Story-deaf jerks

I saw an ad today for a trendy copywriting course.

For the low price of $37, it teaches you “critical plot techniques” and “the secret to creating a protagonist.” In other words, this is a course on storytelling.

I’m sure this course is selling. But I wouldn’t buy it, and I wouldn’t recommend it to anyone else.

Don’t get me wrong. There are people who are excellent storytellers. And there are people who are completely story-deaf. They are the storytelling equivalent of Steve Martin in The Jerk — a white man clapping his hands and stomping his feet in the most off-rhythm, hopeless way possible… while his black family sits on the porch and sings Pick a Bale of Cotton.

But the vast majority of people are not at either of these extremes.

Most people are not, and will never be, Dave Chappelle-level storytellers. But most people can tell a story just fine. It’s an innate human skill, much like blinking your eyes. No need for a course that teaches “7+ story integration strategies” or “How to create a theme for your story.”

Want a storytelling tip worth paying for? Here’s one I got from my ex copywriting coach, a successful and well-paid copywriter:

In many places where you think you need a story, you actually don’t. All you really need is a scene, a snapshot.

Like in the Jerk reference I made above. I could have told you the whole story up to that scene, and included half the movie that follows. But the snapshot was enough.

And when a snapshot is not enough, then two connected snapshots, or three, might do the trick.

Start to think of storytelling in this cinematic way. Soon you won’t need a course on storytelling… any more than you need a course on snapping your fingers to the beat.

Before I go:

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