hooked, the same proven and almost automated process will work to pull the big beast out.